Francesco Bartolozzi 1727 1815 (81 results)

Paperback. Condition: New.

Condition: New.

Condition: New.

Condition: New.

Condition: New.

Condition: New.

Bild-Maße: ca. 15,5 x 9 cm. -- Original Kupferstich. -- im Außenrand leicht fleckig, sonst gut erhalten. || Original engraving. -- slightly stained on the outer margin, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Italienisch Gewicht in Gramm: 10. …

Paperback. Condition: New.

No Binding. Condition: Near Fine. First Edition. Image size 10 5/8" x 7 5/8", wide margins, 1" chip extending in about 3/8" from edge but remaining 3/8" beyond the plate mark; light foxing. Beneath the image, there are the credits to Reynolds and Bartolozzi, "Proof", "Ugolino", "London Printed for R. Sayer and J. Bennett, No. 53, Fleet Street, as the act directs, June 28, 1778. Engraving (illustrator).…

Single Sheet. Condition: Near Fine. Original Antique Engraving. Original Antique Stipple Engraving On Antique Laid Paper. Plate Mark 39.6 X 2.6 Cm. A Domestic Scene, Young Man Sitting At Right, Reading, With Two Women Working On Clothes, A Small Child, And A Dog. Original Hand Coloring. "Painted By Morland" At Lower Left, "Bartoloxxi St" At Lower Right, With Large Text "Domestic Happinesf" In Large Script At Bottom. Plate Mark Approximately 15 7/16" X 11 1/2"" Rectangular; Image Is Also Rectangular; Large Margins. Francesco Bartolozzi Ra (1727 - 1815) Was An Italian Engraver, Whose Most Productive Period Was Spent In London. Bartolozzi Was Born In Florence. He Was Originally Destined To Follow The Profession Of His Father, A Gold- And Silver-Smith, But He Manifested So Much Skill And Taste In Designing That He Was Placed Under The Supervision Of Two Florentine Artists, Including Ignazio Hugford And Giovanni Domenico Ferretti Who Instructed Him In Painting. After Devoting Three Years To That Art, He Went To Venice And Studied Engraving. He Particularly Admired The Work Of Joseph Wagner. His First Productions In Venice Were Plates In The Style Of Marco Ricci, Zuccarelli, And Others, While Working For Wagner, Which Began To Draw Attention. He Then Moved For A Short Time To Rome, Where He Completed A Set Of Engravings Representing Frescoes At Grottaferrata By Domenichino Depicting The Life Of St Nilus. He Soon Returned To Venice And Left For London In 1764. He Lived In London For Nearly Forty Years. He Produced An Enormous Number Of Engravings, Including Clytie After Annibale Carracci, And Of The Virgin And Child, After Carlo Dolci. A Large Proportion Of Them Are From The Works Of Cipriani And Angelica Kauffman. Bartolozzi Also Contributed A Number Of Plates To Boydell's Shakespeare Gallery. He Also Drew Sketches Of His Own In Red Chalk. Soon After Arriving In London, He Was Appointed 'Engraver To The King' With An Annual Salary Of £300. He Was Elected A Founding Member Of The Royal Academy In 1768, And In 1802 Became The Founding President Of The Short-Lived Society Of Engravers. His Pupils Were Michele Benedetti, Ignatius Joseph Van Den Berghe, Thomas Cheesman, Lambertus Antonius Claessens, Daniel Gardner, Christiaan Josi, Johan Fredrik Martin, Conrad Martin Metz, Luigi Schiavonetti, John Keyse Sherwin, Heinrich Sintzenich, Peltro William Tomkins, Don Bernardo Zilotti,[2] And Gabriel Scorodomoff. Bartolozzi Was Not The Inventor Of The So-Called Crayon Manner Of Engraving, Which Imitated The Subtleties Of Chalk Drawings, But He Made It The Fashion. In 1802, Bartolozzi Accepted The Post Of Director Of The National Academy Of Lisbon, The City Where He Died. His Son Gaetano Stefano Bartolozzi, Born In 1757, Was Also An Engraver, And The Father Of Madame Vestris. (Source: Wikipedia).…

Single Sheet. Condition: Near Fine. Original Antique Engraving. 16" X 21". One Of A Large Suite Of Engravings By Bertolozzi, After The Original Drawings By Holbien In The Collection Of The Crown. A Well Colored Impression, With Artist And Engraver Names Immediately Beneath The Portrait, And Publishing Information Below.…

No Binding. Condition: Fine. Original Antique Engraving. Image Size 9 1/8" X 6 1/4", Wide Margins. Beneath The Image, There Are The Credits To Rubens And Bartolozzi, "Rubens' Second Wife / From The Original At Houghton Hall In The Collection Of The Earl Of Oxford" With The Printers Information And Date Below. Engraving (illustrator).…

Condition: New. Print on Demand.

Condition: New. Print on Demand.

Condition: New. PRINT ON DEMAND.

Condition: New. Print on Demand.

Condition: New. Print on Demand.

Condition: New. Print on Demand.

Condition: New. Print on Demand.

Size: Folio. 370 x 267mm. Disbound. Some foxing. Stipple engraving with some etching by F. Bartolozzi after the drawing by Biagio Rebecca (ca 1735-1808) of Louis François Roubiliac's (1702-1762) statue of Handel which was then in Vauxhall Gardens. Handel's statue by Roubiliac, commissioned by Jonathan Tyers for Vauxhall Gardens, is depicted with Handel full-length, seated, facing forwards with legs partly crossed, wearing headwear, long coat and breeches, and playing a lyre with sun motto at top of the instrument, with a cherub writing in a music book resting on a lute at the composer's feet, all surrounded by trees in the distance. This image was used as a frontispiece in Samuel Arnold's collected edition of Handel's works.…

Stipple engraving, plate 27 from Cook's 'A Voyage to the Pacific Ocean', top left corner missing, crease below image, faint stain in right bottom corner.

HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condition: New. PRINT ON DEMAND.

Condition: New. PRINT ON DEMAND.

Size: Frame = 35 x 41cm, image = 227 x 293mm. Mounted, framed (gilt) and glazed. Two men, singing and playing the lute, around a table; on the left, a young man with a feathered hat, seated, in profile to right, holding a music score in his left hand and singing; on the right, a bearded man with a round hat playing the lute, pens, ink and paper atop the table.…

Hardcover. Condition: Fair. 1st Edition. 2 volumes quarto 15x11 inches- original boards, crudely rebacked. Two titles, two lists of plates and 151 FINE ENGRAVED PLATES- the majority by Bartolozzi after Guercino- includes 30 double page folding plates. Some, mostly marginal, spotting- but affecting the decorative nature of only 6 plates and 6 plates with an old outer marginal crescent waterstain not affecting the image. A reasonably good copy of the first edition of this work- a rare printing that in later editions had only 91 plates.…

Folio. (18 x 14 7/8 inches). Half-title, 5 section titles, 5pp. subscribers' list. Stipple engraved emblematic frontispiece by Tomkins, 6 stipple engraved plates (2 by Bartolozzi, 4 by Tomkins), 4 vignette stipple engraved illustrations by Tomkins, 10 stipple-engraved head or tailpieces (4 by Bartolozzi, 6 by Tomkins), all after William Hamilton, engraved dedication leaf. Contemporary blue straight-grained morocco gilt, covers with wide decorative neo-classical border made up from fillets, a drawer-handle roll and a swag and stylized flower head roll, spine in seven compartments with double raised bands, the bands highlighted by rules and roll tools, lettered in the second compartment, the seventh compartment with onlaid label tooled in gilt with two armorial crests (one of the Peters family, the other unidentified), the remaining compartments with repeat decoration of a centrally-placed tool of two birds perched on a bow with crossed arrows behind them, gilt turn-ins, marbled endpapers, edges with alternate bands of gilding A deluxe edition of Thomson's famed poem, with stipple-engravings from two of the greatest engravers of their time, and in a magnificent contemporary binding. Thomson's paean to the countryside and the simple country life is now seen as a precursor of the romantic movement in English poetry, as exemplified by Wordsworth and Coleridge. The present edition, published the year before the appearance of the Lyrical Ballads, is perhaps the most luxurious edition of The Seasons ever published. Abbey Life 252; Brunet V, 836; Cohen/de Ricci p.992; Lowndes IV, p.2671.…

Condition: New. Print on Demand.

Condition: New. Print on Demand.

Size: 272 x 188mm.; image = 215 x 159mm. Single sheet stipple engraving, some creasing and a few brown spots. Arne is depicted three-quarter-length, standing in profile to the right at a harpsichord, wearing bag-wig and sword, in court dress; "the exaggeration of his elongated melancholy face and the position of the hands give the character of a caricature" (M. Dorothy George). The original drawing, attributed to Bartolozzi, evidently a sketch from life, is in the Royal Collection at Windsor.…