Gleeson White Joseph (23 results)

Joseph M. Gleeson and Paul Bransom (color plates); Rudyard Kipling (black and white) (illustrator). Condition: Good (G) Please see all photos. This copy shows external wear but remains structurally sound and complete. The deep blue cloth boards are mildy rubbed and scuffed, with noticeable wear at the head and tail of the spine. The corners are lightly bumped and show minor exposed board on one. The color pictorial onlay on the front cover is intact, though it exhibits some light surface soil. The hinges are solid, and the text block remains square. Internally, the pages are clean and free of significant foxing, though they show a general age-toning characteristic of 1920s paper stock. There is staining on pages on copyright page and verso to left frontis page, alsominorly to gutter between frontis and title page. Page 3 is missing lower right page corner. There are three color plates, and a double page color frontispiece; they are well-preserved, with no major tears or staining observed. There are no former owner inscriptions or library markings.

Condition: New. In.

VIII, 327 (1), 4 pages. With a lot of illustrations und 2 folded plates. Illustrated original cloth binding. 19x13 cm * Dedication copy: handschrifltich - "Erinnerung an Gleeson White von Frau Gleeson White gestiftet L. 18. 8. 1900" ----- Joseph William Gleeson White (18511898), often known as Gleeson White, was an English writer on art. He was born in Christchurch, Dorset and educated at Christ Church School and afterward became a member of the Art Workers Guild. While living in Christchurch, he had briefly housed Richard Le Gallienne during the summer of 1888. He moved to New York City in 1890 where he conducted the Art Amateur (189192). He returned to England in 1893. He was the first serving editor of The Studio, founded by Charles Holme in 1893 (Lewis Hind had acted as editor for four months before the launch of the magazine). In 1895 Holme took over as editor himself, although Gleeson White continued to contribute for the rest of his life. He also edited during his last years the "Ex Libris Series"; the "Connoisseur Series"; the "Pageant"; and, with Edward F. Strange, Bell's "Cathedral Series." (Quelle Wikipedia) Sprache: Englisch Gewicht in Gramm: 700.

1st edition. 4to. Colour and b/w. plates, b/w. illustrations. Original printed wrapps. with some minor wear to edges. US$7.

1st edition. 4to. Colour and b/w. plates, b/w. illustrations. Slightly rubbed original printed wrapps., browned to spine and edges. US$7.

1st edition. 4to. Colour and b/w. plates, b/w. illustrations. Slightly rubbed original printed wrapps. US$7.

1st edition. 4to. Colour and b/w. plates, b/w. illustrations. Original printed wrapps. with some minor wear to edges. US$7.

Gebunden. Condition: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.

Hardcover. Condition: Very Good. Joseph Gleeson White (illustrator). First Edition. London: Gay and Bird, 1893. Foolscap 8vo. First edition. [x],48,[2]pp. §Number 28 of an edition of 100 numbered copies on hand-made paper. (A further 25 copies were issued: identically bound, but printed on Japanese vellum). Krishnamurti 723. This being one of the copies with 'Paradox' and 'At Midnight' in place of the suppressed poems 'To a Sicilian Boy' and 'L'Eternal Feminin' (but their titles remain in list of contents). Original parchment, upper cover with decorative orange tulip design by Gleeson White, with later expert parchment reback (spine unlettered as the original). Touch of soiling to covers, and small patch of surface rubbing to lower edge of design. Free endpapers browned. Small dent to foot of title-page slightly below imprint, to right. Ink ownership initials of one D.G. (no doubt Dorian Gray) - dated 1905 - to front free endpaper. §A very good copy, expertly rebacked.

1st ed. Contains the first publication of 2 poems by Oscar Wilde, and was the first in England to contain work by Emily Dickinson. Owner's stamps on end papers; pages generally clean in tight binding; head & foot of spine worn; spine darkened, with dull gilt Used - Good. Good hardcover in green cloth with gilt Used - Good. Good hardcover in green cloth with gilt.

Condition: Poor. Gift plate inside front cover. Tanning and light foxing, all legible. Showing minor shelf wear.

Condition: New. Print on Demand pp. 144.

1st edition. Good copy in the original title-blocked cloth. Boards dust-toned. Spine bands and panel edges slightly bumped and rubbed as with age. Internally, bright and clean. Remains quite well-preserved overall. Physical description: 266, viii p., plates : ill.; 27cm. Subjects: Shannon, Charles Haslewood 1863-1937. Symbolism (Art movement); Periodicals.Aesthetic movement (Art); Periodicals. Arts, Modern 19th century; Periodicals.Symbolism (Art movement)Pre-RaphaelitismDecadence (Literary movement). English literature History and criticism. Genre: Periodicals. Summary: Edited by C. Hazlewood Shannon and J.W. Gleeson White. Short-lived fin-de-siècle art and literary journal. Includes literary contributions by Charles Ricketts (who designed the cover of the journal), Lucien Pissarro, by Austin Dobson, Michael Field, Edmund Gosse, Victor Plarr, John Gray, Max Beerbohm and Selwyn Image. Artists whose work is illustrated include Dante Gabriel Rossetti, Laurence Housman, Charles Conder, Reginald Savage, Walter Crane, Gustave Moreau, Charles H. Shannon, Puvis de Chavannes, Edward Burne Jones, William Strang, Will Rothenstein, Giulio Campagnola, G.F. Watts etc.See: David Peters Corbett. Symbolism in British 'Little Magazines': The Dial (1889-97), The Pageant (1896-7), and The Dome (1897-1900 in The Oxford Critical and Cultural History of Modernist Magazines. Volume 1: Britain and Ireland 1880- 1955, edited by Peter Brooker and Andrew Thacker. Oxford: Oxford University Press, 2009 pp.11-119James Thorpe. English Illustration in the Nineties. London: Faber & Faber1935 pp.200-201 1 Kg.

1st edition. Good copy in the original title-blocked cloth. Boards dust-toned. Spine bands and panel edges slightly bumped and rubbed as with age. Internally, bright and clean. Remains quite well-preserved overall. Physical description: 266, viii p., plates : ill.; 27cm. Subjects: Shannon, Charles Haslewood 1863-1937. Symbolism (Art movement); Periodicals.Aesthetic movement (Art); Periodicals. Arts, Modern 19th century; Periodicals.Symbolism (Art movement)Pre-RaphaelitismDecadence (Literary movement). English literature History and criticism. Genre: Periodicals. Summary: Edited by C. Hazlewood Shannon and J.W. Gleeson White. Short-lived fin-de-siècle art and literary journal. Includes literary contributions by Charles Ricketts (who designed the cover of the journal), Lucien Pissarro, by Austin Dobson, Michael Field, Edmund Gosse, Victor Plarr, John Gray, Max Beerbohm and Selwyn Image. Artists whose work is illustrated include Dante Gabriel Rossetti, Laurence Housman, Charles Conder, Reginald Savage, Walter Crane, Gustave Moreau, Charles H. Shannon, Puvis de Chavannes, Edward Burne Jones, William Strang, Will Rothenstein, Giulio Campagnola, G.F. Watts etc.See: David Peters Corbett. Symbolism in British 'Little Magazines': The Dial (1889-97), The Pageant (1896-7), and The Dome (1897-1900 in The Oxford Critical and Cultural History of Modernist Magazines. Volume 1: Britain and Ireland 1880- 1955, edited by Peter Brooker and Andrew Thacker. Oxford: Oxford University Press, 2009 pp.11-119James Thorpe. English Illustration in the Nineties. London: Faber & Faber1935 pp.200-201 1 Kg. Item is Shipped from Ireland or US locations.

Westminster: Archibald Constable, 1897. First edition, it was reprinted many times. Original white cloth, lettered and beautifully decorated in gilt, top edge gilt, others uncut, 204 pp, illustrated with more than 100 inserted plates after a number of artists of the 1860's including Ford Madox Brown, J.E. Millais, Dante Gabriel Rossetti, J. McNeill Whistler. No wear at all, the spine slightly darkened. A Fine copy.

Hardback. 30 x 21cm. Hardcover in ex-library buckram, 254pp. Bound without the original covers, but includes the two rare large fold-out plates: Robert W. Macbeth's 'Weed-burners in the Fens', and 'Joan Of Arc's Entry Into New Orleans' by Aubrey Beardsley (after C. Hentschel). The latter plate has apparently had a three inch closed tear at at some stage, but both plates have been rebacked onto durable linen, presumably by the library. Unobtrusive early 20th century library stamp for Nottingham Free Public Libraries recurring intermittently throughout. The volume was later accessioned by Sotheby's Educational Services, whose bookplate appears on the front pastedown. Pages 170-184 dampstained. Page 225/6 has torn corner with some loss, and page 227/8 has closed tear. Otherwise a tight, solid, and externally presentable copy of the first volume of this influential Art Nouveau journal, retaining both the seldom-seen unwieldy fold-out art plates.

Hard Cover. Condition: Very Good Plus. Martha S. Baker, Frank W. Benson, E.H. Blashfield, Laura Combs Hills, Charles A. Platt, Dante Gabriel Rossetti, J.W. Waterhouse,et al. (illustrator). First Edition. Hard cover, 4to in three-quarter calf over red cloth covered boards, the raised bands on the spines ruled in gilt and blind, with "H.H. Bickford" tooled at the foot. Each volume bound with a preliminary indexes, except for last one. Original wraps and advertising-only pages were not included. Page numbering begins with roman numerals and changes to numeric; v.p. Illustrated with many black and white halftone reproductions, some full page with tissue guards, fewer in color, with some tipped in on colored card. CONDITION: Very Good. Original owner stamp in blue ink to head of a number of pages of earlier issues, sometimes upon front of plates: "Return to H.H. Bickford's Private Library." (See provenance below.) Light shelfwear. Front hinge reinforced with woven tape on several volumes. Lacking Volume Thirty Nine and Forty [would have been bound as 2-in-1] so, sadly, not quite complete. Some light offset opposite black and white illustrations, occasional light marks. Last vol. was bound with punched three ring holes at gutter edge of some issues. One page found lacking, copy supplied. NOTE: I inadvertently left one volume out of the group picture; this has now been replaced.**CONTENTS: Articles and reviews by some of the taste-makers of the age, including book reviews, gallery-talk, artist profiles, exhibit reviews and more highlighting the American School, British Art Nouveau, Arts and Crafts Movements, and European art and design, including German Bauhaus, Hungarian, Swedish, Turkish, and Japanese art. "The International Studio" was a successor to the British art journal, "The Studio," begun in 1893 by Charles Horne and editor Gleason White; the International edition debuted in New York in 1897 and continued until 1931. British publisher John Lane had previously, with partner Charles Elkins, been publisher of works designed by Charles S. Shannon and Charles Ricketts, and in 1887, the two co-founded London's The Bodley Head publishing firm. Lane then relocated to New York in 1896, forming the John Lane Company, producers of this periodical.**SELECTION of British artists include: in-depth pieces on Charles S. Shannon, the stained glass panel designs of Edward Burne-Jones, A.E. Newcombe, E.A. Taylor and Jessie M. King and the Glasgow School of Art, William Morris in Glasgow, the National Competition of Schools of Art 1910, the Brussels Universal Exhibition of 1910, Italianate, and Arts and Crafts style architecture. A number of British Arts and Crafts style fine book bindings are illustrated, a number of them by women, as well as other handcrafts shown at the Arts & Crafts Exhibition Society. Book illustration and architectural illustration are also considered. AMERICAN art is also heavily promoted: Frank W. Benson, John Singer Sargent, Winslow Homer, William Merrit Chase and William Morris Hunt being shown in Germany. Works at the Metropolitan Museum, a Philadelphia Architectural Exhibition, Miniatures by Laura Coombs Hills (of Newburyport) and other women painters of the American Society of Miniature Painters, Philadelphia portraitist Ella S. Hergesheimer, the Jewelry Exhibition in Boston at the Society of Arts and Crafts in 1907. et al. INTERNATIONALLY, there is a whole series on Japanese art including Utamaro's eighteenth century woodblocks in color reproduction, Japanese ceramic artists, silks and carvings in wood or jade. A book by Yone Noguchi, "The Pilgrimage" is reviewed. Spanish painters Joaquin Sorolla y Bastida and the Basque artist Ignacio Zuoaga are profiled in a review of a show at the Hispanic Society of America. A landscape scene by Swedish painter Carl Larsson, younger brother to King Gustav V, is illustrated in color. German bauhaus interiors earn coverage in the discussion of The Brussels Universal Exhibition: Max Läger, Emanuel von Seidl, R. Riemerschmid, Bruno Paul and Albin Müller being shown. Otto Fischer and Hans Von Hayek are mentioned in a Vienna exhibition. **PROVENANCE: From the Private Library of original owner, HIRAM HOOKER BICKFORD, A.I.A. ( 1864-1929), a Barre, Vermont born son of a carpenter and house builder, who began his architectural career in central Massachusetts as trainee draughtsman at the Fitchburg Offices of Henry M. Francis. In 1887, he relocated to the Elmira, New York area, joining Architects Pierce and Dockstader, becoming a partner in 1891. Bickford and partner Joseph H. Pierce, went on to some fame: "For a period of at least three decades, 1890-1920, Joseph H. Pierce and Hiram H. Bickford were the foremost architects of the central-southern tier of New York State. In Elmira, a city with a half dozen firms, no others matched Pierce & Bickford's facility in handling the most up-to-date stylistic fashions. Their professional supremacy extended east to Cortland, north to Geneva and west to Allegany County. They were also a major influence in northern Pennsylvania and received large commissions throughout the rest of New York and in New Jersey." (Architects of Standing, Pierce and Bickford, Elmira, N.Y. 1890-1932 by Roger G. Reed) Bickford was elected President of the Central New York Chapter of the A.I.A. from 1918-1920. His notable works include stone stairs and walls at Watkins Glen, The Arnot Art Gallery, Corning Glass Works, Cortland County and Arnot-Ogden Hopitals, Elmira College Library, YMCA and Masonic Temple, as well as the Elmira Free Academy. (A.I.A. historical directory.)**REF: J. Hare, Elmira Star-Gazette,"Woodlawn Cemetery chapel is symbol of Elmira's historical architecture duo" (5/15/2023) **Note: These will ONLY be sold as a set. Heavy set (63 lbs.) may require extra postage if mailed abroad or priority. (AMJ). Book.

Condition: New. Print on Demand.

Condition: New. Print on Demand.

Condition: New. PRINT ON DEMAND.

Leather Bound. Condition: New. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1902. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Pages:- 118, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 118 118.

Leather Bound. Condition: New. Language: English. {Size: 14.60 x 22.86 cms} Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2021, utilizing the invaluable guidance of the original edition published many years ago in 1887. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages:- 388, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 388.

Premium Leather Bound. Condition: New. Language: English. {Size: 14.60 x 22.86 cms} A Unique Premium Leather-Bound book for elite readers/collectors of old rare books. An Original Leather is being used for binding this book with Golden Leaf Printing and designing on Spine, front and Back of the book with edge gilding. WE HAVE MULTIPLE OPTIONS IN COLOR OF LEATHER RED, GREEN, BLUE, MAGENTA, TAN, PURPLE DEEP BROWN, BLACK AND WITH DIFFERENT COLOR LABELS. YOU MAY CHOOSE ANY COLOR OF YOUR CHOICE AND MAIL US. This service is chargeable. Original edition was published in [1887] and this unique edition is Reprinted in 2021 with the help of original edition. Black & white printing on high quality natural shade paper with sewing binding for longer life, professionally processed without changing its contents. As these are old books, we processed each page manually on computer and make them readable. We give our best to give you the best book but in some cases we have to adjust few pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume. We hope that you understand these issues in these old treasure. This is an important book for the readers who want to know more about our old treasure. Our dedicated team is trying to bring these rare books back to the shelves. We are also giving service of printing the hard-to-find books which are not listed in our store. Hope you will like it and give your comments and suggestions. Lang: - English, Pages 388, Print on Demand. Product Disclaimer: Please be aware that because leather is a natural material, slight discoloration or change in texture may be visible. {FOLIO EDITION (Size 12x19 Inches) IS ALSO AVAILABLE ON REQUEST}. 388.