Folin Marco Editor (12 results)

Hardcover. Condition: New. Dust Jacket Condition: New. NEW BOOK in DUST JACKET: Minor Shelf Wear. (Antique Collectors Club, 2011) LOC: Q11.

Paperback. Condition: Brand New. 178 pages. 9.00x6.00x0.44 inches. In Stock.

1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; 443 p.: ill. (chiefly col.), maps; 30 cm. Notes; Includes bibliographical references (p. 403-430) and indexes. Contents; Courts and courtly arts in Renaissance Italy / Marco Folin -- I. Politics and the arts. The political geography of Renaissance Italy / Francesco Somaini. Writing at court / Rinaldo Rinaldi. Italian courts and music / Franco Piperno -- II. The courts. Piedmont and Liguria / Massimiliano Caldera. Milan: the Visconti and Sforza families (1395-1535) / Luisa Giordano. Mantua: the Gonzaga family (1397-1519) / Stefano L'Occaso. Ferrara: the Este family (1393-1535) / Marcello Toffanello. The minor courts of the Po Valley / Elena Svalduz. Florence: The Medici, lords in pectore (1434-94) / Alessandro Cecchi. Tuscany / Gabriele Fattorini -- Emilia-Romagna / Marco Campigli. Urbino: the Montefeltro and Della Rovere families (1444-1538) / Francesco Paolo Fiore. Umbria and the Marches / Andrea De Marchi. Rome: the popes (1420-1527) / Alessandro Angelini. Lazio: the Colonna, Orsini and Caetani families / Anna Cavallaro. The Kingdom of Naples: the Durazzo and Aragonese families (1381-1501) / Veronica Mele and Francesco Senatore. Summary; Italian Renaissance art is closely intertwined with the development of courts and court culture in much of the Italian territory. The patronage of the ruling families of the small Italian city-states greatly favoured the flourishing of the figurative arts, in architecture, but also in music, literature, and theatre. The initial essay on the political geography of Renaissance Italy is particularly important because it illustrates graphically (with the help of maps) the great territorial fragmentation of the Italian city-states, often very famous in the history of art and culture, but literally very small and with smaller, quasi-independent cities within them. Music and literature - often overlooked in general books on the Italian Renaissance - were a form of sophisticated entertainment but, at the same time, instrumental to increase the perception of magnificence (stately grandeur and lavishness) of the Prince. So, for instance, the chapter on literature begins with the role of the humanists at court, literature and propaganda (with reference to the many histories of ruling families written at court), theatrical representations, the new "bucolic" poetry and the eclogue, and the advent of print and the birth of the most famous Renaissance books: the 'Libro del Cortegiano' (The book of the Courtier) by Baldassare Castiglione and the 'Orlando Furioso' by Ludovico Ariosto. The second, longer part, is arranged geographically and, bringing together the best of Italian scholarship, covers the entire peninsula, giving attention not only to the major courts, such as Milan, Naples, Mantua, Ferrara, but devoting shorter chapters to some of the minor courts spread around northern and central Italy, from Rimini ruled by the Malatesta family to Carpi under the Pios, Bracciano ruled by the Orsini, etc. Attention is given also to city-states without a proper court, for instance Florence, which was informally ruled by the Medici family but was a republic. Additional text boxes provide detailed information on specific arguments such as cardinals' courts in Rome or Federico da Montefeltro's fortresses. At the end of each chapter a short, annotated bibliography helps the reader to find the most important texts on the topic. A final part includes the genealogies of the ruling families, the general bibliography and a series of indexes (names, places and works of arts, main themes). In the index of names dates and a short definition is given for all historical figures (e.g.: Leto, Pomponio [1425-1498], humanist and founder of the Roman Academy). Review: Courts and Courtly Arts is a handsomely produced text enhanced by an extraordin. …

Paperback. Condition: Brand New. 264 pages. 9.00x6.00x0.64 inches. In Stock.

1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; 443 p.: ill. (chiefly col.), maps; 30 cm. Notes; Includes bibliographical references (p. 403-430) and indexes. Contents; Courts and courtly arts in Renaissance Italy / Marco Folin -- I. Politics and the arts. The political geography of Renaissance Italy / Francesco Somaini. Writing at court / Rinaldo Rinaldi. Italian courts and music / Franco Piperno -- II. The courts. Piedmont and Liguria / Massimiliano Caldera. Milan: the Visconti and Sforza families (1395-1535) / Luisa Giordano. Mantua: the Gonzaga family (1397-1519) / Stefano L'Occaso. Ferrara: the Este family (1393-1535) / Marcello Toffanello. The minor courts of the Po Valley / Elena Svalduz. Florence: The Medici, lords in pectore (1434-94) / Alessandro Cecchi. Tuscany / Gabriele Fattorini -- Emilia-Romagna / Marco Campigli. Urbino: the Montefeltro and Della Rovere families (1444-1538) / Francesco Paolo Fiore. Umbria and the Marches / Andrea De Marchi. Rome: the popes (1420-1527) / Alessandro Angelini. Lazio: the Colonna, Orsini and Caetani families / Anna Cavallaro. The Kingdom of Naples: the Durazzo and Aragonese families (1381-1501) / Veronica Mele and Francesco Senatore. Summary; Italian Renaissance art is closely intertwined with the development of courts and court culture in much of the Italian territory. The patronage of the ruling families of the small Italian city-states greatly favoured the flourishing of the figurative arts, in architecture, but also in music, literature, and theatre. The initial essay on the political geography of Renaissance Italy is particularly important because it illustrates graphically (with the help of maps) the great territorial fragmentation of the Italian city-states, often very famous in the history of art and culture, but literally very small and with smaller, quasi-independent cities within them. Music and literature - often overlooked in general books on the Italian Renaissance - were a form of sophisticated entertainment but, at the same time, instrumental to increase the perception of magnificence (stately grandeur and lavishness) of the Prince. So, for instance, the chapter on literature begins with the role of the humanists at court, literature and propaganda (with reference to the many histories of ruling families written at court), theatrical representations, the new "bucolic" poetry and the eclogue, and the advent of print and the birth of the most famous Renaissance books: the 'Libro del Cortegiano' (The book of the Courtier) by Baldassare Castiglione and the 'Orlando Furioso' by Ludovico Ariosto. The second, longer part, is arranged geographically and, bringing together the best of Italian scholarship, covers the entire peninsula, giving attention not only to the major courts, such as Milan, Naples, Mantua, Ferrara, but devoting shorter chapters to some of the minor courts spread around northern and central Italy, from Rimini ruled by the Malatesta family to Carpi under the Pios, Bracciano ruled by the Orsini, etc. Attention is given also to city-states without a proper court, for instance Florence, which was informally ruled by the Medici family but was a republic. Additional text boxes provide detailed information on specific arguments such as cardinals' courts in Rome or Federico da Montefeltro's fortresses. At the end of each chapter a short, annotated bibliography helps the reader to find the most important texts on the topic. A final part includes the genealogies of the ruling families, the general bibliography and a series of indexes (names, places and works of arts, main themes). In the index of names dates and a short definition is given for all historical figures (e.g.: Leto, Pomponio [1425-1498], humanist and founder of the Roman Academy). Review: Courts and Courtly Arts is a handsomely produced text enhanced by an extraordin. …

Hardcover. Condition: Brand New. 208 pages. 9.02x5.98x0.63 inches. In Stock.

Hardcover. Condition: Brand New. 264 pages. 9.00x6.00x0.75 inches. In Stock.

Hardcover. Condition: New. A complete overview of the Italian Renaissance courts covering all areas influenced by them: art, music, literature etc.

First Hardback Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved; tight, bright, clean and strong. Literally as new. Physical description; 443 pages : illustrations (chiefly color), maps ; 30 cm. Subjects; Art and state Italy History 16th century. Arts and society Italy History 16th century. Italy Civilization 1268-1559. Italy Court and courtiers History. Arts and society Italy History 16th century. 1 Kg.…

First Hardback Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved; tight, bright, clean and strong. Literally as new. Physical description; 443 pages : illustrations (chiefly color), maps ; 30 cm. Subjects; Art and state Italy History 16th century. Arts and society Italy History 16th century. Italy Civilization 1268-1559. Italy Court and courtiers History. Arts and society Italy History 16th century. 1 Kg.…

Hardcover. Condition: Brand New. 205 pages. 9.50x6.25x0.75 inches. In Stock. This item is printed on demand.

Hardcover. Condition: Brand New. 9.50x6.50x1.50 inches. In Stock. This item is printed on demand.