Fabre Côme (31 results)

Condition: Sehr gut. Erstauflage. Bll. + 104 S. inkl. Anhang mit u.a. Bibliographie, u. mit meist. farbig. Abbildungen. * Gustave Courbet (1819-1877) / Charles-Francois Daubigny (1817-1878) // Ausstellung in der Neue Pinakothek, München November 2014 bis März 2015 Sprache: Englisch Gewicht in Gramm: 555 4°, OIll.-LeichtKarton.-Paperback oder Broschur. Gutes Exemplar.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: very_good. Used - Very Good: Item may have minor cosmetic defects.

Condition: acceptable. The book is complete and readable, with all pages and cover intact. Dust jacket, shrink wrap, or boxed set case may be missing. Pages may have light notes, highlighting, or minor water exposure, but nothing that affects readability. May be an ex-library copy and could include library markings or stickers.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First edition, first printing. Clean pages tightly bound. DJ in excellent shape. Previous owner's signature on front end-page.

Softcover. Condition: New. Color-illus. wraps with white lettering. French flaps. 103 full of color and bw illus. Text in German. Catalogue from the exhibition of November 2014 to March 2015 at the Neue Pinkothek, Munich. The exhibition focuses on the recently restored painting "lock is in the valley of Optevoz", which was acquired as a work of Gustave Courbet more than a hundred years ago, and the documentation of his surprising and unusual history. The design and composition but are inextricably linked with the work of Charles-François Daubigny. The conviction of having dealing here with an early landscape Gustave Courbet was already shaken in the 1990s, as in a study of the painting next to the clearly legible signature Courbet a second, visible only in Infrarotreflektogramm signature Daubigny appeared. Daubigny has intensively dealt with the design of the lock in several works, while we do not know of Courbet, whether he has ever visited this area. Recent studies proved then that the heavy, somewhat gloomy character of the landscape mainly resulting from an over-painting that did not belong to the original stock of the image, but was subsequently applied. However, this top layer of overpainting also belonged to the signature Courbet. The restoration was begun in 2011. - from the Neue Pinakothek web site.

tapa dura. Condition: Bien. Períodos y fases de la pintura. Escuelas, estilos, influencias. Inventarios. (75.034/.035(083.824)) El canto del cisne: pinturas académicas del Salón de París, colecciones Musée d'Orsay : Fundación Mapfre, Madrid, 14 de febrero-3 de mayo de 2015 Fundación Mapfre. Madrid. 2015. 30 cm. 299 p. principalmente il. col. Encuadernación en tapa dura de editorial con sobrecubierta ilustrada. Musée d'Orsay. Comisariado general, Guy Cogeval, Pablo Jiménez Burillo ; comisariado científico, Còme Fabre. Bibliografía: p. 277-293. Pintura académica. Exposiciones. Cogeval, Guy. 1955-. comisario. Jiménez Burillo, Pablo. Fabre, Côme. Fundación MAPFRE. Instituto de Cultura. sede . ISBN: 9788498445114 (=2559949=) LT295.

Reliure cartonnée. Condition: Bon. Ouvrage publié lors de l'exposition Delacroix 1798-1863 présentée au Louvre du 29 mars au 23 juillet 2018. Très nombreuses reproductions dont 181 constituent le catalogue. Grand in-4° cartonné, 480 p. Exemplaire en très bon état sauf coins légèrement frottés.

tapa dura. Condition: Bien. Pintura (75.034/.035(083.824)) El canto del cisne: pinturas académicas del Salón de París, colecciones Musée d'Orsay : Fundación Mapfre, Madrid, 14 de febrero-3 de mayo de 2015 Fundación Mapfre. Madrid. 2015. 30 cm. 299 p. principalmente il. col. Encuadernación en tapa dura de editorial. Comisariado general, Guy Cogeval, Pablo Jiménez Burillo ; comisariado científico, Còme Fabre. Pintura académica. Musée d'Orsay. Exposiciones. Cogeval, Guy. 1955-. comisario. Jiménez Burillo, Pablo. Fabre, Côme. Fundación MAPFRE. Instituto de Cultura. sede . ISBN: 9788498445114 (=3597131=) LR302.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. cloth, hardcover in dust jacket., no flaws or wear, clean. no markings. no bumps, tears, creases. strong binding.; english text.; 328pp., 288 illustrations, all but a couple in color. five essays by various contributors. catalogue. comprehensive retrospective of the great french 19th century artist. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue.

Condition: Neuf.

large blue full cloth hardcover ~ 4to ~ 4º (quarto ~ 11"x11"). large "coffee table" book, international or priority shipping will cost extra. dustwrapper in protective brodart book jacket cover. very fine cond. mint cond. looks new. like new. as new. binding square & tight. covers clean. edges clean. contents free of markings. dustwrapper in very fine cond. as new. not worn or torn or price clipped (no price listed). nice clean copy. no library markings, store stamps, stickers, bookplates, no names, inking, underlining, remainder markings etc~. first edition. first printing so stated. xiv+314p. glossy pages throughout. 288 glossy full color and or sepiatone illustrations, many full page. translations from the french by Jane Marie Todd.notes. checklist. bibliography. index. biography. art history. art books. history of france. ~ Eugene Delacroix (1798~1863) was one of the towering figures to emerge in France in the wake of Napoleon. No other artist of the nineteenth century balanced a reverence for the past with such a strong ambition and spirit of innovation. Distinguishing himself from many other talented young artists in Paris, he gained renown in the 1820s for his novel subject matter, theatrical sense of composition, vibrant palette, and vigorous painterly technique. His vast production, including some eight hundred paintings, prints in a variety of media, and thousands of drawings and pages of writing, won the admiration of countless writers and artists, including Charles Baudelaire, Paul Cezanne, and Pablo Picasso. This comprehensive monograph closely examines the full breadth of Delacroix's career, including his engagement with the work of his predecessors, his fascination with the natural world, his interest in Lord Byron and the Greek War of Independence, and the profound influence of his voyage to North Africa in 1832. It brings to life his relationships with his contemporaries, ranging from the painters Pierre Narcisse Guerin and Antoine Jean Gros to Gustave Courbet, as well as his exploration of literary, historical, and biblical themes, his writing in personal journals, and his triumphant exhibition at the Exposition Universelle of 1855. Richly illustrated and encompassing the entire range and diversity of his art, from grand paintings to intimate drawings, Delacroix illuminates how this intrepid figure changed the course of European painting by heeding "a call for the liberty of art.".

hardcover. Condition: fine. Dust Jacket Condition: near fine. DELACROIX, Eugene (illustrator). First. Vibrant color reproductions throughout. 314 pages. Thick square 4to, blue cloth with gilt lettering at spine, pictorial d.w. (small area of crinkling at top edge). New York: The Metropolitan Museum of Art/Yale University Press, (2018). First Edition. A fine copy in a near fine dust wrapper. With contributions by Dominique de Font-Reaulx, Michele Hannoosh, Mehdi Korchane, and Asher Miller. Catalogue published in conjunction with the 2018 exhibition "Delacroix" at The Metropolitan Museum of Art.

Couverture rigide. Condition: Très bon.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Hardcover in dust jacket with light shelf wear.

Couverture rigide. Condition: Très bon. 1 volume broché, couverture illustrée en couleurs, 95 pages [1], avec de nombreuses illustrations en noir et blanc et en couleurs. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ).

Hardcover. Condition: Fine. PAGES And BINDING And DUST JACKET In EXCELLENT CONDITION. HARDBACK. As Shown. (From the collection of a symphonic conductor/Princeton professor). Approximately 9 1/2 X 11 1/2. 314 pages.

hardcover. Condition: Very Good. This Rare Book is in Very Good condition. See our picture for exact item you will receive. All items ship within 24 hours. Packaging is 100% Recyclable. Most items purchased from Charitable organizations. A portion of each sale is also donated to a monthly charity, check your package for this month's charity. Reuse-Recycle-Rebook!

Relie, avec couverture,63 pages, Francais, 185 x 250 mm, ISBN 9782841052196. porte des lions, frontieres, 0 g.

hardcover. Condition: Like New. Brand new gift quality hardcover in jacket oversized and overweight. Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.

Couverture rigide. Condition: Très bon. 1 fort volume reliure cartonnée illustrée de l'éditeur, 478 pages [1], illustrations en couleurs. Très bel exemplaire.

Condition: Used: Like New. LIVRE A L?ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782359064568.

Encuadernación de tapa dura. Condition: Excelente. Catálogo de la exposición celebrada en el Metropolitan Museum of Art de Nueva York entre septiembre de 2018 y enero de 2019. Textos en inglés. 314 pp. Tela editorial con sobrecubierta. 28,5 x 24,5 cm.

Hardcover. Condition: Fine. 1st Edition. 303 pages, illustrations ; 29 cm. Exposition, Francfort-sur-le-Main, Städel Museum, 26 septembre 2012-20 janvier 2013, Paris, Musée d'Orsay, 5 mars-9 juin 2013.

Condition: Très bon. 303 pages : illustrations en noir et en couleurs, couverture illustrée en couleurs ; 23,5 x 28,5 x 2,5 cm || Texte français || Impression 2013 || Sans aucune inscription.

Couverture rigide. Condition: Bon. Pas de jaquette. In 4 relié, 2013, 303 pages, bon état (ancien livre de bibliothèque : couverture thermocollée inamovible avec étiquette au bas du dos, quelques traces sur thermocollage; frottement en extrémité basse du dos et coins, cachets en page de garde, au bas de quelques pages et fin d'ouvrage; tampon sorti de l'inventaire, chiffres annotés et gommés en page interne de titre, étiquette à l'intérieur du dernier plat). Envoi soigné.

Couverture rigide. Condition: Comme neuf. Edition originale. Francfort 2013. 1 Volume/1. -- Comme Neuf -- Reliure éditeur cartonnée illustrée. Format in-4°( 28,5 x 23,7 cm )( 1725 gr ). -------- 303 pages avec 289 illustrations . ****************** ""Le musée d'Orsay s'intéresse au versant noir du romantisme avec l'exposition L'Ange du Bizarre (05/03 - 09/06) qui présente près de 200 oeuvres - peintures, gravures, dessins, sculptures, photos et oeuvres cinématographiques - de Goya et Füssli jusqu´à Max Ernst et Brassaï. Au programme : scènes macabres et paysages funèbres peuplés de spectres, de sorcières, de démons et de monstres. "" *******************.

Near Fine copy in publishers decorated boards. 1st edition. Illustrated throughout. Text in French. ISBN 3775735909.