Gruetzner Robins Anna (138 results)

Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Hardcover. Condition: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover. Ripped/damaged jacket. The dust jacket of this book is slightly damaged/ripped, however, this does not affect the internal condition.

Hardcover. Condition: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine.

Paperback. Condition: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Used-Very Good. Pap. Minor shelf wear.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized.

Paperback. Condition: Very Good. The crucial dialogue between British and French artists in the late nineteenth and early twentieth centuries, is explored for the first time in this unique publication. The pivotal figures of Edgar Degas, Henri de Toulouse-Lautrec and Walter Sickert are examined alongside Pierre Bonnard, Henri Fantin-Latour, Sir William Rothenstein, James Tissot, Edourd Vuillard and James McNeill Whistler, bringing together some of the greatest names in avant-garde art of the time. Arranged chronologically, this stunningly illustrated book examines the introduction of Degas's work to the British art world; his influence on a circle of younger artists, most significantly Walter Sickert; the growing influence of French culture on British society and the first exhibitions of the quintessentially Parisian Toulouse-Lautrec in Britain. Finally, the art scene in Paris and London at the opening of the twentieth century is examined, with special reference to the creative union of Sickert, Bonnard and Vuillard, who were all contracted to Paris art-dealers Bernheim Jeune. Featuring works either exhibited in Britain or owned by British collectors at this time, Degas Sickert and Toulouse-Lautrec includes previously unseen works as well as lavish reproductions of some of the great acknowledged masterpieces of the period. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condition: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Very Good. Mark Catesby spent many years documenting the flora and fauna of North and South Carolina, Florida and the Bahamas, resulting in a collection of beautiful watercolours, acquired by George III. Recently restored, the paintings are brought to the public eye for the first time in this exquisite volume.

Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condition: Fine. x, 230 pages, illustrations; 25 cm. Tight, clean copy. *** "While gender has been the subject of extensive critical inquiry, the debate has focused primarily on the human, particularly the female, body. The spaces bodies occupy and the ways in which those spaces are depicted in landscape art has not, however, been subject to investigation. This book is the first sustained attempt to fill this gap in art history. Using approaches informed by cultural studies, feminism, and psychoanalysis, this collection of essays charts the ways in which artists from the late eighteenth century to the present have used notions of femininity and masculinity to understand and interpret the landscape and how it is represented. Contributors offer fresh insights into gender in the work of well-known artists such as Monet and C zanne. They also focus on less familiar examples of landscape art over the past two centuries, from the public displays of monumental landscapes in late-eighteenth-century London to environmental art projects in present-day New York. / Steven Adams is principal lecturer in critical and cultural studies at the University of Hertfordshire. Anna Gruetzner Robins is lecturer in the history of art at the University of Reading." - Publisher. *** CONTENTS: Signs of Recovery: Landscape Painting and Masculinity in Nineteenth-Century France, by Steven Adams; Technique and Gender: Landscape, Ideology and the Art of Monet in the 1890s, by Anthea Callen; The Marketing of Helen Allingham: The English Cottage and National Identity, by Anne Helmreich; In the Bleaching Fields: Gender, Landscape and Modernity in the Netherlands 1880-1929, by Jane Beckett; Landscape, Space and Gender: Their Role in the Construction of Female Identity in Newly Independent Ireland, by S ghle Bhreathnach-Lynch; Soviet Superwoman in the Landscape of Liberty: Aleksandr Deineka's Razdole, 1944, by Pat Simpson; Landscape, Masculinity and Interior Space Between the Wars, by David Peters Corbett; C zanne's Maternal Landscape and Its Gender, by Paul Smith; Robert Smithson's Technological Sublime: Alterities and the 'Female Earth', by Caroline A. Jones; Gender in Perspective: The King and Queen's Visit to the Panorama in 1793, by Denise Blake Oleksijczuk; 'Ain't Going Nowhere': Richard Long: Global Explorer, by Anna Gruetzner Robins; Trash: Public Art by The Garbage Girls, by Jo Anna Isaak. Size: 8vo.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1350grams, ISBN:9781858940328.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. In the late 19th century, the exploding populations and hectic speed of life in London and Paris fascinated artists on both sides of the English Channel. French artists Edgar Degas and Henri Toulouse-Lautrec pioneered new ways of representing the city, profoundly influencing British artists as they did so. Walter Sickert fully embraced their Bohemian vision, creating brooding portrayals of the seamier side of urban life. Works by these and other key artists, including Vuillard, Bonnard, Tissot, and Whistler, include society portraiture and posters as well as scenes in bars, music halls, and theaters-evocative images of the decadence and spectacle of the fin-de-siècle metropolis.

Unknown. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in poor condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1700grams, ISBN:9781854376343.

Soft cover. Condition: Near Fine. 1st Edition. Beautiful clean copy. Spine is square and tight. No edge wear or corner bumps. No markings in text. Two light marks on back cover, else fine. 4to - over 9¾ - 12" tall.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. In the late 19th century, the exploding populations and hectic speed of life in London and Paris fascinated artists on both sides of the English Channel. French artists Edgar Degas and Henri Toulouse-Lautrec pioneered new ways of representing the city, profoundly influencing British artists as they did so. No Flaws or Blemishes but minimal shelf handling; Still Gift Quality.

paperback. Condition: Very Good. No Jacket. paperback, 11 3/5" x 9 1/5", pictorial card covers, a very good tightly bound copy with a clean and unmarked text, illustrated throughout, 231pp. Published to accompany the exhibition of the same name. A large, heavy volume which may, if ordered from locations outside the United Kingdom, attract a request for additional postage.

Soft cover. Condition: Very Good. Laid in are 2 leaflets from Barbican Art Gallery for exhibit of Modern Art in Britain.