Gill Brendan (Over 1,100 results)

Paperback. Condition: Very Good.

Paperback. Condition: Good.

paperback. Condition: Very Good.

Hardback. Condition: Very Good. Brighten, the bright, colorful, bigger-than-usual, handsome butterfly did not hatch from his cocoon like this. Forced by time, Brighten's colony left him behind before he hatched from his cocoon. Brighten did not know to take flight like a butterfly, nor did he know what species of insect he was. Most of the life lessons he learned from other friendly insects. The lack of having his colony gave him encouragement to find them. The lack of having the love of his colony gave him a bigger heart to love all insects.Old meets young, and for a brief second the Ace discovers there is another abandoned butterfly left behind. The Ace seen himself in Brighten, but his pride stood in the way of having the same excitement about finding the colony as Brighten. The Ace was old and stubborn, but was full of wisdom on the gardens of this region and how to survive. But his whole life he was alone, and the Ace's loneliness encouraged his pride even more. As Brighten and the Ace unknowingly grew closer together, the determination of Brighten combined with the ignorance of the dangers all around them turns into life-risking adventures.…

Hardback. Condition: Good. Brighten, the bright, colorful, bigger-than-usual, handsome butterfly did not hatch from his cocoon like this. Forced by time, Brighten's colony left him behind before he hatched from his cocoon. Brighten did not know to take flight like a butterfly, nor did he know what species of insect he was. Most of the life lessons he learned from other friendly insects. The lack of having his colony gave him encouragement to find them. The lack of having the love of his colony gave him a bigger heart to love all insects.Old meets young, and for a brief second the Ace discovers there is another abandoned butterfly left behind. The Ace seen himself in Brighten, but his pride stood in the way of having the same excitement about finding the colony as Brighten. The Ace was old and stubborn, but was full of wisdom on the gardens of this region and how to survive. But his whole life he was alone, and the Ace's loneliness encouraged his pride even more. As Brighten and the Ace unknowingly grew closer together, the determination of Brighten combined with the ignorance of the dangers all around them turns into life-risking adventures.…

Hardback. Condition: Fair. Brighten, the bright, colorful, bigger-than-usual, handsome butterfly did not hatch from his cocoon like this. Forced by time, Brighten's colony left him behind before he hatched from his cocoon. Brighten did not know to take flight like a butterfly, nor did he know what species of insect he was. Most of the life lessons he learned from other friendly insects. The lack of having his colony gave him encouragement to find them. The lack of having the love of his colony gave him a bigger heart to love all insects.Old meets young, and for a brief second the Ace discovers there is another abandoned butterfly left behind. The Ace seen himself in Brighten, but his pride stood in the way of having the same excitement about finding the colony as Brighten. The Ace was old and stubborn, but was full of wisdom on the gardens of this region and how to survive. But his whole life he was alone, and the Ace's loneliness encouraged his pride even more. As Brighten and the Ace unknowingly grew closer together, the determination of Brighten combined with the ignorance of the dangers all around them turns into life-risking adventures.…

Hardcover. Condition: Very Good.

Paperback. Condition: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: first ] Publisher: Harcourt Pub Date: 5/1/1980 Binding: Hardcover Pages: 216 first edition.

Hardcover. Condition: Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardback. Condition: Fair. For over sixty years Brendan Gill has been a contented inmate of the singular institution known as The New Yorker. This affectionate account of the magazine, long known as a home for congenital unemployables, is a celebration of its wards and attendants - William Shawn, Harold Ross's gentle and courtly successor as editor; the incorrigible mischief-maker James Thurber; the two Whites, Katherine and E.B.; John O'Hara, master of the fancied slight; and, among a hundred others, Peter Arno, Saul Steinberg, Edmund Wilson, Lewis Mumford, and Pauline Kael. Brendan Gill has known them all, and by virtue of his virtually total recall, keen eye, and impeccable prose, his diverting portraits of these eccentrics in rage and repose are amply supplied with both dimples and warts. Here at The New Yorkernow updated with a new introduction detailing the reigns of Robert Gottlieb and Tina Brown - is a delightful tour of New York's most glorious madhouse. …

hardcover. Condition: Very Good.

Hardcover. Condition: Fair.

Hardback. Condition: Good.

Hardback. Condition: Very Good.

Hardcover. Condition: Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condition: Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Condition: Good. For over sixty years Brendan Gill has been a contented inmate of the singular institution known as The New Yorker. This affectionate account of the magazine, long known as a home for congenital unemployables, is a celebration of its wards and attendants - William Shawn, Harold Ross's gentle and courtly successor as editor; the incorrigible mischief-maker James Thurber; the two Whites, Katherine and E.B.; John O'Hara, master of the fancied slight; and, among a hundred others, Peter Arno, Saul Steinberg, Edmund Wilson, Lewis Mumford, and Pauline Kael. Brendan Gill has known them all, and by virtue of his virtually total recall, keen eye, and impeccable prose, his diverting portraits of these eccentrics in rage and repose are amply supplied with both dimples and warts. Here at The New Yorkernow updated with a new introduction detailing the reigns of Robert Gottlieb and Tina Brown - is a delightful tour of New York's most glorious madhouse. …

Paperback. Condition: Fair. For over sixty years Brendan Gill has been a contented inmate of the singular institution known as The New Yorker. This affectionate account of the magazine, long known as a home for congenital unemployables, is a celebration of its wards and attendants - William Shawn, Harold Ross's gentle and courtly successor as editor; the incorrigible mischief-maker James Thurber; the two Whites, Katherine and E.B.; John O'Hara, master of the fancied slight; and, among a hundred others, Peter Arno, Saul Steinberg, Edmund Wilson, Lewis Mumford, and Pauline Kael. Brendan Gill has known them all, and by virtue of his virtually total recall, keen eye, and impeccable prose, his diverting portraits of these eccentrics in rage and repose are amply supplied with both dimples and warts. Here at The New Yorkernow updated with a new introduction detailing the reigns of Robert Gottlieb and Tina Brown - is a delightful tour of New York's most glorious madhouse. …

Paperback. Condition: Very Good. Later Printing. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condition: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

paperback. Condition: Fair.

Paperback. Condition: Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Condition: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Condition: very_good. Fast & Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

paperback. Condition: Good.

Paperback. Condition: Good. 13. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience. Ex-Library. …

Paperback. Condition: Good. The second revision in sixty years, this sublime collection ranges over the verse, stories, essays, and journalism of one of the twentieth century's most quotable authors. In this new twenty-first-century edition, devoted admirers will be sure to find their favorite verse and stories. But a variety of fresh material has also been added to create a fuller, more authentic picture of her life's work. At the heart of her serious work lie her political writings dealing with race, labor, and international politics. A Dorothy Parker Sampler blends the sublime and the silly with the terrifying, a sort of tasting menu of verse, stories, essays, political journalism, a speech on writing, plus a catchy off-the-cuff rhyme she never thought to write down. The introduction of two new sections is intended to provide the richest possible sense of Parker herself. Self-Portrait reprints an interview she did in 1956 with The Paris Review, part of a famed ongoing series of conversations (Writers at Work) conducted with the best of twentieth-century writers. Letters: 1905-1962, which might be subtitled Mrs. Parker Completely Uncensored, presents correspondence written over the period of a half century, beginning in 1905 when twelve-year-old Dottie wrote her father during a summer vacation on Long Island, and concluding with a 1962 missive from Hollywood describing her fondness for Marilyn Monroe. Features an introduction by Marion Meade and cover illustrations by renowned graphic artist Seth, creator of the comic series Palooka-ville For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.…