Gerhard Benjamin (417 results)

hardcover. Condition: New. Brand New.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: New. HARDCOVER, BRAND NEW COPY, Perfect Shape, No Remainder Mark, 363-1108Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction.…

Hardcover. Condition: New. HARDCOVER, BRAND NEW COPY, Perfect Shape, No Remainder Mark, 363-1108Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction.…

256 pp.; 30.4 x 23.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 9, 1985 - January 5, 1986. Curated by John R. Lane and John Caldwell. Edited by Saskia Bos and John R. Lane. Texts by Rudi H. Fuchs, Jannis Kounellis, Germano Celant, Per Kirkeby, Johannes Gachnang, Bazon Brock, Achille Bonito Oliva, Nicholas Serota, Benjamin H.D. Buchloh, Hal Foster, Donald B. Kuspit, Mark Rosenthal, Peter Schjeldahl, Thomas McEvilley, and Hilton Kramer. Artists include Jannis Kounellis, Per Kirkeby, John Ahearn, John Baldessari, Georg Baselitz, Dara Birnbaum, Jonathan Borofsky, Scott Burton, Francesco Clemente, Enzo Cucchi, Richard Deacon, Jan Dibbets, Jirí Georg Dokoupil, Luciano Fabro, Eric Fischl, Barry Flanagan, Lucian Freud, Gilbert & George, Howard Hodgkin, Jenny Holzer, Jörg Immendorff, Neil Jenney, Bill Jensen, Ellsworth Kelly, Anselm Kiefer, Sol LeWitt, Robert Longo, Markus Lüpertz, Robert Mangold, Brice Marden, Malcolm Morley, Bruce Nauman, Sigmar Polke, Gerhard Richter, Susan Rothenberg, Robert Ryman, David Salle, Julian Schnabel, Richard Serra, Cindy Sherman, Frank Stella, and Bill Woodrow. Includes exhibition histories and bibliography. Goood / Very Good. Rubbing of covers and cover edges with 1.4 cm. dog-ear to bottom right corner of recto and 9 mm. dog-ear to top right corner of recto. Contents clean and unmarked. Due to large size and weight additional shipping charges may be required for international orders. …

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st. Cloth, 127 pages, illustrations (some colour); 29 cm. Text in English. Catalogue of an exhibition held at the Deutsche Guggenheim Berlin, October 11, 2002 to January 5, 2003. Firm binding, clean inside copy. Dust jacket nicked once. Another copy available. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** Gerhard Richter is arguably the most important German artist of the post-war period. He was known as a practitioner of the German variant of Pop art, "Capitalist Realism," in the sixties and seventies. But the artist has always straddled the concerns of both the Pop artists and the Minimalists. In recent years, some of his works have been totally abstract, deconstructing pictorial conventions, as in this commissioned work, "Eight Gray," a series of pieces utilizing mirrored surfaces. The installation is interpreted by the Marxist critic and art historian Benjamin H. D. Buchloh, who is the leading champion of Richter's work. A lavish publication. *** "Deutsche Guggenheim Berlin will present Gerhard Richter: Eight Gray, a new commission project consisting of eight monumental mirrored panels. One of the most influential artists of the twentieth century, Richter has become known for his manipulation of various pictorial conventions. His diverse production, which includes sculptural objects and paintings and ranges from landscapes to monochromes, is characterized as a whole by the artist's steadfast investigation of the nature of looking. Throughout his career he has experimented with the concept of the perceptual frame and, consequently, windows and mirrors; the commission for the Guggenheim grows out of a series of works Richter first conceived in the mid 1960s. The hazy reflections of the artist's series of enameled glass panels articulate the viewer's fleeting relationship to the real while referencing a long history of attempts to depict it on canvas and on film. Gerhard Richter's Eight Gray is the eighth commissioned work Deutsche Guggenheim Berlin." - Publisher. Size: 4to.…

hardcover. Condition: Fine. Connecting readers with great books since 1972! May contain remainder marks. We ship orders daily and Customer Service is our top priority.

hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st. Cloth, 127 pages, illustrations (some colour); 29 cm. Text in English. Catalogue of an exhibition held at the Deutsche Guggenheim Berlin, October 11, 2002 to January 5, 2003. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** Gerhard Richter is arguably the most important German artist of the post-war period. He was known as a practitioner of the German variant of Pop art, "Capitalist Realism," in the sixties and seventies. But the artist has always straddled the concerns of both the Pop artists and the Minimalists. In recent years, some of his works have been totally abstract, deconstructing pictorial conventions, as in this commissioned work, "Eight Gray," a series of pieces utilizing mirrored surfaces. The installation is interpreted by the Marxist critic and art historian Benjamin H. D. Buchloh, who is the leading champion of Richter's work. A lavish publication. *** "Deutsche Guggenheim Berlin will present Gerhard Richter: Eight Gray, a new commission project consisting of eight monumental mirrored panels. One of the most influential artists of the twentieth century, Richter has become known for his manipulation of various pictorial conventions. His diverse production, which includes sculptural objects and paintings and ranges from landscapes to monochromes, is characterized as a whole by the artist's steadfast investigation of the nature of looking. Throughout his career he has experimented with the concept of the perceptual frame and, consequently, windows and mirrors; the commission for the Guggenheim grows out of a series of works Richter first conceived in the mid 1960s. The hazy reflections of the artist's series of enameled glass panels articulate the viewer's fleeting relationship to the real while referencing a long history of attempts to depict it on canvas and on film. Gerhard Richter's Eight Gray is the eighth commissioned work Deutsche Guggenheim Berlin." - Publisher. Size: 4to. Collectible.…

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condition: Very Good+. Text clean and tight; Walter Benjamin Studies; 8.43 X 5.85 X 0.73 inches; 176 pages.

Hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Standard-sized.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. New hardcover in bright, glossy dust jacket; 128 pages. NO remainder marks or flaws; no defects.

HRD. Condition: Used - Good. Used Book. Shipped from UK. Established seller since 2000.

Condition: As New. : Startup WR 2 es un libro de texto de economía y derecho diseñado para estudiantes de Gymnasium (instituto de enseñanza secundaria alemán). Este libro, publicado por Buchner, C.C. Verlag, es la segunda parte de la serie Startup WR y está concebido para su uso en el décimo grado. Cubre temas relevantes de economía y derecho, proporcionando a los estudiantes una base sólida en estas áreas. EAN: 9783661820026 Tipo: Libros Categoría: Educación Título: Startup WR 2: Wirtschaft und Recht für das Gymnasium Autor: Gotthard Bauer| Sebastian Bürle| Manuel Friedrich| Gerhard Pfeil| Benjamin Nold| Ulrike Wombacher Editorial: Buchner, C.C. Verlag Idioma: de Páginas: 216 Formato: tapa dura. …

Hardcover. First edition, first printing. A monograph on a specific installation of eight enameled glass panels that Gerhard Richter did on commission for the Deutsche Guggenheim, Berlin. Additionally, the text and illustrations explore related works from Richter's career. Essay by Benjamin H.D. Buchloh; preface by Tessen von Heydebreck. 128 pages; 80 color and 25 b&w illustrations; 10 x 11.25 inches. Bibliography. Text in English. Condition: As New clothbound hardcover in dust jacket in the publisher's shrink wrap. Ships the next business day, wrapped in padding, in a box. …

Soft Cover. Condition: Very Good with no dust jacket. Sound binding. Clean, bright pages. Wraps have light handling wear. Contents: Dunn, Capitalism & democracy: an elective affinity? Appleby, Intellectual origins of the American synthesis. Bogle, The case of corporate America today. Blackburn, Economic democracy: can it work? Friedman, What growth means for politics. Loewenberg, Paradoxes of legislatures. Epstein, Zoning: deliberative democracy at zero prices. Muller, The democratic threat to free markets. Fogel, Capitalism & democracy in 2040. Dugan, Silent Rome (poem). Gordimer, Tape Measure (fiction). notes by Susan Goldin-Meadow, Keith T. Poole, Howard Rosenthal, Victor S. Navasky, David E. Apter. 10" (25.4 cm) tall; 116 pages. …

First Edition. First edition. Softcover. 160 pages. Exhibition catalog for a traveling show that started in Toronto and went to Chicago, Washington, D.C and San Francisco. Features an essay by I. Michael Danoff and the text of Benjamin H.D. Buchloh's interview with Richter. Includes numerous color and black and white illustrations. A clean near fine copy in wrappers and with laid in checklist.…

First Edition. First edition and first printing. Hardcover. 160 pages. Monograph printed for a traveling show that started in Toronto and went to Chicago, Washington, D.C and San Francisco. Features text by Roald Nasgaard, an essay by I. Michael Danoff and the text of Benjamin H.D. Buchloh's interview with Richter. Includes numerous color and black and white illustrations, chronological list of illustrated works, chronology, list of previous exhibitions, and a selected bibliography. A near fine copy in cloth boards with a remainder mark to the bottom edge of the pages and in a very good dust jacket with some small chips, tears and other light wear.…

First Edition. First edition. Hardcover. 143 pages. Features text contributions in English, French and German by Dietmar Elger, Wilfried Wiegand, Stephan von Wiese, and Paul Moorhouse. An often intimate collection of black and white photographs of Richter by Benjamin Katz. A fine copy in photo-illustrated boards. No dust jacket as issued.…

HRD. Condition: Used - Good. Used Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: Very Good.

Condition: New.

Paperback. Condition: Very Good. Museum Boymans-van Beuningen, Published 1989. Paperback, 166 pp.; 27 cm; text in Dutch and English in parallel; edition of 3000 copies; catalogue designed by 8vo, London, printed by Rosbeek, Nuth; illustrated with color plates of the 1988-89 paintings, several double-page, and black-and-white plates of the grey paintings and the October 18, 1977 cycle; list of illustrations, bibliography, exhibitions. In Very Good condition. Pictorial paper covers with French flaps (a Richter abstract in black and white wrapping front and rear, title in red), sewn binding with the stitching visible in the gutter; moderate shelf wear with rubbing and creasing along spine and outer edges, some color loss along edges and at corners, light bumping to corners. Binding tight. Page 37 has one paragraph of the Buchloh essay bracketed in ink with a small ink dot beside the name Stephen Biko; otherwise unmarked. Catalogue of the exhibition held 15 October to 3 December 1989, organized and edited by Richter together with curator Karel Schampers, for which Richter made some 45 new paintings adapted to the museum's galleries, shown alongside six grey paintings of 1966-76 as points of reference. The new work is in two groups: the large abstracts of 1988-89 (Grad, Lot, Rain, Uran, and others, in a palette restrained to blacks, whites, and greys with color breaking through) and the fifteen photo-paintings of the cycle October 18, 1977, taken from press and police photographs of the last days of the Baader-Meinhof group (Youth Portrait, Confrontation, Hanged, Dead, Funeral, Cell, Record Player). Rotterdam was the cycle's fourth showing, after Krefeld, the Portikus in Frankfurt, and the ICA London earlier in 1989 and before its 1990 American tour. Buchloh's essay, A Note on Gerhard Richter's October 18, 1977, reads the cycle against Warhol's Disasters and against the "polit-kitsch" of recent German history painting; Tilroe's introduction and Schampers's foreword take up Richter's refusal of a fixed style. Contents: Acknowledgements (Wim Crouwel); Foreword (Karel Schampers); Gerhard Richter (Anna Tilroe); A Note on Gerhard Richter's October 18, 1977 (Benjamin H. D. Buchloh); Catalogue; List of Illustrations; Bibliography; Exhibitions.…

Soft cover. Condition: As New. 8vo. x, 188 pp. Illustrated in B & W. Original photographic gray wrappers. This is a tight, fine book.

Paperback. Condition: Fine. Like New, in publisher's shrinkwrap. Pasadena's finest new and used bookstore.

Condition: New.

paperback. Condition: Very Good. Owner's name inked out (slight bleed through) with another in pen. No other markings. Minor cover wear. Always securely packed. Professional booksellers since 1994. Satisfaction guaranteed.

Paperback. Condition: FAIR. Signed and inscribed by contributor Anna Tilroe, Dec. 16, 1990 San Francisco.166pp. Sewn binding in publisher's printed French-flap wraps. Quite worn and thumbed but sound and unmarked. Signed.

Hardcover. Condition: Near Fine. 1st Edition. First Edition. 8vo. ix, 208 pp. INSCRIBED by the authors at front free endpaper to mathematician and writer Bruce Chandler. Glossy printed boards. Faint bump to bottom edge of front board. Near Fine. Inscribed by Author(s).