Emerson Isabelle (18 results)

Hardcover. Condition: Fine.

Hardcover. Condition: Fine. 240p.

Hardcover. Condition: Fine. First Edition. Fine in cloth-covered boards.

Hardcover. Condition: Very good condition. xxxiii, 198 pp. Music Reference Collection. Number 53. LCC: 966829.

Red Cloth. Condition: Near Fine. First Edition/1st Printing. Textblock is very clean and tight. Biding minimally edge and corner rubbed, otherwise in near perfect condition. 198p., including index. Size: 8vo - Over 7 3/4" - 9 3/4 " Tall. Hardcover.

Condition: New. In.

Hardcover. Condition: Fine. xiii, 331p.

Hardcover. Condition: new. Hardcover. Twentieth-Century American Music for the Dance: A Bibliography provides a guide to one of the most important areas of modern music. The close and mutually beneficial relationship that has existed between dance and music from the early days of this century and the collaboration of Fokine or Nijinsky and Stravinsky to the later years and the partnership of Cunningham and Cage has yielded a formidably large repertoire of musicmuch of it, like its partner-art, in the vanguard of modern creativity. Dance commissions have brought into existence music that would otherwise not have been created; dance performance has in many cases afforded an audience for music that would otherwise have gone unheard. Dance has shown itself, especially in the United States, to be a nurturing theatre for modern music, while music has in turn proved to be extraordinary stimulus to the dance.This bibliography provides for the first time data about compositions, composers, and choreographers, including information about first performances, publishers, and location of scores. Composers and choreographers, students and historians, professional musicians and dancers, and aficionados of music and art will find this reference work extremely useful. The bibliography is arranged alphabetically by composer; indexes by composition and by choreographer provide ready access to each work. Lists of composer-choreographer and choreographer-composer partnerships are included. Twentieth-Century American Music for the Dance: A Bibliography provides a guide to one of the most important areas of modern music. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Condition: Brand New. 198 pages. 9.75x6.75x0.75 inches. In Stock.

Hardcover. Condition: new. Hardcover. Twentieth-Century American Music for the Dance: A Bibliography provides a guide to one of the most important areas of modern music. The close and mutually beneficial relationship that has existed between dance and music from the early days of this century and the collaboration of Fokine or Nijinsky and Stravinsky to the later years and the partnership of Cunningham and Cage has yielded a formidably large repertoire of musicmuch of it, like its partner-art, in the vanguard of modern creativity. Dance commissions have brought into existence music that would otherwise not have been created; dance performance has in many cases afforded an audience for music that would otherwise have gone unheard. Dance has shown itself, especially in the United States, to be a nurturing theatre for modern music, while music has in turn proved to be extraordinary stimulus to the dance.This bibliography provides for the first time data about compositions, composers, and choreographers, including information about first performances, publishers, and location of scores. Composers and choreographers, students and historians, professional musicians and dancers, and aficionados of music and art will find this reference work extremely useful. The bibliography is arranged alphabetically by composer; indexes by composition and by choreographer provide ready access to each work. Lists of composer-choreographer and choreographer-composer partnerships are included. Twentieth-Century American Music for the Dance: A Bibliography provides a guide to one of the most important areas of modern music. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

Softcover. 386 pp. Softcover. Good condition; some light soiling and color rubbing on covers.

Hardback, 16x23.5cm, 331pp. Very good condition in green cloth. Light wear. Bumped at front lower RH corner. ISBN: 0313308101.

HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 570.

Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Twentieth-Century American Music for the Dance: A Bibliography provides a guide to one of the most important areas of modern music.&Uumlber den AutorIsabelle EmersonInhaltsverzeichnisPrefaceComposers.

Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Twentieth-Century American Music for the Dance: A Bibliography provides a guide to one of the most important areas of modern music. The close and mutually beneficial relationship that has existed between dance and music from the early days of this century and the collaboration of Fokine or Nijinsky and Stravinsky to the later years and the partnership of Cunningham and Cage has yielded a formidably large repertoire of music-much of it, like its partner-art, in the vanguard of modern creativity. Dance commissions have brought into existence music that would otherwise not have been created; dance performance has in many cases afforded an audience for music that would otherwise have gone unheard. Dance has shown itself, especially in the United States, to be a nurturing theatre for modern music, while music has in turn proved to be extraordinary stimulus to the dance.This bibliography provides for the first time data about compositions, composers, and choreographers, including information about first performances, publishers, and location of scores. Composers and choreographers, students and historians, professional musicians and dancers, and aficionados of music and art will find this reference work extremely useful. The bibliography is arranged alphabetically by composer; indexes by composition and by choreographer provide ready access to each work. Lists of composer-choreographer and choreographer-composer partnerships are included.