Goethe Arnim (200 results)

Condition: good. Book is considered to be in good or better condition. The actual cover image may not match the stock photo. Hard cover books may show signs of wear on the spine, cover or dust jacket. Paperback book may show signs of wear on spine or cover as well as having a slight bend, curve or creasing to it. Book should have minimal to no writing inside and no highlighting. Pages should be free of tears or creasing. Stickers should not be present on cover or elsewhere, and any CD or DVD expected with the book is included. Book is not a former library copy.…

Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condition: New. Caspar David Friedrich (1774-1840), one of the great visionaries of European art, spent all his life in Northern Germany, apart from four years studying in Copenhagen, and his output appears to consist almost entirely of German landscapes. But far from being parochial, he was, in the words of the French sculptor David d'Angers, the artist who 'discovered the tragic in landscape'. His paintings assemble minutely observed elements of nature into compo­sitions that celebrate the riches and the melancholy of a cosmos fully imbued with the divine, while never losing an almost hallucinatory engagement with reality. For all their clarity, they are the quintessence of Romanticism.Almost too familiar today, to Friedrich's contemporaries these extraordinary paint­ings were astonishing and challenging. This volume records the reactions of some of the most prominent figures of German Romanticism: Kleist, Brentano and Arnim (in a witty series of dialogues between gallery visitors alternately bewitched and bewildered by Friedrich's Monk by the Sea), the painter and physiologist Carus, the psychologist Schubert, the Russian poet and translator Zhukovsky. A piece by Goethe and his colleague Heinrich Meyer records the somewhat baffled admiration of the earlier generation; and Friedrich's own Commandments of Art breathes the almost overwhelming passion with which he approached his vocation. An introduction by the leading scholar Johannes Grave situates Friedrich's art and its reception in the context of the Romantic movement both in Germany and in Europe as a whole.…

Paperback. Condition: New. Caspar David Friedrich (1774-1840), one of the great visionaries of European art, spent all his life in Northern Germany, apart from four years studying in Copenhagen, and his output appears to consist almost entirely of German landscapes. But far from being parochial, he was, in the words of the French sculptor David d'Angers, the artist who 'discovered the tragic in landscape'. His paintings assemble minutely observed elements of nature into compo­sitions that celebrate the riches and the melancholy of a cosmos fully imbued with the divine, while never losing an almost hallucinatory engagement with reality. For all their clarity, they are the quintessence of Romanticism.Almost too familiar today, to Friedrich's contemporaries these extraordinary paint­ings were astonishing and challenging. This volume records the reactions of some of the most prominent figures of German Romanticism: Kleist, Brentano and Arnim (in a witty series of dialogues between gallery visitors alternately bewitched and bewildered by Friedrich's Monk by the Sea), the painter and physiologist Carus, the psychologist Schubert, the Russian poet and translator Zhukovsky. A piece by Goethe and his colleague Heinrich Meyer records the somewhat baffled admiration of the earlier generation; and Friedrich's own Commandments of Art breathes the almost overwhelming passion with which he approached his vocation. An introduction by the leading scholar Johannes Grave situates Friedrich's art and its reception in the context of the Romantic movement both in Germany and in Europe as a whole.…

Hardcover. Ex-library, with the usual ownership markings and withdrawn stamp; covers slightly edge-worn; pages faintly toned; otherwise very good condition. . 455p. Illus. Frontispiece.

Condition: New.

Condition: New.

Condition: New. 2025. 1st Edition. paperback. . . . . .

Ln. Condition: Sehr gut erhalten. 210 (2) Seiten; Mit OSU, dieser mit Randläsuren und Einrissen Papier nachgedunkelt, Umschlag sehr einfache Papierqualität, etwas brüchig Auswahl: Kantorowicz, Alfred; Einleitung von: Kantorowicz, Alfred.

Condition: New. In English.

Condition: New. 2025. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

Condition: New.

Condition: New.

Mit Ill. v. H. Batholomäus. 208 S. OLwd. - NaV., vord. Deckel etw. fleckig. 1.

Condition: New.

Condition: New.

Hardback or Cased Book. Condition: New. Goethes Briefwechsel mit Einem Kinde Herausgegeben. Book.

* Ausgabe: 2. Auflage * Umfang/Format: 208 Seiten ; 8 * Anmerkungen: Ausz. Status nach VGG: lieferbar * Einbandart und Originalverkaufspreis: : 5.20 Zu den kostbarsten Schätzen der gesamten Briefliteratur, fortreißend durch Lebendigkeit, ergreifend durch die Leidenschaftlichkeit persönlichsten Bekenntnisses, fesselnd als unmittelbarer Ausdruck des Zeitalters der Romantik, zählen Bettine von Arnims, des ?wunderlichen Kindes",Briefe an und überGoethe, die sie selber 1835 als ?Goethes Briefwechsel mit einem Kinde" herausgab. So sehr mitunter die stürmische Naivität der Briefschreiberin erheitern mag, so sind die Briefe trotz aller poetischen Verklärung Goethes, ein bedeutsamer Beitrag zur Kenntnis des Dichters und seines Kreises. ?Es gibt kein anderes Buch, das diesen Briefen in Gewalt der Sprache wie der Gedanken an die Seite zu setzen wäre", urteilte kein Geringerer als Jacob Grimm. Alfred Kantorowicz' behutsame, sorgfältig durchdachte und dem Originalwerk in jeder Hinsicht gerecht werdende Auswahl, welche Goethes Antworten an Bettine vollzählig bringt, ist den Bedürfnissen und der Aufnahmefähigkeit der heutigen Zeit sorglich angepaßt. Sie wird jedem, der mehr als bloße Unterhaltung sucht, vielseitigen Genuß und innere Bereicherung schenken. gutes Exemplar, altersgemäß gebräunt, Gesamtzustand gut * Verlag: Schwerin : Petermänken-Verl. * Bindung: gebundene Ausgabe.…

Condition: New.

323 S. Leinen mit Schutzumschlag. Sauberes Exemplar ohne Stempel und Anstreichungen. Sehr gut erhalten. Sprache: deu.

Contemporary half leather binding with title gilt on spine. Spine ends a bit worn, else good. Text in German (Fraktur type font) Please see description or ask for photos.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

OBroschur. Condition: Gut. Auff. 17. u. 24. Juni 1928 im Goethe-Theater Lauchstädt. 8 S. mit Stab, Besetzung u. Preisen, geheft. OBroschur, 8°. Mit 1 Abb. des Theaters auf dem Titel sowie Bildportraits v. Euripides u. Goethe. Fleckig, Hinterdeckel an unterer rechter Ecke stärker schmutzfleckig, Heftklammern angerostet. Noch gutes Exemplar. Broschüre. …

Condition: New. In English.

Condition: New.

Condition: New.

Condition: New. In English.

Kl.8°, 208 S., farb. illustr. OPpbd., Kopfgrauschnitt, Bd. ger. berieben, kl.Fehlst. a. ob. Kap., Vors. gebräunt; insges. schönes Expl. Erste Ausgabe in dieser Form.