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A Fragile Modernism: Whistler and His Impressionist Followers (Paul Mellon Centre for Studies in British Art) (The Association of Human Rights Institutes series) - Hardcover

 
9780300135459: A Fragile Modernism: Whistler and His Impressionist Followers (Paul Mellon Centre for Studies in British Art) (The Association of Human Rights Institutes series)
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Whistler embarked on a new project in the 1880s, working on a small scale in oil, pastel and watercolor to depict new London subjects and painting portraits of new urban types. This book, the first critical study of Whistler and his Impressionist followers, offers an in-depth analysis of Whistler's art as well as new insights into his modernist project. Using a wealth of primary material, Robins tracks the history of Whistler and his group and shows through testimony and practice that they were formulating an identity as avant-garde artists. This is the first critical study of these Impressionist artists and throws new light on this neglected aspect of British art.

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Review:
'She has drawn upon and drawn together her unrivalled familiarity with the art ... to write a mature and thought-provoking book.'
-- Wendy Baron, The British Art Journal, volo. VIII, no. 3
Synopsis:
Whistler embarked on a new project in the 1880s, working on a small scale in oil, pastel and watercolour, representing new London subjects and painting portraits of new urban types. This book is the first critical study of Whistler and his Impressionist followers and offers an in-depth analysis of Whistler's art as well as new insights into his modernist project. Anna Gruetzner Robins shows how Whistler formed an avant-garde group around himself and sought out followers who included Elizabeth Armstrong Forbes, Mortimer Menpes, Theodore Roussel, Walter Sickert and Sidney Starr to emulate his art and proselytise on his behalf. Their reminiscences and writings provide new information about Whistler's art, while their own little-known work, much of which is published here for the first time, is a testimony to its persuasive effect. Using a wealth of primary material, Robins tracks the history of Whistler and his group and shows through testimony and practice that they were formulating an identity as avant-garde artists. This is the first critical study of these Impressionist artists and throws new light on this neglected aspect of British art.

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  • PublisherYale University Press
  • Publication date2008
  • ISBN 10 0300135459
  • ISBN 13 9780300135459
  • BindingHardcover
  • Number of pages256

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Book Description Condition: New. Whistler embarked on a new project in the 1880s, working on a small scale in oil, pastel and watercolour, representing new London subjects and painting portraits of new urban types. This book studies Whistler and his Impressionist followers and offers an analysis of Whistler's art as well as fresh insights into his modernist project. Series: The Paul Mellon Centre for Studies in British Art. Num Pages: 256 pages, 90 b&w illustrations and 40 colour images. BIC Classification: ACVT; AFC. Category: (G) General (US: Trade); (U) Tertiary Education (US: College). Dimension: 256 x 192 x 22. Weight in Grams: 1089. . 2008. Hardcover. . . . . Seller Inventory # V9780300135459

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Book Description Hardback. Condition: New. New copy - Usually dispatched within 4 working days. Whistler embarked on a new project in the 1880s, working on a small scale in oil, pastel and watercolour, representing new London subjects and painting portraits of new urban types. This book studies Whistler and his Impressionist followers and offers an analysis of Whistler's art as well as fresh insights into his modernist project. Seller Inventory # B9780300135459

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