Ghelfi Barbara (18 results)

Softcover. Condition: Très bon. Edition 2003. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Edition 2003. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condition: NEW.

Brossura. Condition: new. Edited by Fumagalli E. and Morselli R.English Text.Roma, 2014; paperback, pp. 248, b/w ill., cm 15x21.(Kent State University European Studies. 1). Up to now the theme of the artist in the service of Italian courts has been examined in various studies focused mostly on the High Renaissance, as though the phenomenon was relevant only to the XV and XVI centuries. It actually lasted much longer, spanning the whole longue durée of the lives of the courts of the ancient regime. The present volume intends to fill this gap, presenting for the first time a comprehensive examination of the subject of the court artist from sixteenth to seventeenth century and the transformations of this role. "Court artist" is here defined as one who received a regular salary, and was therefore attached to the court by a more or less exclusive service relationship. The book is divided in six chapters: each of them examines the position of the court artist in the service of the most important ruling families in Italy (the Savoy in Turin, the Gonzaga in Mantua, the Este in Modena, the Della Rovere in Pesaro and Urbino, the Medici in Florence) and in papal Rome, a particular and unique center of power. Libro.

Paperback. Condition: Very good. Pap. 4to. Text in French. Moderate wear to wraps, with small tear (dime-sized) to front wrap just below top edge, and light crease to spine. Light scuffing to bottom edge of text block. Else very sound, with clean internals.

Soft cover. Condition: Fine. 360 pages : colour illustrations, portraits ; 30 cm. In French. : "Catalogue sous la direction de Jadranka Bentini et Grazia Agostini, avec la collaboration de Barbara Ghelfi"--Half title page Issued in conjunction with an exhibition held at Palais des Beaux-Arts, Bruxelles, Oct. 3, 2003-Jan. 11, 2004. Exhibition held on the occasion of the festival Europalia 2003. Catalogue issued simultaneusly in three eds. Dutch, French and Italian "MIBAO, Regione Emilia Romagna, CARIFE, Fondazione Cassa di risparmio di Ferrara, BO ZAR.".

Condition: Bon. 360 pages : illustrations en noir et en couleurs ; 24,4 x 29,0 x 2,5 cm || Texte français.

Couverture souple. Condition: Très bon. In 4. 359 pages.

Condition: New. Babette Bohn, professor of art history, Texas Christian University, has published widely particularly on Bolognese art, including books on Guido Reni, Ludovico Carracci, and Federico Barocci. Her current book project is entitled Women Artists, their P.

Condition: Nuovo. Bross., cm 24 x 16,5, pp 207, moltissime tavv. e ill. a col. - ISBN: 9791255901747.

kartoniert kartoniert. Condition: Sehr gut. 1. Auflage. 254 S. Zust.: Gutes Exemplar. Schneller Versand und persönlicher Service - jedes Buch händisch geprüft und beschrieben - aus unserem Familienbetrieb seit über 25 Jahren. Eine Rechnung mit ausgewiesener Mehrwertsteuer liegt jeder unserer Lieferungen bei. Wir versenden mit der deutschen Post. Sprache: Italienisch Gewicht in Gramm: 515.

Couverture souple. Condition: Très bon. In8, broché, très bon état, 2003. Envoi soigné.

Condition: Nuovo. Bross., cm 24x17, pp 299, 16 tavv. con ill. in b/n. - ISBN: 9788869237720.

Soft cover. Condition: Fine. Dust Jacket Condition: Fine. Language: French. A Singular Renaissance: The Court of Este in Ferrara. Softcover, 290 x 245 mm, 360 pp, color illustrations, good condition. [This description may have been translated by AI.] 0.

Paperback. Condition: Very Good. First Edition. Unread. Bump to bottom corner tips. Binding is tight.

Brossura. Condition: nuovo. GENOVA , 2025, SAGEP. Cm. 24x17, pp. 207, ill. a colori n.t., br. Tra i massimi esponenti della pittura del Seicento italiano Giovanni Francesco Barbieri detto il Guercino (1591-1666) ebbe un rapporto privilegiato con Ferrara, dal soggiorno giovanile del 1619 quando, come ricorda Girolamo Baruffaldi, ammirò per ore «Con lagrime di giubilo agli occhi» le pitture di Carlo Bononi in Santa Maria in Vado, fino alla realizzazione, negli anni della maturità, di pale d'altare che esercitarono un'influenza importante nel panorama artistico locale. Grazie al contributo di storici dell'arte e storici del teatro, restauratori ed esperti di diagnostica artistica questo volume, oltre a presentare gli esiti delle indagini tecniche e del restauro condotti sul San Francesco che riceve le stimmate eseguito nel 1632 per la chiesa delle Sacre Stimmate, mette a fuoco l'attività del Guercino e dei suoi collaboratori tra Cento e Ferrara, le relazioni con i committenti, le capacità imprenditoriali e la ricaduta sull'arte ferrarese delle sue geniali soluzioni figurative.

paperback. Condition: Very Good. 1997; Italian text; illustrated paper covers; mild corner wear; 8vo, 7 3/4" to 9 3/4" tall; Interior is clean and unmarked; 295 pages; From the library of Thomas Willette, University of Michigan professor.

Couverture rigide. Condition: Neuf. Dust Jacket Condition: Neuf. prima edizione. Federico Motta Scheda: Apparati a cura di Daniele Benati e Barbara Ghelfi. Milano, 2002; 2 voll., ril. in tela in cofanetto, pp. 160+272, 100 ill. col., 400 ill. b/n, cm 23x30. ISBN: 8871793315 EAN: 9788871793313 Soggetto: Pittura e Disegno (Monografie) Periodo: XV-XVIII sec. Rinascimento Language : Italian Text Peso: 1.27 kg - Language : Italian text Size: 230 x 300 Mm.

Condition: Very Good. Envoi rapide Très Bon Etat de conservation intérieur propre bonne tenue tranche un peu ternie. 24 4x2 8x28 8cm. 2003. Cartonné jaquette. 360 pages. Very Good.