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Elman Mischa 1891 (6 results)

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  • Condition: Used

    £ 60.00

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    8pp., 12mo. Stapled into beige wraps with deckled edges, with attractive illustration of street musicians on front in brown and red. In good condition, with rusting to staple having loosened the central bifolium. A pleasing memento of an early concert by Elman (he was fifteen at the time). Pp.4-8 carry the 'Words of the Songs'. 'At the Piano - Mr. Charlton Keith. Piano by Bechstein. Suppied by Mr. Arthur Wood, Redhill.' Scarce: no copy on COPAC.…

  • Condition: Used

    £ 64.40

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    Ships from Germany to U.S.A.

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    Albumblatt (8°) mit eigenhändiger Empfehlung, Ort, Datum, Unterschrift signiert Hamburg, October 28, 1964 , darunter eigenhändiger Empfehlung, Unterschrift von JOSEPH SEIGER , der ihn am Steinway begleitete BEILAGEN : Orig.-Programm zu diesem Violinabend in Hamburg, Ehren-Eintrittskarte u. Zeitungsartikel (dito : Frühe Original-Fotoporträtpostkarte (Fo. Hermann Leiser Berlin, um 1920, geigend) mit späterer eigenhändiger Unterschrift, Datum October 28, 1964 signiert Euro 145,-). …

  • Published by Wien, 3. XI. 1927., 1927

    • Manuscript / Paper Collectible

    Seller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, AustriaAntiquariat INLIBRIS Gilhofer Nfg. GmbH

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    Association member: VDAVDAOPADAILAB

    Condition: Used

    £ 128.80

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    1 S. Qu.-schmal.-kl.-8vo.

  • Published by Wien, 9. X. 1929., 1929

    • Signed
    • Manuscript / Paper Collectible

    Seller: Kotte Autographs GmbH, Roßhaupten, GermanyKotte Autographs GmbH

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    Association member: VDAPADAILAB

    Condition: Used

    £ 188.90

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    Quer-8vo. 1 p. Albumblatt mit eigenhändiger Unterschrift. Mikhail Saulowitsch Mischa" Elman war ein Violinvirtuose ukrainischer Herkunft. Als Schüler von Alexander Fiedemann machte er schnelle Fortschritte und erhielt Gelegenheit, durchreisenden Virtuosen wie Adolph Brodsky, Pablo de Sarasate und Leopold Auer vorzuspielen. Joseph Joachim erklärte, er sei sprachlos, und in Großbritannien, wo Elman im Buckingham Palace vor Edward VII. auftrat, bezeichnete ihn die Presse als größten Violinisten der Welt. 1908 debütierte er in der Carnegie Hall begleitet von der Russian Symphony Society unter Modest Altschuler mit Tschaikowskis Violinkonzert. Elman übersiedelte mit seiner Familie in die USA und wurde 1923 amerikanischer Staatsbürger. Er war in seiner neuen Heimat und international ein gesuchter Solist; mitunter gab er mehr als einhundert Konzerte in einem halben Jahr. Er trat auch im Duo mit Eugène Ysaÿe auf.Aus der Sammlung des Wiener Anwalts Max Bettelheim (1912-1971). Von dessen Nachfahren übernommen.…

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    Published by New York, 1956

    • Signed

    Seller: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.Argosy Book Store, ABAA, ILAB

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    Association member: ABAAILAB

    Condition: Used

    £ 229.28

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    framed. 10 x 8-inch black-and-white photograph from the studio of James Abresch, showing Elman in a shoulder-up pose playing violin with great concentration and emotion. Signed: "Mischa Elman, January 6, 1956." Matted in gray and set in a black wooden frame measuring 13.5 x 12 inches. Near fine condition. World acclaimed Russian-born classical violinist who came to America in 1923 and quickly achieved fame due to his passionate style and beautiful tone.…

    • Signed

    Seller: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, U.S.A.J & J LUBRANO MUSIC ANTIQUARIANS LLC

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    Condition: Used

    £ 110.05

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    4 pp. of a bifolium (ca. 220 x 155 mm.). Signed in pencil at upper portion. For a recital of the esteemed Russian-American violinist for the Daniel Concert Series at the Teatro Municipal in Lima, Peru on June 17, 1939. Featuring works of Handel, Beethoven, Lalo, Chopin, Dinicu-Heifitz, and Vieuxtemps, with Russian-American pianist Vladimir Padwa (1900-1981). Includes a printed biography of Elman (p. 2) and critics' reviews of his playing (p. 4). Slightly worn, creased and browned. "Elman's most glorious attribute was his rich, sensuous and infinitely expressive tone, which became legendary. His temperament was fiery and passionate, and there was a pulsating vitality in his playing. His improvisational style was best suited to the Romantic repertory, but with maturity his exuberance became tempered. His technique was reliable without being a dominant factor in his success. He composed a few short pieces, and made many arrangements." Boris Schwarz and Margaret Campbell in Grove Music Online. Signed.…