Foreword William Watson (10 results)

Hardcover. Condition: As New. Dust Jacket Condition: As New. Illustrated by W. F. N. Watson (illustrator). First Edition; First Printing. Black boards, pristine, sharp and square, As New. Protected, price unclipped, dust jacket clean and bright. As New. Book is firm in binding, b&w map illustrations by W. F. N. Watson, 334 pages include Index. Free of any markings, not ex-library. ; B&W Illustrations; Large 8vo 9" - 10" tall; 334 pages.

Soft cover. Condition: Near Fine. Softcover. Slight edgewear; otherwise clean, tight, and unmarked. Very neat--a sound and handsome copy. Size: 8vo - over 7¾ - 9¾" tall. Book.

Hardcover. Condition: Very Good. Dust Jacket Condition: Near Very Good. reissue. Reissue second impression hardback 130 pp Very Good condition in Near Very Good unclipped dust jacket (spine of jacket embrowned ) Original owner's inscription on front end paper.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Color Illustrations And Photographs (illustrator). 1st Edition. 134 Pp. Red Boards, Gilt. First Printing. Fine In Fine Dust Jacket, Not Price-Clipped. Inscribed By Kingman To Architect Robert P. Meyerghofl, Dated In 1998, And Signed In Both English And Chinese. Dong Kingman (1911 -2000) Was A Chinese American Artist And One Of America's Leading Watercolor Masters. As A Painter On The Forefront Of The California Style School Of Painting, He Was Known For His Urban And Landscape Paintings, As Well As His Graphic Design Work In The Hollywood Film Industry. He Has Won Widespread Critical Acclaim And His Works Are Included In Over 50 Public And Private Collections Worldwide, Including Metropolitan Museum Of Art, Museum Of Fine Arts, Boston; Brooklyn Museum; Deyoung Museum And Art Institute, Chicago. Dong Kingman Was Born Dong Moy Shu In Oakland, California, The Son Of Chinese Immigrants From Hong Kong. At The Age Of Five And A Half, He Traveled With His Family Back To Hong Kong, Where His Father Established A Dry Goods Business. He Began His Formal Education At The Bok Jai School, Where He Was Given A School Name In Accordance With Chinese Customs. Hearing That He Aspired To Be An Artist, His Instructor Gave Him The Name "King Man" (Lit. "Scenery" And "Composition" In Cantonese). He Would Later Combine The Two Names Into Kingman, Placing His Family Name First In Accordance With Chinese Naming Conventions, Creating The Name Dong Kingman. Kingman Continued His Education At The Chan Sun Wen School, Where He Excelled At Calligraphy And Watercolor Painting. He Studied Under Szeto Wai, The Paris-Trained Head Of The Lingnan Academy. It Was Under Szeto's Instruction That Kingman Was First Exposed To Northern European Trends. Kingman Would Later State That Szeto Was His "First And Only True Influence." Kingman Returned To The United States In His Late Teens. In 1929 He Attended The Fox Morgan Art School While Holding Down A Variety Of Jobs. It Was At This Time That He Chose To Concentrate On Watercolor Painting. His Critical Breakthrough Occurred In 1936, When He Gained A Solo Exhibition At The San Francisco Art Association. This Exhibition Brought Him National Recognition And Success. In The Late 1930S, Kingman Served As An Artist In The Works Progress Administration, Painting Over 300 Works With The Relief Program. In 1942 And 1944, Kingman Received The Guggenheim Fellowship. During World War Ii, He Was Drafted Into The U.S. Army, But Was Transferred To Work As A Map Artist In The Office Of Strategic Services[1] At Camp Beal, California And Washington, D.C, By A Fan Of His Work, Eleanor Roosevelt. Kingman Settled In Brooklyn, New York After The War, Where He Held A Position As An Art Instructor At Columbia University And Hunter College From 1946 For The Next Ten Years. In New York He Was Associated With Midtown, Wildenstein And Hammer Galleries. During The 1950S, Kingman Served As A United States Cultural Ambassador And International Lecturer For The Department Of State. In The 1950S And 1960S, Kingman Worked As An Illustrator In The Film Industry, Designing The Backgrounds For A Number Of Major Motion Pictures Including "55 Days At Peking", The Sand Pebbles And The Hollywood Adaptation Of "Flower Drum Song". Over 300 Of His Film-Related Works Are Permanently Housed At The Fairbanks Center For Motion Picture Study At The Margaret Herrick Library Of The Academy Of Motion Picture Arts And Sciences In Beverly Hills, California. Kingman Was Faculty At The Famous Artists School And His Students Included Artists Win Pe And Paw Oo Thet, Among Others. In 1981, Kingman Made History As The First American Artist To Be Featured In A Solo Exhibition Following The Resumption Of Diplomatic Relations Between The U.S. And China When The Ministry Of Culture Of The People's Republic Of China Hosted A Critically Acclaimed Exhibition That Drew Over 100,000 People. The 1990S Saw Major Exhibitions In Taiwan At The Taipei Modern Art Museum In 1995 And The Taichung Provincial Museum In 1999. Inscribed by Author(s).

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Color Illustrations And Photographs (illustrator). 1st Edition. 134 Pp. Red Boards, Gilt. First Printing. Fine In Fine Dust Jacket, Not Price-Clipped. Inscribed By Kingman To Art Expert And Publisher Ruth Westphal, Dated In 1998, And Signed In Both English And Chinese. Dong Kingman (1911 -2000) Was A Chinese American Artist And One Of America's Leading Watercolor Masters. As A Painter On The Forefront Of The California Style School Of Painting, He Was Known For His Urban And Landscape Paintings, As Well As His Graphic Design Work In The Hollywood Film Industry. He Has Won Widespread Critical Acclaim And His Works Are Included In Over 50 Public And Private Collections Worldwide, Including Metropolitan Museum Of Art, Museum Of Fine Arts, Boston; Brooklyn Museum; Deyoung Museum And Art Institute, Chicago. Dong Kingman Was Born Dong Moy Shu In Oakland, California, The Son Of Chinese Immigrants From Hong Kong. At The Age Of Five And A Half, He Traveled With His Family Back To Hong Kong, Where His Father Established A Dry Goods Business. He Began His Formal Education At The Bok Jai School, Where He Was Given A School Name In Accordance With Chinese Customs. Hearing That He Aspired To Be An Artist, His Instructor Gave Him The Name "King Man" (Lit. "Scenery" And "Composition" In Cantonese). He Would Later Combine The Two Names Into Kingman, Placing His Family Name First In Accordance With Chinese Naming Conventions, Creating The Name Dong Kingman. Kingman Continued His Education At The Chan Sun Wen School, Where He Excelled At Calligraphy And Watercolor Painting. He Studied Under Szeto Wai, The Paris-Trained Head Of The Lingnan Academy. It Was Under Szeto's Instruction That Kingman Was First Exposed To Northern European Trends. Kingman Would Later State That Szeto Was His "First And Only True Influence." Kingman Returned To The United States In His Late Teens. In 1929 He Attended The Fox Morgan Art School While Holding Down A Variety Of Jobs. It Was At This Time That He Chose To Concentrate On Watercolor Painting. His Critical Breakthrough Occurred In 1936, When He Gained A Solo Exhibition At The San Francisco Art Association. This Exhibition Brought Him National Recognition And Success. In The Late 1930S, Kingman Served As An Artist In The Works Progress Administration, Painting Over 300 Works With The Relief Program. In 1942 And 1944, Kingman Received The Guggenheim Fellowship. During World War Ii, He Was Drafted Into The U.S. Army, But Was Transferred To Work As A Map Artist In The Office Of Strategic Services[1] At Camp Beal, California And Washington, D.C, By A Fan Of His Work, Eleanor Roosevelt. Kingman Settled In Brooklyn, New York After The War, Where He Held A Position As An Art Instructor At Columbia University And Hunter College From 1946 For The Next Ten Years. In New York He Was Associated With Midtown, Wildenstein And Hammer Galleries. During The 1950S, Kingman Served As A United States Cultural Ambassador And International Lecturer For The Department Of State. In The 1950S And 1960S, Kingman Worked As An Illustrator In The Film Industry, Designing The Backgrounds For A Number Of Major Motion Pictures Including "55 Days At Peking", The Sand Pebbles And The Hollywood Adaptation Of "Flower Drum Song". Over 300 Of His Film-Related Works Are Permanently Housed At The Fairbanks Center For Motion Picture Study At The Margaret Herrick Library Of The Academy Of Motion Picture Arts And Sciences In Beverly Hills, California. Kingman Was Faculty At The Famous Artists School And His Students Included Artists Win Pe And Paw Oo Thet, Among Others. In 1981, Kingman Made History As The First American Artist To Be Featured In A Solo Exhibition Following The Resumption Of Diplomatic Relations Between The U.S. And China When The Ministry Of Culture Of The People's Republic Of China Hosted A Critically Acclaimed Exhibition That Drew Over 100,000 People. The 1990S Saw Major Exhibitions In Taiwan At The Taipei Modern Art Museum In 1995 And The Taichung Provincial Museum In 1999. Inscribed by Author(s).

Condition: Near Fine. First edition hard back binding in publisher's original black paper covered boards, cream title and author lettering to the spine. 8vo. 9½'' x 6¼''. Contains 375 printed pages of text. Seven pages highlighted with purple pen marking. Near Fine condition book in Fine condition dust wrapper, not price clipped $26.95. Dust wrapper supplied in archive acetate film protection, this preserves and prolongs the life of the paper, it is not adhered to the book or to the dust wrapper. Member of the P.B.F.A. ISBN 0275938654 BUSINESS (Leadership).

Blue Cloth. Condition: Fine. Dust Jacket Condition: Near Fine Dustjacket. Black and White photographs and Diagrams (illustrator). First Edition. Stated First Edition. Xvi, 226 Pages. Book Has No Wear, No Fading To Yellow Topstain, All Lettering As New, Small Vroman's, Pasadena Bookseller's Label On Front Pastedown. Original First Issue Dj Is Original, Bright, No Wear Or Fading At All, No Tears, Price Clipped. Book Cloth Covers With 1/8" Fading Along Bottom Edges All Around.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine Dustjacket. Black and White photographs and Diagrams (illustrator). First Edition. Stated First Edition. Xvi, 226 Pages, A Beautiful And Virtually As New Copy, From The Library Of A Former Librarian At Cal Tech. Book Cover Has Slight Fading Along Top Edge. Dj Is Original, Bright ; Points Of Slight Rubbing And Minuscule Losses At Corners; Spine Very Slightly Faded.

Hardcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. First Edition. Clean brown covers with gilt lettering and motif on the front and a plain spine. Lightly rubbed at spine-ends, sound binding, clean pages No dust-jacket. Previous owner's details on small label at the front. Undated by publisher. Dated from content/images. Quantity Available: 1. Shipped Weight: under 1 kg. Pictures of this item not already displayed here available upon request. Inventory No: 11624081109. All our books are sent by tracked mail.

Hardcover. Condition: Fair. 1st Edition. Discoloiured blue boards and spine fading to brown; spine lettered in gilt. Internally bookplate on front paste down; lacks free front end paper; rear free end paper toned as is the half title, and title page less so. Occasional insignificant foxing. Pp xxxii, 381 + (4) ads.