Fischer John F (186 results)

paperback. Condition: Fair.

Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

hardcover. Condition: Very Good.

Condition: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Condition: Very Good. Very Good condition. Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

1999. Physical Anthropology, Medicine. The University Press of Kentucky. 300p., fine cloth and dust jacket.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Paperback. Condition: Good. Very good condition paperback with minimal wear. Contents are clean and bright throughout with no markings.

Hard Cover. Condition: Near Fine. Dust Jacket Condition: Near Fine--. 4th Printing. Hard Cover. Near Fine/Near Fine--. 4th Printing. 8vo - over 7¾" - 9¾" tall. Does the door of an abandoned farmhouse bleed as a macabre reminder of a young boy's tragic accident? Does the ghost of William MacKenzie play the piano and run the clanking antique printing press in the middle of the night? Can the crytsal "Skull of Doom" really bring death to anyone who dares to mock its eerie powers? These and other creepy, crawly mysteries are explored and sometimes explained. 199 pages including index. B&W photos and illustrations. Dust jacket has scratch across the back. Rest of book and jacket are nice.…

Hardcover. Condition: Very Fine. Dust Jacket Condition: Very Fine Dust Jacket. Second Printing.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Illus. , no remainder mark, dust jacket now in a clear protector; 300 pages.

Paperback. Condition: Good. Good+; Contents are tight; small amount of hilighting; Soft Cover; Island Pr; 1996; 0.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Fifth Printing. 300 pages. Black binding with white lettering on spine. B/W illustrations scattered through the book. Photos of book on request.

Soft cover. Condition: Very Good. pp442-466, three illustrations. Removed from THE FILSON CLUB HISTORY QUARTERLY, Volume 62, No. 4, October 1988. G. In report covers. May include a first or last copied page. A discussion of several findings of inscriptions and artifacts that have been incorrectly attributed to Daniel Boone.…

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Fine. Dust Jacket Condition: fine. Hardcover. In fine condition with a fine dustjacket. 300 pages with index.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 3rd Printing. Blank label over previous owner bookplate, short tear in jacket, else clean copy. 199pp. Book.

paperback. Condition: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. A beautiful, crisp, cleann hardcover in fine condition. DJ in fine condition.

paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condition: New. Merrill, Frank T.; Harley, John J.; Ipsen, L. S. (illustrator).

Soft cover. Condition: Very Good. Some light edgewear and closed tears along edges, interior fine. Lovely cover art. Pianoforte score. John J. Fitzgerald was a composer working in the tradition of light classical and salon style piano music, producing pieces intended for amateur and recreational pianists rather than concert performance. His work falls within a genre that was particularly popular in the late nineteenth and early twentieth centuries, when there was a substantial market for appealing and accessible piano compositions that could be enjoyed in domestic settings by players of moderate ability. Pieces of this type were a staple of parlor music culture and remained in circulation through sheet music publishers catering to the broad middle ground between serious classical repertoire and purely popular music. The Colonial March Melody is a medley arrangement for piano that brings together a collection of traditional and well known American tunes into a single continuous piece. The medley format was a popular and commercially successful form in the sheet music market of the era, allowing publishers to offer buyers a substantial and varied musical experience within a single publication. The piece contains The Country Dance, Soldiers Joy, Mocking Bird, My Old Kentucky Home, Virginia Reel, Turkey in the Straw, and Yankee Doodle, woven together within the overall framework of the arrangement. The march character suggested by the title gives the medley a unifying sense of rhythm and forward momentum that helps bind the various component tunes into a coherent whole. The colonial reference in the title evokes a nostalgic connection to early American culture and history, which was a common and appealing theme in popular music publishing of this period, reflecting a broader cultural interest in American heritage and national identity that was particularly prominent around the turn of the twentieth century. Arranging a medley of this kind required skill in transitioning smoothly between different tunes while maintaining a consistent overall character and level of difficulty appropriate to the intended audience. The tunes gathered together in this particular medley share a common thread of American folk and popular tradition, giving the collection a natural coherence that would have made it appealing to patriotically minded amateur pianists interested in celebrating and performing music rooted in the national cultural heritage. Will Wood was a music publisher operating within the commercial sheet music industry, producing and distributing music aimed at the broad amateur market. Publishers of this type played an essential role in the musical culture of their era, acting as the primary means by which composers reached the public before the age of recording and broadcasting transformed how music was consumed and distributed. Sheet music publishing was a significant commercial enterprise during the late nineteenth and early twentieth centuries, with publishers actively seeking out compositions that would appeal to amateur pianists and sell well through music shops and mail order catalogs. Publishers such as Will Wood typically handled a wide range of material including popular songs, dance music, instructional pieces, and light classical character pieces. The relationship between composers and publishers of this type was often transactional, with composers selling their work outright or receiving royalty arrangements in exchange for the publisher taking on the costs of engraving, printing, and distributing the sheet music. A medley of American traditional tunes such as The Colonial March Melody would have fit naturally into the catalog of a publisher serving the broad amateur market, given the enduring popularity of the component tunes and the patriotic appeal of the overall concept. Sheet music of this era was notable not only for its musical content but also for the visual presentation of its covers, and illustration played an important role in making publi. Fischer ( RDF ) (illustrator).…