Follett Danielle (7 results)
More images- Hardcover
- First Edition
Seller: Palimpsest Scholarly Books & Services, Brooktondale, U.S.A.Palimpsest Scholarly Books & Services
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Hardcover. Condition: As New. Dust Jacket Condition: Very Good. 1st Edition. First printing. Volume, measuring approximately 6.5" x 9.5", is bound in dark brown cloth, with stamped silver lettering to spine. Book is in excellent condition. Dust jacket displays light shelfwear. viii/469 pages. "In "The Aesthetics of the Total Art…work", artists, curators, and scholars from many countries and fields offer new ways of understanding the history and contemporary importance of the idea of the total artwork, or Gesamtkunstwerk. The term " Gesamtkunstwerk" was introduced in the romantic period. It describes the desire for and practice of combining various art forms into a whole, such as performances that combine text, visual arts, music, dance, and architecture. Richard Wagner was one of the early theorists of the concept, inspiring many modernist artists; yet, due to his ideological significance for the Third Reich, the concept has frequently been associated with totalitarianism since the Second World War. Nonetheless, artistic practice has continued to incorporate all-inclusive tendencies, even while avoiding the term "total artwork." The contributors to this volume challenge us to think again about the total artwork, daring to suggest that it is alive and well, that it informs current art in ways that are deep, meaningful, contentious, and provocative. The essays come from authors steeped in literary culture, the world of art, philosophy, and music theory. Such diverse perspectives can only stimulate debate in the academy and beyond about the history of the Gesamtkunstwerk and open up paths that may be followed in its future.".
Language: English
Published by Johns Hopkins University Press, Baltimore, MD 2011
- Hardcover
Seller: Grand Eagle Retail, Bensenville, U.S.A.Grand Eagle Retail
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£ 101.50
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Hardcover. Condition: new. Hardcover. In The Aesthetics of the Total Artwork, artists, curators, and scholars from many countries and fields offer new ways of understanding the history and contemporary importance of the idea of the total artwork, or Gesamtkunstwerk. The term " Gesamtkunstwerk" was introduced in the romantic peri…od. It describes the desire for and practice of combining various art forms into a whole, such as performances that combine text, visual arts, music, dance, and architecture. Richard Wagner was one of the early theorists of the concept, inspiring many modernist artists; yet, due to his ideological significance for the Third Reich, the concept has frequently been associated with totalitarianism since the Second World War. Nonetheless, artistic practice has continued to incorporate all-inclusive tendencies, even while avoiding the term "total artwork." The contributors to this volume challenge us to think again about the total artwork, daring to suggest that it is alive and well, that it informs current art in ways that are deep, meaningful, contentious, and provocative. The essays come from authors steeped in literary culture, the world of art, philosophy, and music theory.Such diverse perspectives can only stimulate debate in the academy and beyond about the history of the Gesamtkunstwerk and open up paths that may be followed in its future. Such diverse perspectives can only stimulate debate in the academy and beyond about the history of the Gesamtkunstwerk and open up paths that may be followed in its future. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
The Aesthetics of the Total Artwork. On Borders and Fragments.
. Ed(s): Finger, Anke K.; Follett, Danielle; Finger, Anke K.
- Hardcover
- First Edition
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, IrelandKennys Bookshop and Art Galleries Ltd.
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£ 107.42
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Condition: New. Such diverse perspectives can only stimulate debate in the academy and beyond about the history of the Gesamtkunstwerk and open up paths that may be followed in its future. Editor(s): Finger, Anke K.; Follett, Danielle; Finger, Anke K. Series: Rethinking Theory. Num Pages: 480 pages, 23, 23 black & white halftone…s. BIC Classification: ABA. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 230 x 157 x 33. Weight in Grams: 778. . 2010. 1st Edition. Hardcover. . . . .
The Aesthetics of the Total Artwork. On Borders and Fragments.
. Ed(s): Finger, Anke K.; Follett, Danielle; Finger, Anke K.
- Hardcover
Seller: Kennys Bookstore, Olney, U.S.A.Kennys Bookstore
Contact seller5-star sellerCondition: New
£ 131.24
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Condition: New. Such diverse perspectives can only stimulate debate in the academy and beyond about the history of the Gesamtkunstwerk and open up paths that may be followed in its future. Editor(s): Finger, Anke K.; Follett, Danielle; Finger, Anke K. Series: Rethinking Theory. Num Pages: 480 pages, 23, 23 black & white halftone…s. BIC Classification: ABA. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 230 x 157 x 33. Weight in Grams: 778. . 2010. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.
- Hardcover
Seller: Mispah books, Redhill, United KingdomMispah books
Contact seller4-star sellerCondition: Used - As new
£ 114.00
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Hardcover. Condition: Like New. Like New. Ships from Multiple Locations. book.
- Hardcover
Seller: moluna, Greven, Germanymoluna
Contact seller5-star sellerCondition: New
£ 105.15
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Condition: New. Such diverse perspectives can only stimulate debate in the academy and beyond about the history of the Gesamtkunstwerk and open up paths that may be followed in its future.Über den AutorAnke Finger is an associate prof.
Language: English
Published by Johns Hopkins University Press, Baltimore, MD 2011
- Hardcover
Seller: AussieBookSeller, Truganina, AustraliaAussieBookSeller
Contact seller5-star sellerCondition: New
£ 156.65
£ 27.67 shippingShips from Australia to U.S.A.Quantity: 1 available
Hardcover. Condition: new. Hardcover. In The Aesthetics of the Total Artwork, artists, curators, and scholars from many countries and fields offer new ways of understanding the history and contemporary importance of the idea of the total artwork, or Gesamtkunstwerk. The term " Gesamtkunstwerk" was introduced in the romantic peri…od. It describes the desire for and practice of combining various art forms into a whole, such as performances that combine text, visual arts, music, dance, and architecture. Richard Wagner was one of the early theorists of the concept, inspiring many modernist artists; yet, due to his ideological significance for the Third Reich, the concept has frequently been associated with totalitarianism since the Second World War. Nonetheless, artistic practice has continued to incorporate all-inclusive tendencies, even while avoiding the term "total artwork." The contributors to this volume challenge us to think again about the total artwork, daring to suggest that it is alive and well, that it informs current art in ways that are deep, meaningful, contentious, and provocative. The essays come from authors steeped in literary culture, the world of art, philosophy, and music theory.Such diverse perspectives can only stimulate debate in the academy and beyond about the history of the Gesamtkunstwerk and open up paths that may be followed in its future. Such diverse perspectives can only stimulate debate in the academy and beyond about the history of the Gesamtkunstwerk and open up paths that may be followed in its future. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
