French Robert Nicholas (3 results)

Paperback. Condition: Very Good+. Very good+ paperback copy (NOT ex-library). Sewn binding is tight and sturdy; text also very good. Exterior looks nice, shelfwear is very minor. Ships same or next business day from Dinkytown in Minneapolis, Minnesota.

Soft cover. Condition: Very Good. 142 pages. Illustrated. Performance Practice in the Papal Chapel during the 16th Century (pp. 452-462) Richard Sherr Prince Arthur (1486-1502), a Carol and a cantus firmus (pp. 463-467) Hugh Benham Eighteenth-Century French Chamber Music for Vielle (pp. 468-479) Robert A. Green Another Keyboard Canzona by Giovanni Gabrieli? (pp. 480-486) Richard Charteris The Basset Clarinet Revived (pp. 487-501) Colin Lawson Francisco Pérez Mirabal's Harpsichords and the Early Spanish Piano (pp. 503-510+512-513) Beryl Kenyon de Pascual The Enigmatic Canons of Juan del Vado (c. 1625-1691) (pp. 514-519) Luis Robledo and Gerardo Arriaga (M20). …

8vo in fours, pp. xi, [i], 168; bound with a copy of an early work by Byron; in contemporary half calf over moiré cloth, a bit rubbed and slightly chipped. With the binder's label of David Condie, Worcester. First and only edition, and a presentation copy, inscribed on the title page: 'From the Author'. The recipient's name is almost entirely cropped from the top right of the title page, leaving only 'M.A Wi' but fortunately the name is written in full on the title page to the second work in the volume as 'Mary Ann Winkworth'. I cannot, however, trace her although she probably lived in or near Worcester, because the binding was made there. David Condie is recorded by Ramsden (p. 54) as active in Worcester in the 1830s. The Rev. Robert Nicholas French (c. 1775-1862) had been educated at Trinity Hall, Cambridge; soon after this, in 1811, he became rector of Osmaston, Derbyshire, and remained there for the rest of his long life. His poems are largely secular, and include at least ten sonnets (a form becoming increasingly popular at this time) and several elegies. The volume is dedicated to Gustavus Adolphus, King of Sweden: that is, Gustav IV Adolf (1778-1837), who was to be deposed in a coup the following year. Bound second in the volume is a copy of Byron's English Bards and Scotch Reviewers (London, 1809). Johnson, Provincial Poetry, 348.…