Freedman Roy (32 results)

Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: good. This is a pre-loved book that shows moderate signs of wear from previous reading. You may notice creases, edge wear, or a cracked spine, but it remains in solid, readable condition. Please note: -May include library or rental stickers, stamps, or markings. -Supplemental materials e.g., CDs, access codes, inserts are not guaranteed. -Box sets may not come with the original outer box. If it does, the box will not be in perfect condition. -Sourced from donation centers; authenticity not verified with publisher. Your satisfaction is our top priority! If you have any questions or concerns about your order, please don't hesitate to reach out. Thank you for shopping with us and supporting small businessâ"happy reading!

Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover. Square, sound binding. Age-darkened, clean pages. Wraps have general handling wear. Contents: Schafer, "Conflict as Paradoxical Actions." Kovel, "Things and Words: Metapsychology and the Historical Point of View." Berger, "Innate Constraints of Formal Theories." Stein and Kayzakian-Rowe, "Hypertension, Biogreedbaack, and the Myth of the Machine: A Psychoanalytic-Cultural Exploration." Freedman, Barroso, Bucci, and Grand, "The Bodily Manifestations of LIstening."; 9.0" tall; 200 pages. Good+ in No Dust Jacket dust jacket.

Soft cover. Condition: Very Good. Barnett Freedman (illustrator). Four unnumbered pages. Number thirty-age in the Ariel poems pamphlet series, part of the first series published by Faber and Faber from 1927 to 1931. Each volume contained one poem accompanied by an illustration by different artists. This copy is in very good condition, and is accompanied by its original envelope. The envelope has some foxing, while there is some staining on the inside cover of the book itself. The first page with the illustration has a band of discolouration related to the flap of the front wrapper, and a similar band of discolouration appears on the last page. There are some small tears along the crease of the envelope flap as well. The poem in this volume is by Roy Campbell (1901-1957), a South-African born writer, who spent most of his time in Europe. He was actively anti-apartheid, and a supporter of racial equality at the time. His support for Franco in Spain led to him being identified as a fascist in England, and his subsequent ostracization from literary circles. He was briefly associated with the Inklings, leading to an acquaintance with both Tolkien and C.S. Lewis. He was known particularly for his satirical verse, most often written in rhyming heroic couplets. The image in this volume is by British artist Barnett Freedman (1901-1958), who was best known as a painter, designer, and illustrator. He also worked with type and lithography.

Full page color illus. by Barnett Freedman, 7.5 x 4.75", pict string-tied wraps, unpaginated, covers rubbed and darkened, top of spine chewed, hinges loose, a fairly well used copy. The Ariel Poems #38.

Soft cover. Condition: Good. No Jacket. Barnett Freedman (illustrator). Pbk, 4 unnumbered pages : col. ill. ; 19 cm. A clean unmarked copy in good condition. [South African poetry (English)] f1638 / m15564.

Condition: Good.

Paper Wrappers. Condition: Fair. Barnett Freedman (illustrator). 6 pages. right lower corner of back cover torn, top and bottom left corners of front cover creased and torn; spine thinned; painting on first page stained the blank page preceding it. Size: 190*100.

Hardcover. Condition: New.

Condition: New. pp. xi + 351 Illus.

Hardcover. Condition: Brand New. 1st edition. 351 pages. 10.25x7.50x1.00 inches. In Stock.

Condition: New. pp. xi + 351.

Condition: New. pp. xi + 351.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condition: Very Good. 1st Edition. CAMPBELL, Roy; FREEDMAN, Barnett: Choosing a Mast. London: Faber & Faber, 1931. No. 287 of 300 copies signed by Roy Campbell on the limitation leaf, this copy additionally marked as No. 38 in the Ariel Poems series. Large octavo, 12pp., with two full page illustrations by Barnett Freedman, printed on English hand-made paper. Original salmon-pink paper-covered boards lettered in gilt to upper cover. Spine faded and lightly toned, as usual, with a little wear at extremities and a few spots on the page edges; internally clean and fresh. Very good. A finely-produced limited edition from the Ariel Poems series, illustrated by Barnett Freedman and signed by the South African poet Roy Campbell. The series, issued by Faber, combined contemporary poetry with notable modern book illustration and typography. . Signed by Author(s).

First edition, trade issue. Small octavo. pp [8]. Sewn wrappers with flaps. Number 38 of The Ariel Poems. Sixty-four line poem. Cover design and full-page colour drawing by Barnett Freedman. Printed at the Curwen Press.Fine.

Condition: Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Condition: Assez bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

First Edition. Original 110 page revised draft shooting script with color rewrite pages for an NBC television movie, Betrayal, dated April 3, 1978, written by Jerrold Freedman and Joanna Crawford, based on the novel by Lucy Freeman and Julie Roy, directed by Paul Wendkos, starring Leslie Ann Warren, Rip Torn, Richard Masur, and Ron Silver. Bradbound. Near fine copy with a touch of dust soiling to the printed covers. The film tells the story of a psychiatrist (Torn) who is accused by one of his patients (Warren) of forcing her to sustain a sexual relationship with him, and the subsequent grueling trial which follows.

First edition. Small octavo. pp [8]. Wrappers. Number 38 of The Ariel Poems. Sixty-four line poem. Cover design and full-page colour drawing by Barnett Freedman. Printed at the Curwen Press.Tipped in on the first blank is a slip of paper, inscribed [by the author] to a British actor: ''For Mr Frank Wyndham Goldie''. Beneath this slip the words ''The Poet's hand'' are pencilled, in an unknown hand, but probably Wyndham Goldie's. Beneath these three pencilled words there is a fingerprint (in ink), and beneath these the illustrator has written: ''Barnett Freedman - the Artist's Thumbprint''.Spine fold largely split. Good.

5 vol.: vol. 1: 57 pp. ; vol. 2: 58 pp. ; vol. 3: 42 pp.; vol. 4: 66 pp. ; vol. 5: 50 pp.; 5 vol.: 23.2 x 14.6 cm. (each); glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. Volume I: "The Relationship Between Art and Architecture," held in Santa Monica, CA, January 21-22, 1989. Participants included: Frank O. Gehry, Daniel Buren, Jean-Louis Cohen, Cesar Pelli, Donald Judd, Irving Lavin, Germano Celant, Henry N. Cobb, Christopher Knight, Mildred Friedman, John Chamberlain, Peter Eisenman, Robert Irwin, Michael Graves, Nancy Wexler, Henry T. Hopkins, and Michael Rotondi. Volume II: "Art + Architecture + Society," held in Toronto, Canada, July 22-23, 1989. Participants included: Henry T. Hopkins, Michael Rotondi, Diana Agrest, Lynda Benglis, Scott Burton, Adele Freedman, April Greiman, Alanna Heiss, Craig Hodgetts, Walter Hopps, Catherine Ingraham, Eric Owen Moss, Matt Mullican, Larry Richards, David Ross, Alexis Smith, and Leon Whiteson. Volume III, "Art Fairs : Plans and Process," held in Los Angeles, CA, December 5-6, 1989. Participants included: O. Kelley Anderson Jr., Brian Angel, Dr. Alberto Anfossi, Rosina Gómez Baeza, Dr. Emil Bammatter, Thomas P. Blackman, Van Deren Coke, Michelle De Angelus, Milton Esterow, Anita Kaegi, Claudio Bruni Sakraischik, Allan Schwartzman, Leif Ståhle, Tamara Thomas, Robert Thomson. Volume IV, "Conservation and Contemporary Art," held in Richmond, VA, June 4-5, 1990. Participants included: Henry T. Hopkins, Billie Milam, Albert Albano, James Bernstein, Sharon Blank, Victoria Blyth Hill, Tom Branchick, William Leischer, Carol Mancusi-Ungaro, Ross Merill, Roy De Forest, Tim Ebner, George Herms, Duane Hanson, Rotraut Klein-Moquay, Ida Kohlmeyer, Miriam Shapiro, Paul Brach, Zora Sweet Pinney, and Nora Halpern Brougher. Volume V, "Support for the Arts in Unsupportive Times," held in Los Angeles, CA, December 4-5, 1990. Participants included: Nora Halpern Brougher, Henry T. Hopkins, Cee Scott Brown, Marie Cieri, Pamela Clapp, Gary Garrels, Stanley Grinstein, David Ireland, Steven D. Lavine, Bella Lewitzky, Lisa Lyons, Anne MacDonald, Peter Norton, Max Palevsky, Claire Peeps, Dr. Thomas Reese, Joy Silverman, Tina Summerlin, Ella King Torrey, Joel Wachs, and Frederick R. Weisman. "Twice each year the Frederick R. Weisman Art Foundation conducts workshops dealing with issues of importance to those involved in the creation, exposition, collection, conservation and education of international contemporary art in all of its manifestations. These workshops bring together approximately eighteen experts in closed session for two days. The topic is determined by the Foundation but the direction that conversation takes is determined by the participants. There is no agenda. The workshops are taped, transcribed, edited, published in the present form and distributed to participants, interested parties, museums and libraries." -- Henry T. Hopkins, director. Very Good / Fine. Set of 5 volumes. Light rubbing and yellowing of cover edges and light yellowing of pages, otherwise Fine. Contents clean and unmarked.

Vintage reference photograph from the 1945 film, showing actors Fred Astaire and Gene Kelly sporting matching suits and mustaches for the tap number "The Babbitt and the Bromide." From the archive of film historian and author Joel Finler. A tribute to the Ziegfeld Follies Broadway shows, composed of a series of lavish, unrelated musical numbers interspersed with comedy sketches. 10 x 8 inches. Very Good plus overall.

Condition: New. PRINT ON DEMAND pp. 364 16 Line Diagrams.

Condition: new. Questo è un articolo print on demand.