Fraenkel Jeffrey Editor (24 results)

Paperback. Condition: Very Good. Free of markings.

Paperback. Condition: Near Fine. Paperback. Book Condition: Near Fine. Fraenkel Gallery/Matthew Marks Gallery, 1997. 74 pages. Nice Firm Clean copy ! Size: 11.02 x 9.06 x .51. Art::Collections/Exhibitions 6957L.

Hardback. Condition: Very Good. clean, unmarked copy.

First edition. Softcover. Exhibition catalog for a show that ran April 20 through may 21, 1995. Text in Spanish. Includes 50 color and black and white plates from a wide ranging group of artists such as Robert Frank, Diane Arbus, Eugene Atget, Hiroshi Sugimoto, William Wegman and numerous others. A near fine copy in French style wrappers with some very minor wear. Internally a clean copy of this very nicely printed catalog.

Soft cover. Condition: Very Good. Oversized soft cover catalogue illustrated with 27 black and white plates. With price list laid in. Moderate rubbing/scuffing on covers with several light smudges on back panel. INTERNATIONAL SHIPPING MAY REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 (ULTV-Bottom-Front-L) rareviewbooks.

Condition: Good. 10 x 10.5 in., Hardbound, 232 pages, 12 color and 82 tritone illustrations New condition.The Eye Club, unofficially founded around 1975, was the nickname given to the loose conglomeration of individuals who found themselves among the first new collectors of photography. Operating purely on instinct and the love of seeing, these few dozen people (including Sam Wagstaff, Andre Jammes and other now-legendary collectors) shared a distaste for established pantheons and veered instead toward the lesser-known, the anonymous, the outré or any photograph emanating sparks of electricity.Assembled in a related spirit of adventure, the nearly one-hundred extraordinary images in The Eye Club weave back and forth through the history of photography to reveal little-known images by some of the medium's most influential artists. Published to mark Fraenkel Gallery's twenty-fifth year and printed with exceptional fidelity, The Eye Club presents a surprising feast of images for the eye and the mind.

Paperback. SIGNED. First edition. Very Good minus paperback with French folds: light wear at the extremities, light soiling, and a crease across the spine from a bump. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Unpaginated; 27 full-page b&w plates; 9.75 x 13 inches. Price list laid in. SIGNED BY FRAENKAL and warmly inscribed to Paris photography gallery owner, William Burke, and dated in the year of publication. The catalogue for an early show at the Fraenkel Gallery, San Francisco.

Hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

Paperback. Condition: New. In shrink wrap. Looks like an interesting title!

hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condition: Brand New. 375 pages. 11.00x8.50x0.96 inches. In Stock.

Paperback. Condition: New. In shrink wrap. Looks like an interesting title!

Hard cover. Sewn binding. Cloth over boards. 120 p. Audience: General/trade. Very good in very good dust jacket.

Hard cover. Annotated. Sewn binding. Cloth over boards. 320 p. Contains: Illustrations. Audience: General/trade. Good in good dust jacket. Faint discoloration to front corner of jacket and cover near spine. Does not affect pages. Text appears unmarked. Jacket in new mylar.

First edition. Hardcover. First printing. While the choices in this book are highly subjective this book along with the the books by Martin Parr and Gerry Badger helped codify and illustrate what are some of the truly classic photography books. Features essays by Richard Benson, May Castleberry, Jeffrey Fraenkel, Daido Moriyama, Shelley Rice, and Neville Wakefield and with the catalog by Vince Aletti and David Levi Straus. A fine copy in a fine dust jacket. An as new copy of this excellent reference book that is still in the publisher's shrinkwrap.

Hardcover. Condition: Near Fine. 1st Edition. LIMITED DELUXE EDITION. 1 vol., 12" x 10", limited to 500 copies, bound in 1/4 black morocco, spine lettered in blind, illustrated with numerous four-color and black and white plates, with the original slipcase, IN FINE CONDITION.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. First edition, first and only printing. Hardcover. Gray cloth with debossed title on spine, with dust jacket. Edited by Andrew Roth. Essays by Richard Benson, May Castleberry, Jeffrey Fraenkel, Daido Moriyama, Shelley Rice and Neville Wakefield. Catalogue entries by Vince Aletti and David Levi Strauss. Also includes author biographies and an index. 306 pp., beautifully printed on fine heavy-stock paper at the Stamperia Valdonega with numerous four-color and black-and-white plates. 12 x 10 inches. This first edition was limited to 5000 copies. Out of print. Scarce. Fine in Fine dust jacket. From the publisher: "The history of the photographic book goes back well more than a century; the medium of photography and the book format were understood very early on to relate to each other on both technical and aesthetic levels. The examples of truly great combinations of photographic image and text, great design and typography bound together as books are numerous, and make up an impressive artistic, social, and documentary statement of the 20th century. Writer and rare book expert Andrew Roth has selected for this volume a group of 101 of the best photography books ever published: books that bring all of the elements of great bookmaking together to create, ultimately, a thing of beauty, a work of art. Mostly made up of publications in which the photographs were meant to be seen in book form, as opposed to the book being merely a repository of images, this list includes many artists and titles that will be familiar to the collector, but also not a few surprises. Chronologically, the first book is Volume One of Edward Curtis' seminal 1907 "The North American Indian", the last is David LaChapelle's "LaChapelle Land" from 1996, and in between are books by Walker Evans and Berenice Abbott, Atget and Brassai, Robert Frank and Garry Winogrand, and many other seminal photographers from all over the world. Each book is beautifully reproduced with several image spreads, and a short text about it. 'The Book of 101 Books,' however, is far more than simply an annotated and illustrated catalogue. Six important new essays on a variety of related topics from respected scholars, critics, and artists are included as well: here you will find Richard Benson on the history of printing techniques, Shelley Rice on the societal significance of photography books, May Castleberry on reprints, exhibitions, and keeping books alive for the public; Daido Moriyama on his personal memories of making his classic 'Bye Bye Photography, Dear,' Neville Wakefield on the particular attributes of one of the most recent books in this group: Richard Prince's 1995 'Adult Comedy Action Drama,' and Jeffrey Fraenkel on the myriad perils of publishing photography books. The catalogue entries themselves are written by the well-known critics Vince Aletti and David Levi Strauss. Taken together, the depth and beauty of these essays and images makes 'The Book of 101 Books' both an essential reference and a stunning gift for anyone interested in photography.".

Hardcover. Condition: Fine. 1st Edition. First edition, first printing. Limited edition of 500 numbered copies, quarter bound silk, with debossed title on spine, with custom-made slipcase bound in silk. 306 pp., beautifully printed on fine heavy-stock paper at the Stamperia Valdonega with numerous four-color and black and white plates. 12 x 10 inches. Edited by Andrew Roth. Essays by Richard Benson, May Castleberry, Jeffrey Fraenkel, Daido Moriyama, Shelley Rice and Neville Wakefield. Catalogue entries by Vince Aletti and David Levi Strauss. Also includes author biographies and an index. Fine in Near Fine slipcase (slight shelfwear to top and bottom of slipcase).

Hardcover. Deluxe Issue, #68/101 Copies. Quarto, 305, [1] pages; VG; bound in full black goatskin, embossed title to spine; top edge gilt; Japanese silk bookmark; housed in blue/gray Japanese silk slipcase, very mild wear; Also issued in a trade edition and a limited edition, this is the Deluxe Edition, #68/101 copies signed by the essayists Richard Benson, May Castleberry, Jeffrey Fraenkel, Daido Moriyama, Shelley Rice and Neville Wakefield, the authors Vince Aletti and David Levi Strauss, and the editor Andrew Roth.; shelved case 11. 1352184. Shelved Dupont Bookstore.

Condition: board covers mint condition. well illust (illustrator). 1881337073.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition. (2001). 4to. 1st edition. Good, clean textblock. Bright, clean cloth covered boards. Slight bumping to edges, forecorners, and spine ends of otherwise bright, clean dust jacket. NF/NF.

First edition. Hardcover. Limited edition of 500 specially bound copies. While the choices in this book, like those in any best of list, are highly subjective this book along with the three books by Martin Parr and Gerry Badger helped codify and illustrate what are some of the true classic photography books. Features essays by Richard Benson, May Castleberry, Jeffrey Fraenkel, Daido Moriyama, Shelley Rice, and Neville Wakefield and with the catalog by Vince Aletti and David Levi Straus. A very near fine copy in quarter leather binding with silk boards and in near fine cloth slipcase that has a small spot to the bottom edge. No dust jacket as issued.

Hardcover. Condition: Near Fine. LIMITED EDITION. 4to. 1st edition. LIMITED DELUXE ISSUE. LIMITED to 500 copies. Bright, clean copy. NF in NF slipcase.

Condition: Fine. Size: 19 x 1.9 x 24.8 cm.