Et Al Morello (9 results)

Paperback. Condition: Near Fine. Text in Italian. Quarto, black wraps, 211 pages. This book is in excellent condition, clean & bright w/ sharp corners & a tight binding. Minor about of rubbing. Overseas shipping would be more.

Hard Cover. Condition: Good. No Jacket. First Edition. From an academic library with the usual stamps etc. OX2647.

Hard Cover. Condition: Good. No Jacket. First Edition. From an academic library with the usual stamps etc. A00021643.

Encuadernación de tapa blanda. Condition: New. 668 y 568p Envíos a todo el mundo por DHL, en un mismo paquete se pueden incluir varios libros (hasta 1,5 kg) por el mismo costo"(MM).

Paperback. Condition: Very Good. Lower corner creased, else fine ; Folio - over 12 - 15" tall.

paperback. Condition: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Paperback. Condition: New.

Paperback. Condition: New.

Condition: Near Fine. Small 4to (19, 5: 14 cm). a-e4 f6. [1 loose endpaper], [3 not numb. leafs (blank)], [not numb. pages 1-2 (title leaf)], pages 3-52, [3 not numb. leafs (blank)], [1 loose endpaper]. Letterpress, wood-cut and etching. Full grained ruby red morocco over card boards on 4 raised bands, gilt title on spine. Boards, all edges and spine with gilt embossed lines and framework incorporating floral themes, text block with gilt gauffered edges, multicoloured marbled endpapers. One of only two books illustrated by Guido Reni, a most important Italian Baroque artist of the Bolognese School, in the same time according to Thieme/Becker the only authentic document which we possess about the »Accademia degli Icamminati« (Academy of the Newly Embarked, or Progressives), a most remarkably Bologna artist's circle whose major work was to fresco the Palazzo Farnese in Rome. - Illustrations: The spirited and delicate drawings and engravings with some etching of Reni are depicting 18 pictures of temporary, mostly allegoric and emblematic decorations (among them 4 rebuses) realised on occasion of the memorial service for his friend and co-member of the Bolognese circle, Agostino Carracci (1557-1602), held on January 18th 1603. Reni was inspired by works of the deceased and by paintings of his most prominent students, i. E. Alessandro Albino, Giovanni Battista Bertusio, Aurelio Bonelli, Francesco Brizio, Giacomo Cavedone, Agostino's cousin Ludovico Carracci, Baldasarre de gli Alvigi, Ippolito Ferrantino, Lorenzo Garbieri, Lucio Massari, Giulio Cesare Parigini, Sebastiano Rozali, Lionello Spada and Giovanni Luigi Valesio. Additionally to Reni's exceptional illustrations a large plate shows etchings of 2 Doric columns situated on the front and rear side of a mausoleum constructed by the »Academia« in honour of Caracci. The underlying drawings and etchings for this plate are attributed to Francesco Brizio, as is the engraved and partly etched cartouche for the title page after a design by Ludovico Carracci. - Content: The main text of this publication, written by Benedetto Morello, is dedicated to patron of arts cardinal Odoardo Farnese, who between 1597-1600 had commissioned Agostino Carracci to assist his brother Annibale, Reni and other members of the Bolognese Progressives to fresco the Palazzo Farnese in Rome, one of the world's most famous Renaissance and Baroque palaces. It contains a description of Carracci's funeral and explanations of Reni's and Brizio's accompanying illustrations. Furthermore Lucio Faberio, since 1599 notary of the Bolognese colony of painters, delivered a funeral oration. Finally several poems in honour of the deceased by eminent poets like Cesare Rinaldi are also included. - Binding: Around 1860 present copy has been skilfully bound in a truly splendid old English ruby red morocco with rich gold tooling. The book-block then was cut marginally to 19: 13, 5cm to fit this unsigned binding. Nevertheless margins are still wide. - Condition: Lower right part of the title page with skilfully restored small fault, folded plated cropped probably by the bookbinder to fit the folding (but without loss of imaging) two small tears at joints of folded plate enforced with acid-free tape, otherwise well preserved copy indeed. - Rarity: Though not particularly rare in institutional holdings this important document of Italian Baroque art documentation very rarely appeared on the market at least since the early 1800s. Bartsch and Ciocognara already concede it's rarity around 1820. So does Leipzig antiquarian Weigel in one of his catalogues in 1843. Auction records quote one result only, probably for this very copy, sold at Sotheby's in 1920 as part of the Earl of Pembroke's Library at Wilton House, Salisbury. - References: Bartsch: Le peintre graveur, XVIII (1818), p. 265, no. 24 and p. 268, no. 30 (title and plate by Brizio); p. 306-12, nos. 54-60, cit. p. 306: "extrémement rare"; Ciocognara: Ragionato dei libri d'arte e d'antichità posseduti d.…