Language: English
Published by Editorial Academica Espanola, 2012
ISBN 10: 384658956X ISBN 13: 9783846589564
Seller: Books Puddle, New York, NY, U.S.A.
Condition: New. pp. 92.
Language: English
Published by LAP LAMBERT Academic Publishing, 2012
ISBN 10: 384658956X ISBN 13: 9783846589564
Seller: Mispah books, Redhill, SURRE, United Kingdom
Paperback. Condition: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.
Seller: moluna, Greven, Germany
Condition: New.
Language: English
Published by Editorial Academica Espanola, 2012
ISBN 10: 384658956X ISBN 13: 9783846589564
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. Print on Demand pp. 92 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam.
Language: English
Published by Editorial Academica Espanola, 2012
ISBN 10: 384658956X ISBN 13: 9783846589564
Seller: Biblios, Frankfurt am main, HESSE, Germany
Condition: New. PRINT ON DEMAND pp. 92.
Language: English
Published by LAP LAMBERT Academic Publishing, 2012
ISBN 10: 384658956X ISBN 13: 9783846589564
Seller: moluna, Greven, Germany
Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Smitthakorn PattraDr. Pattra Smitthakorn obtained her Doctor of Philosophy degree in Architectural Acoustics in 2006. She afterwards returned to Thailand, and worked as an instructor at the School of Architecture and Design, King Mo.
Language: English
Published by LAP LAMBERT Academic Publishing, 2012
ISBN 10: 384658956X ISBN 13: 9783846589564
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Sets of impulse responses were designed/simulated with different temporal distributions of early acoustic energy (specular and diffuse reflections); then, three types of anechoic sound sources: orchestral music, trumpet, and piano were convolved with the designed impulse responses. The results from the listening tests revealed that different room environments were needed to acoustically support different source characteristics: 1) A large number of diffuse reflections arriving within 40 and 80 msec of the direct sound improved perceived intimacy , texture , and overall impression for all sound sources; heightened perceived clarity for trumpet and piano; and reduced perceived glare for trumpet. 2) Diffuse reflections arriving between 80-160 msec of the direct sound preserved perceived reverberance and reduced perceived echoes as opposed to specular reflections arriving at the same time period. The results of this study indicated that music performance halls should be designed to include diffuse reflections from surfaces within the 80 msec time period to achieve preferred texture, intimacy, clarity and overall impression and in the 160 msec time period to reduce echoes.