Language: English
Published by Matthew Marks Gallery, New York, NY, 2015
ISBN 10: 1880146967 ISBN 13: 9781880146965
Seller: Downtown Books & News, Asheville, NC, U.S.A.
First Edition
Hardcover. Condition: Fine. First edition. 8vo (8.5? x 12.5?). Photo-illustrated paper wrapped boards. Color and black and white drawings throughout. No dust jacket as issued. Boards and text block without damage or marks. A very handsome copy.
Language: English
Published by Matthew Marks Gallery, New York, 2015
ISBN 10: 1880146967 ISBN 13: 9781880146965
Seller: Capitol Hill Books, ABAA, Washington, DC, U.S.A.
First Edition
Condition: As New. First Edition. New York: Matthew Marks Gallery, 2015. First Edition. Quarto (31cm); 168pp. Publisher's photographic boards with white text. Without dust jacket, as issued. Images throughout. As new in publisher's shrinkwrap. Archive of the Chicago-based artist group. Includes an essay by Dan Nadel and reproductions of Hairy Who's distinctive comic books alongside posters, exhibition photographs, and ephemera.
Published by Chicago: The Hyde Park Art Center, 1966
First Edition
Condition: Near Fine. First Edition. First Edition. Slim quarto. Comic book style catalogue published to accompany the first group exhibition of Hairy Who artists?i.e. Karl Wirsum, James Falconer, Art Green, Gladys Nilsson, Jim Nutt, and Suellen Rocca. With each of the six artists producing original artwork for the publication. This copy remarkably INSCRIBED by Wirsum to lower margin of the final 2 pp. spread; dated three days before the end of the exhibition: "April 6-66 - To the Name Dropper - ZUDSVILLE Gator Land ? DBJ a 'Hairy Who' for you ?Karl Doc W. / ? arose 'Do you want my doodles of do you want my envelope?' It was my envelope originally to store other Hairy Who books in but." Faint foxing to the covers, but interior remains fresh; near fine in side-stapled illustrated wrappers. Uncommon, with fewer than a dozen OCLC records located.
Published by Hairy Who is DeesCent/Corcoran Gallery of Art, 1969
Seller: Mast Books, New York, NY, U.S.A.
Soft cover. Condition: Very Good. [Washington, D.C.]: [Hairy Who is DeesCent/Corcoran Gallery of Art], 1969. Side-stapled softcover. [16] pp., 11 x 7 inches. Very Good. Light wear and mild toning to covers with slight creasing visible to extremities. The staples have kept well and the interior pages are clean and very bright. The "Hairy Who (cat-a-log)" is one of four illustrated booklets published to accompany the Hairy Who s first group exhibitions held between 1966 and 1968. For this publication, mirroring a comic book in size and format, each artist created their pages without any knowledge of the other's contributions until printing. It was created in conjunction with the fourth Hairy Who group exhibition on 15 April - May 17, 1969 at the Corcoran Gallery of Art, Washington, D.C. The Hairy Who group consisted of Jim Falconer, Art Green, Gladys Nilsson, Jim Nutt, Suellen Rocca and Karl Wirsum. Diverging from the contemporaneous Pop Art, Hairy Who utilized imagery from popular culture to create hallucinatory, psychedelic artworks more in line with Gary Panter than Warhol.
Published by New York: Matthew Marks Gallery, 2015
First Edition Signed
Condition: Near Fine. First Edition. First Edition. Quarto. Published on the occasion of the Matthew Marks exhibition "What Nerve! Alternative Figures in American Art," curated by Dan Nadel. This copy SIGNED to front endpaper by five of the six artists represented: Karl Wirsum, Gladys Nilsson, Art Green, Suellen Rocca, and Jim Falconer. Essential reference with complete, page-by-page reproductions of the four "comic book catalogues," along with Hairy Who posters, flyers, and ephemera. Contents: 168 pages, thoroughly-illustrated in vibrant color. Bump to lower edge of illustrated boards; near fine. Signed.
Published by Chicago / San Francisco / Washington D.C.: Hyde Park Art Center / San Francisco Art Institute / Corcoran Gallery of Art 1966-1969, 1966
First Editions. Slim quartos. Four collaborative "comic book catalogues" created by the six members of The Hairy Who to accompany their landmark 1960s exhibitions. In most cases, each artist created their pages without any knowledge of the other's contributions until the publications were assembled for printing; in the second catalogue, exquisite corpses were incorporated. Typical separation at stapled spine of first volume, else all issues fine in illustrated wrappers; sharp, clean copies. A remarkable set.