Guberti Giulio (11 results)
Published by ELECTA, MILANO, 1997
Seller: Libreria Rita Vittadello, CAMPOSAMPIERO, PD, ItalyLibreria Rita Vittadello
Contact seller5-star sellerN.P AG.160 BROSSURA - OTTIMO.
- Softcover
Seller: Miliardi di Parole, Pietra Marazzi, AL, ItalyMiliardi di Parole
Contact seller5-star sellerCondition: Used - Good
£ 10.72
£ 19.04 shippingShips from Italy to U.S.A.Quantity: 1 available
Condition: Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Discrete con Difetti, bruniture.
- Softcover
Seller: Librodifaccia, Alessandria, AL, ItalyLibrodifaccia
Contact seller5-star sellerCondition: Used - Good
£ 7.63
£ 23.71 shippingShips from Italy to U.S.A.Quantity: 2 available
Condition: Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Ottime.
Published by , Comune di Ferrara,, 1981
- Softcover
Seller: Studio Bibliografico Marini, ROMA, RM, ItalyStudio Bibliografico Marini
Contact seller4-star sellerpaperback. Condition: Ottimo (Fine). Catalogo di mostra, Ferrara (Padiglione d'Arte Contemporanea Parco Massari), Modena Galleria Civica), Forlì (Palazzo Albertini), Ravenna (Pinacoteca Comunale Loggetta Lombardesca). Numerose ill. in nero (opere di Riccardo Biavati, Alessandra Bonoli, Giorgio Colombani, Gianni Guidi, Sergio Mon…ari, Bruna Musso, Giovanni Scardovi, Sergio Zanni e Giorgio Zucchini) . 8vo. pp. 60. . Ottimo (Fine). . . . Book.
- Softcover
- First Edition
Seller: Il Mondo Nuovo, TORINO, TO, ItalyIl Mondo Nuovo
Contact seller5-star sellerCondition: Used - Fine
£ 12.26
£ 29.75 shippingShips from Italy to U.S.A.Quantity: 1 available
Condition: Ottime. Prima Edizione. Catalogo mostra, Ravenna, 26 Ottobre 1997- 25 Gennaio 1998. Libro fuori catalogoNum Pagine 162 brossura editoriale con bandelle. numerose a colori e in b/n (illustrator).
Published by Roma Loggetta Lombardesca, 1983
- Softcover
Seller: Antiquariat Fluck, Berlin, GermanyAntiquariat Fluck
Contact seller5-star sellerAssociation member: GIAQ
Condition: Used
£ 26.26
£ 28.05 shippingShips from Germany to U.S.A.Quantity: 1 available
Add to basketOriginal-kartoniert mit illustriertem Original-Schutzumschlag (Englische Broschur); Gr. 8°; 155 (5) Seiten. Gutes Exemplar. Sprache: Italienisch 550 gr.
Published by Edizioni Il Porto, Ravenna, 1986
Seller: Libreria Parolini sas, Bologna, BO, ItalyLibreria Parolini sas
Contact seller5-star sellerbross. ed. ill. pp. 26-(1) 8° carré 44 immagini fotografiche b.n. f.t. di interni e persone. In ottimo stato.
More images- Softcover
- First Edition
Seller: Il Leviatano, Torino, TO, ItalyIl Leviatano
Contact seller4-star sellerCondition: Used - Fine
£ 15.76
£ 33.15 shippingShips from Italy to U.S.A.Quantity: 1 available
Add to basketBrossura. Condition: ottimo. prima edizione. Catalogo della mostra, brossura, 58 pagine, illustrazioni in bianco e nero, 15x21 cm. Artisti coinvolti: Sergio Monari, Gianni Guida, Giovanni Scardovi. Ottima copia.
- Softcover
Seller: Libreria Salimbeni, Firenze, ItalyLibreria Salimbeni
Contact seller4-star sellerCondition: Used - Very good
£ 21.89
£ 34.00 shippingShips from Italy to U.S.A.Quantity: 1 available
Add to basketCondition: Molto buono. Milano, Grafiche A. Nava, 1974. In 8 obl., pp. 87, illustrazioni nel testo, br. edit. Catalogo di mostra: Ravenna, Pinacoteca Loggetta Lombardesca, 28 giugno-31 agosto 1974.
Published by Ravenna: Agenzia editotiale Essegi, 1986, 1986
- Softcover
- First Edition
Seller: °ART...on paper - 20th Century Art Books, Lugano, Switzerland°ART...on paper - 20th Century Art Books
Contact seller5-star sellerAssociation member: ILAB
Condition: Used - Very good
£ 71.00
£ 21.25 shippingShips from Switzerland to U.S.A.Quantity: 1 available
Add to basketSoft cover. Condition: Very Good. 1st Edition. 8° - 245pp - B/w reproductions. The Space of Reflection in Art: Michelangelo Pistoletto (1933) Italian painter, action and object artist, and art theorist. Pistoletto is acknowledged as one of the main representatives of the Italian Arte Povera. First edition, text in Italian. Origi…nal boards. In Very good condition.
More imagesPublished by Ravenna: Essegi Editrice Ravenna, 1984, 1984
- Softcover
- First Edition
Seller: °ART...on paper - 20th Century Art Books, Lugano, Switzerland°ART...on paper - 20th Century Art Books
Contact seller5-star sellerAssociation member: ILAB
Condition: Used - Very good
£ 142.00
£ 21.25 shippingShips from Switzerland to U.S.A.Quantity: 1 available
Add to basketSoft cover. Condition: Very Good. 1st Edition. Gr. 8° - 226 pp. Richly illustrated with b/w and color plates. Very rare first edition, in fine condition. Alighiero Fabrizio Boetti (Torino, 16 dicembre 1940 Roma, 24 aprile 1994)Italian artist: Along with Giovanni Anselmo, Pier Paolo Calzolari, Luciano Fabro, Jannis Kounellis, Mar…io Merz, Giulio Paolini, Pino Pascali, Giuseppe Penone, Michelangelo Pistoletto, Emilio Prini, and Gilberto Zorio, he was part of the Arte Povera group. At the same time, he was also one of the first to distance himself from it. His most famous works are tapestries of various sizes, in which phrases and mottos invented by the artist are inserted and divided into grids (e.g., The Progressive Vanishing of Habit, From Today to Tomorrow, Creating and Recreating, I Don't Leave, I Don't Stay, I Thirst for Fire, I Hunger for Wind, etc.). Boetti proposes systems within which to act, often involving others. Or geography, mathematics, geometry, and postal services provide the platform for his choices. His work questions the traditional role of the artist, interrogating the concepts of seriality, repetition, and the authorship of the artwork. After Gemelli, the common thread linking many of his works was the underlying duality of intent in the creative process. This was especially true after experimenting with humble materials, when Boetti moved to the capital and decided to start again from something truly simple: a pencil and a sheet of graph paper. The mechanisms he invented for his works were thought structures applicable to things without ever being exhausted. Once the principle behind them was clear, they broke free from subjective patterns and allowed the freedom to self-generate like natural things. Boetti saw painting as a "betrayal" of the ideals (artistic and political) that had exploded in 1968: painting represented a sort of detachment from the real world, a detachment to be regarded with disdain for those like him who felt directly involved in the present and current events. First edition, text in Italian. Original boards. In Very good condition.
