Gerald E Forshey (16 results)

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Hard Cover - VG/VG - Book and dust jacket are clean and tight with light wear - Index - 202 pages.

Hardcover. Condition: Fine. 224p. Westport, CT: Praeger Publishers, 1992.

Condition: New. In.

Condition: New.

Condition: New.

Hardcover. Condition: Brand New. 224 pages. 9.75x6.75x1.25 inches. In Stock.

Hardcover. Condition: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condition: new. Hardcover. This intriguing book explores why spectacular films involving Biblical figures or set in Biblical times have been a staple of filmmaking since talkies began. Forshey looks at these films, and suggests that the underlying purpose was to mediate between a monistic scientific world view and a dualistic religious world view, and between secular and religious ethics. Forshey discusses how filmic, political, religious, and cultural history influenced filmmakers of these spectaculars.The first chapter differentiates between religious spectaculars and biblical spectaculars. Following are chapters on early religious films and others on how the post-war and cold war led to a struggle to define the righteous nation. The chapters on biblical spectaculars examine films in which sex and social responsibility was a paramount concern (Samson and Delilah, David and Bathsheba). The 1960s were dominated by films about Jesus, searching for an ethical system for a world undergoing rapid social change. One entire chapter is devoted to Cecil B. DeMille's The Ten Commandments, the epitome of the form, followed by chapters on John Huston's The Bible as a culmination of the form, and a final one on how television rethought spectaculars and how Martin Scorsese's The Last Temptation of Christ drew the battle lines between humanistic Christians and evangelical Christians. American Religious and Biblical Spectaculars will appeal to scholars of film, religion, and popular culture. This intriguing book explores why spectacular films involving Biblical figures or set in Biblical times have been a staple of filmmaking since talkies began. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Hardcover. Condition: new. Hardcover. This intriguing book explores why spectacular films involving Biblical figures or set in Biblical times have been a staple of filmmaking since talkies began. Forshey looks at these films, and suggests that the underlying purpose was to mediate between a monistic scientific world view and a dualistic religious world view, and between secular and religious ethics. Forshey discusses how filmic, political, religious, and cultural history influenced filmmakers of these spectaculars.The first chapter differentiates between religious spectaculars and biblical spectaculars. Following are chapters on early religious films and others on how the post-war and cold war led to a struggle to define the righteous nation. The chapters on biblical spectaculars examine films in which sex and social responsibility was a paramount concern (Samson and Delilah, David and Bathsheba). The 1960s were dominated by films about Jesus, searching for an ethical system for a world undergoing rapid social change. One entire chapter is devoted to Cecil B. DeMille's The Ten Commandments, the epitome of the form, followed by chapters on John Huston's The Bible as a culmination of the form, and a final one on how television rethought spectaculars and how Martin Scorsese's The Last Temptation of Christ drew the battle lines between humanistic Christians and evangelical Christians. American Religious and Biblical Spectaculars will appeal to scholars of film, religion, and popular culture. This intriguing book explores why spectacular films involving Biblical figures or set in Biblical times have been a staple of filmmaking since talkies began. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This intriguing book explores why spectacular films involving Biblical figures or set in Biblical times have been a staple of filmmaking since talkies began.&Uumlber den AutorGERALD E. FORSHEY is Professor of Humanities at Richar.

Buch. Condition: Neu. American Religious and Biblical Spectaculars | Gerald E. Forshey | Buch | Gebunden | Englisch | 1992 | Praeger | EAN 9780275931971 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This intriguing book explores why spectacular films involving Biblical figures or set in Biblical times have been a staple of filmmaking since talkies began. Forshey looks at these films, and suggests that the underlying purpose was to mediate between a monistic scientific world view and a dualistic religious world view, and between secular and religious ethics. Forshey discusses how filmic, political, religious, and cultural history influenced filmmakers of these spectaculars.The first chapter differentiates between religious spectaculars and biblical spectaculars. Following are chapters on early religious films and others on how the post-war and cold war led to a struggle to define the righteous nation. The chapters on biblical spectaculars examine films in which sex and social responsibility was a paramount concern (Samson and Delilah, David and Bathsheba). The 1960s were dominated by films about Jesus, searching for an ethical system for a world undergoing rapid social change. One entire chapter is devoted to Cecil B. DeMille's The Ten Commandments, the epitome of the form, followed by chapters on John Huston's The Bible as a culmination of the form, and a final one on how television rethought spectaculars and how Martin Scorsese's The Last Temptation of Christ drew the battle lines between humanistic Christians and evangelical Christians. American Religious and Biblical Spectaculars will appeal to scholars of film, religion, and popular culture.