Galassi Peter Richard Benson (27 results)

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: New.

Hardcover. Condition: Good.

Condition: As New. Unread book in perfect condition.

dj. First Edition. First edition and first printing. Oblong hardcover. 127 pages. Features a foreword by Glenn D. Lowry, and texts by Peter Galassi and Benson. While perhaps best known for his printing and as a teacher the present book makes a convincing argument of the skill that Benson has as a photographer. Includes 109 color images, a checklist and biographical information. A fine copy in blue cloth boards and in a very near fine dust jacket.…

Hardcover. Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardcover. Condition: Brand New. 127 pages. 11.75x8.00x0.75 inches. In Stock.

480 S. mit zahlr. Abb. Einb. lichtverf., Name auf Vorsatz - Sonst gutes Exemplar. Sprache: Englisch 4°, ill. Orig.-Karton (Softcover).

Soft cover. Condition: Very Good. Dust Jacket Condition: Very Good. 480 pages, 4to. Shelfwear: light scuffing along edges and covers, corners are lightly bumped, heavy fading along cover edges and spine. Tight binding, no marks. Volume is in Very Good condition.

Soft cover. Condition: Near Fine. 1st Edition. With an essay by Richard Benson. Oversized 4to, 480pp. Fulli illustrated with color and black & white photographs. Softcover, bound in original bright yellow pictorial wrappers. In excellent condition. Tight binding and crisp, unmarked, interior. No markings or signs of prior ownership. Very slight evidence of handling wear and extremely minor shelf-wear or rubbing to extremities, otherwise fine. PLEASE NOTE: International shipping is not available for this large and very heavy volume.…

Paperback. Condition: Gut. 480 pp., illustrated Cover slightly sun-bleached, otherwise very well preserved copy 068 Sprache: Englisch Gewicht in Gramm: 2100.

Soft cover. Condition: Good. Contents: You have to change to stay the same / Peter Galassi -- Plates -- A note on the prints -- Making books -- Working with Lee / Richard Benson -- Books, special editions, and portfolios. Published in conjunction with the exhibition Friedlander, at the Museum of Modern Art, New York, June 5-August 29, 2005. 480 pages : chiefly illustrations (some color) ; 32 x 30 cm. Second printing 2009. Shelf wear to edges, scratch to back cover, spine and parts of cover faded, reading crease to spine. Photographs available on request. All books dispatched same or next working day in robust packaging. Heavy book, will require extra shipping costs for overseas purchase.…

Soft cover. Condition: Near Fine. 1st Edition. First trade paper edition, first printing. Huge heavy oversize trade paperback with french flaps. Near Fine- condition; appears Fine but has very light edgewear and a 1.5" vertical tear on the lower rear edge. Heavy oversize book will require a variable shipping surcharge based on its final destination. Printed in China; US buyers may be tarriffed.…

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Museum of Modern Art, New York, 2005. Hardcover, 504 pp. Oversize format. From the major retrospective of American photographyer Lee Friedlander (born 1934), which took place from June 5 to August 29, 2005. Very good condition with faint age toning of page edges when viewed in strong light. Dust jacket spine has fading of the background color. See photos. ** Heavy or oversize Item. An extra shipping charge may apply.**.…

Soft Cover. Condition: Near Fine. First Edition. This is a near fine softcover copy with almost no wear, a slight crimp or wrinkle to the lower edge of the front cover near the spine. Completely clean. Massive monograph prepared to accompany the exhibition in New Yorkat the Museum of Modern Art from June 5 to August 29, 2005. Curated by Peter Galassi with an essay by Richard Benson. Illustrated throughout in black & white. Chronology. Bibliography. 13" high X 12" wide, 480 pages. Massive, very heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.…

Soft cover. Condition: Very Good. 1st Edition. Soft Cover. Condition: Near Fine. First Edition. The definitive monograph of the artist's work. Prepared to accompany the exhibition in New York at the Museum of Modern Art from June 5 to August 29, 2005. Curated by Peter Galassi with an essay by Richard Benson. Illustrated throughout in black & white. 13" high X 12" wide, 480 pages. Foreign shipping will require Priority as it goes over the 4 lb limit on 1st class.…

dj. First Edition. First edition and first printing. Hardcover. 480 pages. Published in conjunction with a massive retrospective exhibition. Features an essay by noted curator and photography scholar Peter Galassi and with an additional essay by Richard Benson. Includes 812 duotones and 48 color illustrations, chronology, bibliography, and an index. A fine copy in black cloth boards and in a near fine dust jacket wiht some slight sunning to the spine and edge of the rear panel near the spine. A very nice copy of what is still one of the single most comprehensive books on Friedlander. Please note that this is a very heavy book and will require extra shipping charges.…

Soft cover. Condition: Near Fine. 1st Edition. Writing about The Museum of Modern Art, New York's monumental and critically acclaimed 2005 Lee Friedlander retrospective, Richard Lacayo of Time magazine said: "If a sophisticated notion of what a picture can look like, the continuous construction of new avenues of feeling, and sheer, sustained inventiveness are the measures we go by, then Friedlander is one of the most important American artists of any kind since World War II Friedlander loves the muchness of the world. He loves the haphazard multitude of things that can pop up in every picture--street signs, sunbeams, bits of roofline, a jagged shadow--all colliding and contradicting one another. In his breezy but very acute introduction to the show's catalogue, Peter Galassi, MoMA's Chief Curator of Photography, gets it just right when he says some of Friedlander's pictures give you the impression that 'the physical world had been broken into fragments and reconstituted under pressure at three times its original density.'".…

Hardcover. Condition: Very Good. Hardcover. Folio. Published by The Museum of Modern Art, New York, New York. 2005. 504 pgs. Illustrated. First Edition/First Printing. DJ has light shelf-wear present to the DJ extremities. Bound in cloth with titles present to the spine. Boards have light wear present to the extremities of the boards. No ownership marks present. Text is clean and free of marks. Binding tight and solid. Lee Friedlander is one of the most important of the 1960s generation of photographers for whom the posture of disinterested objectivity served as a vehicle for passionate personal inquiries. His large body of work--he most often produces extended series of pictures on a chosen theme, then publishes them in book form--is broad in subject matter and supple and complex in style, and focuses on what he calls America's "social landscape. " At the same time, he has pursued a playful dialogue with artistic tradition--as though open-eyed curiosity about the world, and a sophisticated taste for the wiles of picture-making were one and the same thing. Lee Friedlander takes a deep critical look at Friedlander's abundantly productive career. Including over 500 photographs grouped by series, and an incisive essay by Peter Galassi, Chief Curator of Photography at The Museum of Modern Art, this oversized publication is the most comprehensive review of the photographer's career to date. ; 8vo 8" - 9" tall.…

Quer-4°, 480 S. zahlr. meist ganzs. Abb., Broschur, Tadell. EA. Text engl.- Lee Friedlander (*1934) studierte am Art Center in Los Angeles, begann 1946 oder 1948 zu fotografieren, und wurde durch brillante schwarz-weiße Dokumentaraufnahmen als kritischer Chronist des amerikanischen Alltags bekannt. Friedlander fotografierte anfangs Straßenszenen und wandte sich später auch anderen fotografischen Genres wie Akt, Landschaft, Blumen, Bäume, Selbstporträts (Self Portraits, 1970) und der Darstellung unterschiedlicher Berufe zu. Kennzeichnend für seine Fotografie ist die Arbeit in Serien. In den 1960er Jahren lieferte er auch Coverfotos für einige Alben von Atlantic Records. In den späten 1970ern erstellte er Reportagen zu vergessenen Denkmälern der amerikanischen Geschichte (American Monuments, 1976), zu Arbeitslosigkeit und anderen Themen (z. B. American Musicians, 1998). Viel Aufmerksamkeit erhielt Friedlanders Opus At Work. Hier versammeln sich sechs verschiedene Serien zur Industriearbeit, zwischen Schwerindustrie und Call-Center. Seiner Meinung nach ist das Buch die beste Möglichkeit, Bilder darzustellen oder auch zu veröffentlichen, denn hier hat der Fotograf die Möglichkeit, ganze Bilderserien abzuschließen.Friedlanders Arbeiten wurden 1963 erstmals in einer Einzelausstellung im George Eastman House in Rochester vorgestellt. Lee Friedlander wurde u. a. von Walker Evans beeinflusst. Er unterrichtete u. a. an der University of Minnesota. 1999 wurde er in die American Academy of Arts and Sciences gewählt. Seit 2007 ist er gewähltes Mitglied der American Philosophical Society. 3500 gr. Schlagworte: Photographie. …

Hardcover. Condition: New. 1st Edition. Scarce hardcover edition.

Hardcover. Condition: As New. Dust Jacket Condition: New. 1st Edition. Price is net to all; promotional discounts do not apply. SHIPPING NOTE: Due to size and weight, additional shipping fees apply (calculated at checkout). First edition, first printing. Signed in black ink on the half-title page by Friedlander. Hardcover. Black cloth-covered boards with title stamped in yellow on spine, with photographically illustrated dust jacket. Photographs by Lee Friedlander. Essays by Peter Galassi and Richard Benson. Edited by David Frankel. Includes a note on the prints, an extensive, illustrated and annotated bibliography of Friedlander's books, special editions and portfolios compiled by Dalia Azim, a chronology, artist's bibliography and list of plates. Designed by Katy Homans. 480 pp., profusely illustrated with 850 images (approximately 350 duotone plates from separations by Thomas Plamer, and 25 color illustrations), printed on 150 gsm New-G Matt art paper by Oceanic Graphic Printing, Inc., China. 13 x 12 inches. Published on the occasion of the 2005 major retrospective exhibition "Friedlander" at The Museum of Modern Art, New York. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. As New in New (from Friedlander's personal archive). A Mint copy. From the publisher: "Lee Friedlander is one of the most important of the 1960s generation of photographers for whom the posture of disinterested objectivity served as a vehicle for passionate personal inquiries. His large body of work-he most often produces extended series of pictures on a chosen theme, then publishes them in book form-is broad in subject matter and supple and complex in style, and focuses on what he calls America's 'social landscape.' At the same time, he has pursued a playful dialogue with artistic tradition-as though open-eyed curiosity about the world, and a sophisticated taste for the wiles of picture-making were one and the same thing. Lee Friedlander takes a deep critical look at Friedlander's abundantly productive career. Including over 500 photographs grouped by series, and an incisive essay by Peter Galassi, Chief Curator of Photography at The Museum of Modern Art, this oversized publication is the most comprehensive review of the photographer's career to date." Signed by Author.…

Hardcover. Condition: New. Former Dean of the Yale School of Art, Richard Benson has been a photographer for more than four decades, but until now his art often took a back seat to his prodigious achievements as a printer and a teacher. When he devoted himself to overseeing the production of his own pictures a few years ago, everything fell into place. From direct digital capture through inkjet output, Benson's renowned technical wizardry yields unusually vibrant and beguiling color prints that are at once ultra-vivid and utterly natural, like our everyday visual experience. This volume presents nearly 100 photographs by Benson that highlight not only the unique properties of his prints, but also his fresh techniques for reproducing them on a printing press, as exemplified in this book. The uncanny lushness and clarity of the photographs gives voice to Benson's generous, inquisitive eye. As he crisscrossed the continent, Benson observed the creations of nature as well as man in pictures that are at once cheerful and patiently attentive to the forces that shape and soon enough change everything under the sun. An essay by Peter Galassi, Chief Curator of Photography at MoMA, surveys the work and a text by Benson explains how it was made.…

First Edition. SIGNED by Lee Friedlander on the title page. Near fine in a very close to fine dj. (Mild bump at upper corner of spine & corresponding area on dj. Presents very well, though slightly noticeable) (13" X 12") (480pp.) Features 850 images, of which 25 are in color. A comprehensive production.…