Ernest Brown Phillips (27 results)

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: Good. First Edition. 14 pp.; artists bio, list of works, adverts; 15 cm. Former MOMA copy with typical markings/identifications. Bright pages with light scattered foxing; wraps damp-stained along top spine-edge. Well packaged in a box; ships with tracking.

Paperback. Condition: Good. First Edition. 14 pp.; artists bio, list of works, adverts; 15 cm. Former MOMA copy with typical markings/identifications. Bright pages with light scattered foxing; wraps damp-stained along top spine-edge. Well packaged in a box; ships with tracking.

Wraps. Condition: Very Good. 12 pp. Original printed paper wrappers. Clean copy. List of works for the exhibition. No illustrations, as issued. 16mo.

Printed wrappers, 24 pp, 8 full page plates. 164 items. Cover title: "The Philip Guedalla Collection of Caricatures by Max Beerbohm." Exhibition No. 817. Includes a one-page introductory note by Beerbohm. Wrappers heavily browned and slightly edgeworn with loss of lower fore-edge corner to front wrapper and a 1 inch closed tear to the fore-edge; contents Good with a few corners folded.

Paperback. Condition: New. Print on Demand. This book is an exquisite collection of 40 stage designs by renowned theater visionary and artist, Edward Gordon Craig. Providing critical notes by the inventor himself, this stunning volume delves into the concepts of scenic art and stage design. Craig's innovative ideas and unconventional approach to theater challenged traditional norms and pushed the boundaries of theatrical expression, leaving an indelible mark on the world of stagecraft. The designs featured in this book showcase Craig's remarkable ability to create immersive and evocative stage environments that sought to enhance the emotional impact of theatrical performances. This book serves as a valuable resource for theater professionals, art enthusiasts, and anyone interested in the history and evolution of stage design. Craig's insights and designs continue to inspire and provoke thought, making this book an essential addition to any collection on the art of theater. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Taschenbuch. Condition: Neu. Neuware - This is a catalogue documenting an exhibition of cartoons by Max Beerbohm held in April and May of 1913. Known for his witty caricatures and satirical drawings, Beerbohm captured the essence of Edwardian society and its prominent figures. This catalogue offers a glimpse into the artistic style and social commentary that defined Beerbohm's work during this period. A valuable resource for art historians, cartoon enthusiasts, and anyone interested in early 20th-century social satire, this catalogue preserves a record of a significant exhibition and showcases the enduring appeal of Beerbohm's unique artistic vision. Explore the collection and discover the sharp wit and artistic skill that made Max Beerbohm a celebrated figure in the world of caricature.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Buch. Condition: Neu. Neuware - This is a catalogue documenting an exhibition of cartoons by Max Beerbohm held in April and May of 1913. Known for his witty caricatures and satirical drawings, Beerbohm captured the essence of Edwardian society and its prominent figures. This catalogue offers a glimpse into the artistic style and social commentary that defined Beerbohm's work during this period. A valuable resource for art historians, cartoon enthusiasts, and anyone interested in early 20th-century social satire, this catalogue preserves a record of a significant exhibition and showcases the enduring appeal of Beerbohm's unique artistic vision. Explore the collection and discover the sharp wit and artistic skill that made Max Beerbohm a celebrated figure in the world of caricature.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Condition: New. Print on Demand.

LeatheBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 24. A perfect gift for your loved ones. Reprinted from 1913 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 24.

LeatherBound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1913 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 24 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English.

Leatherbound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 72. A perfect gift for your loved ones. Reprinted from 1921 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 72.

Condition: New. Print on Demand.

Condition: New. PRINT ON DEMAND.

HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

[32] pp.; 22.2 x 22.2 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held October 1 - November 9, 1969. Essay by Joan C. Siegfried. Includes exhibition checklist. Artists include Terry Allen, Frederick Anderson, Jeremy Anderson, Bernard Aptekar, Robert Arneson, Gene Beery, Wallace Berman, Peter Bodnar, Roger Brown, Roy De Forest, Oyvind Fahlström, Edward C. Flood, William Geis, David Gilhooly, Gerald Gooch, Robert Gordy, Red Grooms, Sue Hall, Philip Hanson, Robert Hudson, Jess, R.B. Kitaj, Nicholas Krushenick, Roy Lichtenstein, Alden Mason, James Melchert, Gladys Nilsson, James Nutt, Claes Oldenburg, Eduardo Paolozzi, Ed Paschke, Peter Phillips, Christina Ramberg, Mel Ramos, Suellen Rocca, Barbara Rossi, Peter Saul, William Schwedler, David Smyth, Norman Steigelmeyer, Ernest Trova, Andy Warhol, H.C. Westermann, William T. Wiley, Karl Wirsum, Ray Yoshida, Arlo Acton, Robyn Martin, and Giovanni Ragusa. Covers designed by Edward C. Flood. Very Good. Light rubbing of covers and cover edges and spine and bumping of top and bottom right corners. 2.3 cm. of water staining to the bottom of pages 27-32 at spine. Contents otherwise clean and unmarked.

16mo, 8 pp. On art paper. In yellow printed wraps printed in orange. Good, with minor spotting around staples. Thirty-six items by White on pp.2-5, preceded by a biographical note. Twenty-five items by Epstein on pp.6-7, headed by 'LAZARUS (Carving in Hopton Wood stone)'. Scarce: only two copies on COPAC, and none on viaLibri.

Condition: New. Print on Demand.

Condition: New. Print on Demand.

Condition: New. PRINT ON DEMAND.

First edition. Small square 4to. Original buff printed wrappers, stapled as issued; staple just the slightest bit rusty, a few small dents to extremities of upper wrapper, but a very good copy indeed, nearly fine. 14, [2]pp. London, Ernest Brown & Phillips, the Leicester Galleries. October, One of the rarest books in the Lawrence canon, not to be confused with the exhibition of 1927 which included all the pictures from Seven Pillars of Wisdom. This first exhibition only featured the portraits of Middle Eastern sitters by Eric Kennington, including a few which weren?t used in Lawrence?s epic work.  Lawrence commissioned Kennington to travel to the Middle East in order to draw the principal figures of the Arab Revolt. Though now famous for illustrating the Seven Pillars, Kennington first executed the portraits when Lawrence's masterpiece was "an unpublished book of mine . . . loose notes . . . an outside view, from an odd angle." (p.7). Of the sitters, many of whom were great friends of his, Lawrence writes that Kennington faced a considerable challenge: "he was drawing odd people, who are very impatient of those they think fools, men without ties, or duties, or claims, rank individualists who cling to their barren country that they may owe nothing to any man, and be owed nothing in return." (p.60).  The catalogue, in its various editions, also helped introduce Lawrence to other influential figures within the visual arts, such as H.S. Ede, best known for the house and art collection Kettle's Yard in Cambridge. Ede, who had previously dismissed Lawrence as a war monger, was so struck by the prefatory note that he sent Lawrence a letter, thus beginning a long epistolary friendship (later published as Shaw-Ede by the Golden Cockerell Press in 1942). Extremely rare in commerce, with no copies in auction records. The book avoided the attention of Duval, Gorman-Reed and Baxter;  O'Brien, however, included it in his consummate bibliography. It is also institutionally scarce, with LibraryHub locating five examples in the UK, at the Courtauld, Oxford (Bodley has the Lawrence copy itself), Paul Mellon Centre, Tate and the V&A. The British Library list the 1927 catalogue separately, but either don't have or don't list the 1921. OCLC adds two more, at Harvard and the University of Texas (according to Wilson the manuscript of Lawrence's introduction is also at Texas).  O'Brien, A032.

Paperback. Condition: new. Paperback. This is a catalogue documenting an exhibition of cartoons by Max Beerbohm held in April and May of 1913. Known for his witty caricatures and satirical drawings, Beerbohm captured the essence of Edwardian society and its prominent figures. This catalogue offers a glimpse into the artistic style and social commentary that defined Beerbohm's work during this period. A valuable resource for art historians, cartoon enthusiasts, and anyone interested in early 20th-century social satire, this catalogue preserves a record of a significant exhibition and showcases the enduring appeal of Beerbohm's unique artistic vision. Explore the collection and discover the sharp wit and artistic skill that made Max Beerbohm a celebrated figure in the world of caricature.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Condition: new. Hardcover. This is a catalogue documenting an exhibition of cartoons by Max Beerbohm held in April and May of 1913. Known for his witty caricatures and satirical drawings, Beerbohm captured the essence of Edwardian society and its prominent figures. This catalogue offers a glimpse into the artistic style and social commentary that defined Beerbohm's work during this period. A valuable resource for art historians, cartoon enthusiasts, and anyone interested in early 20th-century social satire, this catalogue preserves a record of a significant exhibition and showcases the enduring appeal of Beerbohm's unique artistic vision. Explore the collection and discover the sharp wit and artistic skill that made Max Beerbohm a celebrated figure in the world of caricature.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.