Garrick Mallery (498 results)

Paperback. Condition: Fair. Of the early reports of the Bureau of Ethnology of the Smithsonian Institution, one of the most significant is Col. Garrick Mallery's report on the picture-writing of the American Indians. Except for a special section on petroglyphs (rock-writing), most of the examples are roughly contemporary with the writing of the report and were gathered by ethnologists, explorers, and expeditions to reservations. As such, the emphasis is on the meaning of the pictures, and the differences between the styles of picture-writing of the various tribes.Included are nearly 1,300 pictures and 54 plates illustrating the material which Col. Mallery narrates. Examples include: knotted cords, notched or marked sticks and wampum; mnemonic pictures for remembering songs, traditions, treaties, and accounts; the calendars (winter counts) of Lone-Dog and Battiste Good; maps, notices of visits, condition and warning; tribal designations, clan designations, tattoo marks (especially from the Haida); designations of authority, property, and personal names; religious symbols of the supernatural and of mythic animals; symbols used on charms and amulets, in religious ceremonies and in the burial of the dead; pictographs of cult associations, of daily events, and of games; historic records such as the Indian account of the Battle of Little Big Horn; records of migrations, hunts, and notable events; biographic records; significance of colors; picture-writing as it became conventionalized; and much more. There are also sections on interpretation of pictographs and on the detection of frauds, and comparative material from other cultures.For anthropologists, sociologists, historians, or artists, Col. Mallery's account is still the basic study of North American Indian picture-writing, Its wealth of pictorial material is not to be found anywhere else. And since most of the material was collected by contemporaries while picturing was still an important method of communication, the ethnologists were often assisted by the Indians themselves in decoding the pictographs and discovering the wealth of information that was conveyed by them.…

Paperback. Condition: Good. Of the early reports of the Bureau of Ethnology of the Smithsonian Institution, one of the most significant is Col. Garrick Mallery's report on the picture-writing of the American Indians. Except for a special section on petroglyphs (rock-writing), most of the examples are roughly contemporary with the writing of the report and were gathered by ethnologists, explorers, and expeditions to reservations. As such, the emphasis is on the meaning of the pictures, and the differences between the styles of picture-writing of the various tribes.Included are nearly 1,300 pictures and 54 plates illustrating the material which Col. Mallery narrates. Examples include: knotted cords, notched or marked sticks and wampum; mnemonic pictures for remembering songs, traditions, treaties, and accounts; the calendars (winter counts) of Lone-Dog and Battiste Good; maps, notices of visits, condition and warning; tribal designations, clan designations, tattoo marks (especially from the Haida); designations of authority, property, and personal names; religious symbols of the supernatural and of mythic animals; symbols used on charms and amulets, in religious ceremonies and in the burial of the dead; pictographs of cult associations, of daily events, and of games; historic records such as the Indian account of the Battle of Little Big Horn; records of migrations, hunts, and notable events; biographic records; significance of colors; picture-writing as it became conventionalized; and much more. There are also sections on interpretation of pictographs and on the detection of frauds, and comparative material from other cultures.For anthropologists, sociologists, historians, or artists, Col. Mallery's account is still the basic study of North American Indian picture-writing, Its wealth of pictorial material is not to be found anywhere else. And since most of the material was collected by contemporaries while picturing was still an important method of communication, the ethnologists were often assisted by the Indians themselves in decoding the pictographs and discovering the wealth of information that was conveyed by them.…

Paperback. Condition: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

paperback. Condition: Acceptable. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket.…

Paperback. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Good. This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear .

Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Good. Of the early reports of the Bureau of Ethnology of the Smithsonian Institution, one of the most significant is Col. Garrick Mallery's report on the picture-writing of the American Indians. Except for a special section on petroglyphs (rock-writing), most of the examples are roughly contemporary with the writing of the report and were gathered by ethnologists, explorers, and expeditions to reservations. As such, the emphasis is on the meaning of the pictures, and the differences between the styles of picture-writing of the various tribes.Included are nearly 1,300 pictures and 54 plates illustrating the material which Col. Mallery narrates. Examples include: knotted cords, notched or marked sticks and wampum; mnemonic pictures for remembering songs, traditions, treaties, and accounts; the calendars (winter counts) of Lone-Dog and Battiste Good; maps, notices of visits, condition and warning; tribal designations, clan designations, tattoo marks (especially from the Haida); designations of authority, property, and personal names; religious symbols of the supernatural and of mythic animals; symbols used on charms and amulets, in religious ceremonies and in the burial of the dead; pictographs of cult associations, of daily events, and of games; historic records such as the Indian account of the Battle of Little Big Horn; records of migrations, hunts, and notable events; biographic records; significance of colors; picture-writing as it became conventionalized; and much more. There are also sections on interpretation of pictographs and on the detection of frauds, and comparative material from other cultures.For anthropologists, sociologists, historians, or artists, Col. Mallery's account is still the basic study of North American Indian picture-writing, Its wealth of pictorial material is not to be found anywhere else. And since most of the material was collected by contemporaries while picturing was still an important method of communication, the ethnologists were often assisted by the Indians themselves in decoding the pictographs and discovering the wealth of information that was conveyed by them.…

Condition: very_good. Book has little sign of wear or use.

Condition: As New. Unread book in perfect condition.

Soft cover. Condition: Very Good. Trade Paperback with only minor reading wear; book is clean, unmarked. In stock. Ships from MN, USA.

Paperback. Condition: Very Good. First Edition. First Edition, First Printing. Published by Dover Publications, 2012. Octavo. Paperback. Book is very good. Previous owner name on pastedown. Has sticker on back cover.

Paperback. Condition: Very Good. First Edition. First Edition Thus, First Printing. Published by Dover Publications, 2012. Octavo. Paperback. Book is very good with shelf/edgewear.

Soft cover. Condition: Good. 552 pages, clean text.

Condition: New.

Paperback. Condition: New.

Trade Paperback. Condition: Used - Good. Worn copy, clean and intact. May have wear or markings that do not obscure the text, such as occasional pencil notes.

A Pictoral Soft Cover. Condition: Good. shop closed over 25 years., flaws light creases on cover, ancient penciled price on fly. Western Specialty Shop Closed.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.