Gail Silverman (21 results)

Condition: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Soft cover. Condition: Very Good. First Edition. 80 pp. Very light wear; no interior markings. The front cover features a fireworks display over the Thames for Guy Fawkes' Night. This issue contains: Stepping Onto the Giant's Causeway by J. Herbert Silverman; The Vicar's Diary - rural England during World War One by James Munson; A Book Lover's Paradise - Hay-on-Wye by Pamela Petro; Ever Remember Gunpowder, Treason and Plot - Guy Fawke's plot to blow up Parliament by H. Dennis Richardson; Gilding the Gingerbread - the earliest English recipe for gingerbread by Claire Hopley; Set Your Sights High in London by Neil Fairbairn; and An Odds-on Favourite - museum in Newmarket by Leonard Cowie; along with the usual features. Size: 4to. Book.

Condition: New. Brand New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: NEW - COLLECTIBLE. Dust Jacket Condition: New. Ellen Silverman (Photographer); Daniella Cohen & Gail Caden (Illustrators) (illustrator). First Edition, First Printing. BRAND NEW & COLLECTIBLE. First Edition, First Printing. Julie Carles and Jordana Jacobs --- aka the Yarn Girls, owners of the Yarn Company in New York City since 1997. Dedicated knitters whose knitting classes are always fully booked. This 159 page volume, preceded by fundamentals, features their Yarn Girls' favorite patterns of basic pullovers, cardigans, hats, ponchos & dresses, and blankets & buntings to keep the young warm.

Condition: New.

Soft cover. Condition: New. 1st Edition. No reading crease. First printing.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. Based on ethnographic fieldwork undertaken between 1979 and 1991, this work examines and compares regional weaving styles of the Q ero, a traditional Quechua-speaking Peruvian highland people known for their intricate textiles, and discusses the general texture of highland life. Num Pages: 226 pages, Illustrations (some col.), maps. BIC Classification: AKTX; JHMC. Category: (G) General (US: Trade). Dimension: 254 x 178 x 16. Weight in Grams: 544. . 2008. Paperback. . . . .

Staple Bound. Condition: Good. text clean and unmarked. binding tight. covers have light wear. fore-edge, head and foot of book are clean.

Staple Bound. Condition: Good. text clean and unmarked. binding tight. covers have some light wear. fore-edge, head and foot of book light wear. last to pages of booklet have some light moisture marks.

Condition: New. Based on ethnographic fieldwork undertaken between 1979 and 1991, this work examines and compares regional weaving styles of the Q ero, a traditional Quechua-speaking Peruvian highland people known for their intricate textiles, and discusses the general texture of highland life. Num Pages: 226 pages, Illustrations (some col.), maps. BIC Classification: AKTX; JHMC. Category: (G) General (US: Trade). Dimension: 254 x 178 x 16. Weight in Grams: 544. . 2008. Paperback. . . . . Books ship from the US and Ireland.

Condition: As New. Unread book in perfect condition.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Paperback. Condition: Brand New. 1st new edition. 288 pages. 9.90x7.00x0.70 inches. In Stock.

Condition: New.

Soft cover. Condition: Very Good. No Jacket. A fine introductory book to the Cusco, Perü, textile tradition by teacher and weaver, Dr. Gail P. Silverman. Includes a map of the Cusco area, black and white photographs of the weavers and images of weaving designs. 49 pages. In very good condition with clean and tight pages.

[978-0-87480-909-1] 2008. (4to paperback) Fine. 226pp. Maps, black & white and color photographs and illustrations, notes, glossary, bibliography, index. Locale: Cuzco--Peru. (Anthropology, Textiles--Peru, Weaving--Peru).

Archive of twelve scripts from the 1990-1991 television series. Archive belonging to screenwriter Stephen Sustarsic, with his name on a printed label affixed to two front wrappers. Laid in with the scripts is a xerographically duplicated flyer for the show's wrap party at Columbia Bar and Grill in Los Angeles, dated March 13, 1991. Archive includes a treatment script, a First Draft, a Second Draft, a Final Draft, a Shooting Draft, and a Revised Shooting Draft for Season 1 Episode 2 ("Everything But Love"); a treatment script, a First Draft, a Table Draft, and a Final Draft for Season 1 Episode 11 ("Rent Strike"); and a Final Draft for Season 1 Episode 17 ("Mom"). Additionally included is a treatment script for an unproduced episode, titled "Reversal of Fortunes." The short-lived sitcom followed a trio of single sisters sharing a dumpy one-bedroom apartment in New York City, and aired from September 13, 1990, to May 9, 1991, on Fox. Nine scripts bound together in a generic black three-ring binder, with a manuscript label affixed to the spine, presumably in Sustarsic's hand. Three scripts laid into binder. Treatment script (Episode 2): Lacking wrappers, presumably as issued. Title page present, dated July 17, 1990, noted as OUTLINE, with credits for screenwriters David Silverman and Stephen Sustarsic. 18 leaves, with last page of text numbered 17. Xerographic duplication, rectos only. Pages Near Fine. First Draft (Episode 2): Lacking wrappers, presumably as issued. Title page present, dated August 1, 1990, noted as FIRST, with credits for Silverman and Sustarsic. 52 leaves, with last page of text numbered 51. Xerographic duplication, rectos only. Pages Near Fine. Second Draft (Episode 2): Lacking wrappers, presumably as issued. Title page present, dated August 08, 1990, noted as Second Draft, with credits for Silverman and Sustarsic. 50 leaves, with last page of text numbered 28. Xerographic duplication, rectos only. Pages Near Fine. Final Draft (Episode 2): Pink titled wrappers, dated September 5, 1990, on the front wrapper, noted as FINAL DRAFT. Title page present, dated September 5, 1990, noted as Final Draft, with credits for Silverman and Sustarsic. 53 leaves, with last page of text numbered 45. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine. Shooting Draft (Episode 2): Blue titled wrappers, dated September 8, 1990, on the front wrapper, noted as SHOOTING DRAFT. Title page present, dated September 8, 1990, noted as Shooting Draft, with credits for Silverman and Sustarsic. 52 leaves, with last page of text numbered 44. Xerographic duplication, rectos only, with a single pink revision page dated 9/10/90. Pages Near Fine, wrapper Near Fine. Revised Shooting Draft (Episode 2): Cream titled wrappers, dated September 10, 1990, on the front wrapper, noted as REVISED SHOOTING DRAFT. Title page present, dated September 10, 1990, noted as Rev. Shooting Draft, with credits for Silverman and Sustarsic, and director Michael Lessac. 61 leaves, with last page of text numbered 44. Xerographic duplication on yellow stock, rectos only. Pages Near Fine, wrapper Near Fine. Treatment script (Episode 11): Lacking wrappers and title page, presumably as issued. Four leaves, with last page of text numbered 4. Xerographic duplication, rectos only. Pages Very Good plus, partially bound with a single staple at the top left corner. First Draft (Episode 11): Lacking wrappers, presumably as issued. Title page present, dated November 9, 1990, noted as FIRST DRAFT, with credits for Silverman and Sustarsic. 48 leaves, with last page of text numbered 47. Xerographic duplication, rectos only. Pages Near Fine. Table Draft (Episode 11): Gray titled wrappers, dated November 15, 1990, on the front wrapper, noted as TABLE DRAFT. Title page present, dated November 15, 1990, noted as TABLE DRAFT, with credits for Silverman and Sustarsic and director Howard Murray. 58 leaves, with last page of text numbered 53. Xerographic duplication, rectos only. Pages about Fine. Final Draft (Episode 11): Pink titled wrappers, dated November 19, 1990, on the front wrapper, noted as FINAL DRAFT. Title page present, dated November 19, 1990, noted as TABLE DRAFT, with credits for Silverman, Sustarsic, and Murray. 57 leaves, with last page of text numbered 47. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine. Final Draft (Episode 17): Lavender titled wrappers, dated January 21, 1991, noted as FINAL DRAFT. Title page present, dated January 21, 1991, noted as FINAL DRAFT, with credits for uncredited screenwriter Jeff Stein and director Howard Murray. 56 leaves, with last page of text numbered 51. Xerographic duplication, rectos only. Pages Near Fine, bound with two gold brads. Treatment script (unproduced): Lacking wrappers and title page, presumably as issued. 19 leaves, with pages unnumbered. Xerographically duplication, rectos only. Pages Near Fine, partially bound with a single staple at the top left corner.