El Eternauta (6 results)

Soft cover. Condition: Very Good. 119 pages. Carla Melo "Performing Sem-Teto: The Transversal Tactics Of Artivismo And The Squatters' Movement" / Mariano Mestman "The Last Sacred Image Of The Latin American Revolution" / Joanna Page "Intellectual, Revolution And Popular Culture: A New Reading Of El Eternauta" / Jorge Marturano "Lino Novas Calvo's 'The Other Key's: The Other Insular Space In The Hispanic Caribbean" / Gonzalo Lamana "What Makes A Story Amusing: Magic, Occidentalism And Over fetishization In Colonial Setting" / Julio Ramos "Roadside Miracles: Commemoration And Non-Synchronicity In Ecuadorian Ex Votos". (SL#75/2).…

Héctor Germán Oesterheld and Francisco Solano López's El Eternauta restoring the entire original publication architecture through which Argentine readers originally encountered the science fiction narrative from 1957 to 1959, this edition gives the entire original story in 4 publications, printed in 2020, Oesterheld placed an extraterrestrial catastrophe in recognizable Buenos Aires rather than a distant or imaginary landscape, following Juan Salvo and an expanding group of survivors through the deadly snowfall and invasion while making collective action, rather than an individual superhero, the mechanism of survival. This complete six fascicle edition reproduces the episodic structure of the original Hora Cero Suplemento Semanal appearance, including recapitulations and other material associated with its initial serialization, presenting the work as a sequence of weekly encounters rather than solely as the continuous graphic novel familiar from later collected editions. Oesterheld, Héctor Germán; Francisco Solano López, illus. El Eternauta: Suplemento Semanal. Buenos Aires: Doedytores, 2020. Complete edition in six fascicles. 384 pp. total. Illustrated throughout in black and white. Copyright statement credits Martín Miguel Mórtola and Fernando García for this edition and the heirs of Francisco Solano López for the drawings. [1] El Eternauta: Suplemento Semanal. Fascículo 1 de 6. Cover in ochre and black showing armed figures moving through the lethal snowfall in protective suits. Opens the catastrophe that gives the narrative its defining premise, as an unexplained radioactive snowfall kills exposed inhabitants of Buenos Aires and forces the survivors to improvise protection before the nature of the invasion becomes apparent. [2] El Eternauta: Suplemento Semanal. Fascículo 2 de 6. Blue and black cover with Juan Salvo beneath a spacecraft and planetary form, extending the narrative from domestic survival into an organized extraterrestrial occupation. [3] El Eternauta: Suplemento Semanal. Fascículo 3 de 6. Red and cream cover depicting an armed, protected combatant against an urban architectural background, corresponding to the story's movement into increasingly organized resistance and combat across Buenos Aires. [4] El Eternauta: Suplemento Semanal. Fascículo 4 de 6. Green and purple cover depicting a group advancing through a stark landscape, emphasizing the collective protagonists that distinguish Oesterheld's conception of heroism. [5] El Eternauta: Suplemento Semanal. Fascículo 5 de 6. Orange and black cover dominated by an enlarged face above another figure, continuing the escalating psychological and physical pressures of the invasion. [6] El Eternauta: Suplemento Semanal. Fascículo 6 de 6. Green and black cover depicting Juan Salvo against a dark field crossed by linear trajectories and a celestial body, completing the six part reconstruction. Interior pages reproduce the black and white Solano López artwork in a weekly page structure with episode recapitulations, including captions that repeatedly locate the action in named streets, buildings, and districts of Buenos Aires. El Eternauta first appeared in Hora Cero Suplemento Semanal beginning in September 1957, written by Oesterheld and drawn by Solano López, and its transformation of Buenos Aires into the terrain of an alien occupation established a specifically Argentine geography for a genre more commonly associated with American and European settings. The story's emphasis on coordinated survival acquired further political resonance through Oesterheld's subsequent radicalization and his disappearance after his 1977 abduction during Argentina's military dictatorship. The 2020 edition returns attention to an earlier material history of the work by presenting it in six weekly fascicles modeled on the conditions of serialization, retaining interruptions, summaries, page divisions, and other editorial structures that continuous book editions necessarily suppress. Light shelf and edge wear, with minor rubbing and occasional corner wear; publisher or retail barcode labels affixed to rear wrappers. Interiors clean and well preserved. Overall very good condition. A complete six fascicle reconstruction of the serial form through which Oesterheld and Solano López originally made Buenos Aires itself the landscape of invasion, survival, and collective resistance.…

El Eternauta featured in three Hora Cero Suplemento Semanal issues, placing them within the original weekly Frontera run that first introduced Héctor Germán Oesterheld and Francisco Solano López's landmark Argentine science fiction narrative. Hora Cero Suplemento Semanal. Buenos Aires: Editorial Frontera, 1958 to 1959. Three oblong octavo weekly comics in original pictorial wrappers, Spanish text. Illustrated throughout in black and white on newsprint, with orange and black cover designs. Notably, this archive includes one of the few Hora Cero issues with a cover illustration pertaining to El Eternauta. The cover image on the October 8, 1958 issue depicts on of the "Manos," the enigmatic alien overseers of the invasion in El Eternauta, rendered in the dramatic pulp style typical of Hora Cero covers. This scarce archive includes: [1] Hora Cero Suplemento Semanal. No. 45. Buenos Aires: Editorial Frontera, Julio 9, 1958. Cover price $1.80, with cover art featuring two men in a confrontation, one holding a pistol. Interior includes serialized comic pages ending "continuará." [2] Hora Cero Suplemento Semanal. No. 58. Buenos Aires: Editorial Frontera, Octubre 8, 1958. Cover price $1.80, with cover imagery centered on a large skull form and a male head emerging against a dark ground. Interior pages include Sgt. Kirk, credited to Oesterheld and H. Pratt, with Native American and frontier conflict scenes. [3] Hora Cero Suplemento Semanal. No. 78. Buenos Aires: Editorial Frontera, Febrero 25, 1959. Cover price $2.50, with signed cover art of a Native American figure in profile holding a weapon. Interior includes Sgt. Kirk pages and other serialized adventure strips. Interior pages in these issues include installments of El Eternauta under the recurring banner "Una cita con el futuro," with Francisco Solano López's stark black and white artwork depicting armored survivors, ruined urban infrastructure, military engagements, and alien invasion scenes unfolding across Buenos Aires. Serialized episodes preserve the strip's original weekly continuity, including captions summarizing prior installments and concluding teasers directing readers to forthcoming Frontera Extra numbers, documenting the story in its first mass-market publication context alongside Sgt. Kirk and other Frontera adventure series. Editorial Frontera, founded by Héctor Germán Oesterheld with his brother Jorge, became the central publishing site for the Argentine comics renaissance of the late 1950s, bringing together Oesterheld, Solano López, Hugo Pratt, Alberto Breccia, and Arturo del Castillo. El Eternauta later became Oesterheld's defining work, its Buenos Aires invasion plot and collective hero structure gaining deeper political resonance after Oesterheld's forced disappearance during Argentina's military dictatorship. Light toning, edge wear, and expected newsprint fragility; staples intact; interiors complete and legible. Overall good condition. Signed.…

[Latino Comics] Oesterheld, Héctor Germán, Hora Cero Suplemento Semanal. Buenos Aires: Editorial Frontera, 3 consecutive issues from November 12 to November 26, 1958. Oblong 8vo. Original color pictorial wrappers. Text in Spanish. A consecutive three-issue run of Hora Cero Suplemento Semanal, These 3 consecutive issues are part of the original first serialization of Héctor G. Oesterheld and Francisco Solano López's El Eternauta, published by Editorial Frontera during the golden age of Argentine comics. El Eternauta is a foundational work of Latin American science fiction created by writer Héctor Germán Oesterheld and artist Francisco Solano López. The story begins in Buenos Aires, where a mysterious, lethal snowfall kills most of the population. The protagonist, Juan Salvo, and his friends survive by using makeshift protective suits to find others. They eventually join a resistance group fighting against the alien invaders. El Eternauta is a potent political allegory that explores themes of solidarity, resistance, and the threat of authoritarianism. Its social and political messaging is considered part of its enduring legacy First appearing in Hora Cero from 1957-1959, Oesterheld's humanist script, emphasizing collective heroism over individualism, was recognized as a veiled critique of authoritarianism and the military rule, a theme that became tragically prophetic when the author himself was "disappeared" along with his two pregnant daughters under the late 1970s military junta. This archive includes 3 of the first appearance in print of Eternauta original story in the late 1950s, including one of the few Hora Cero issues with an Eternauta related art cover. [1] Hora Cero Suplemento Semanal, November 12, 1958. Buenos Aires: Editorial Frontera. This issue continues the Eternauta's tense progression as Salvo's small group, barricaded in suburban Buenos Aires, confronts the toxic snow and constructs improvised protective suits. López's art fuses expressionist shading with cinematic framing to evoke claustrophobic dread. [2] Hora Cero Suplemento Semanal, November 19, 1958. Buenos Aires: Editorial Frontera. A scarce and highly sought issue, notable for the iconic panel of Juan Salvo and Professor Favalli observing missiles streaking across the Buenos Aires skyline, a visual metaphor for modern warfare and unseen domination. This image would become one of the most enduring in Argentine graphic art, reproduced in later reprints and academic studies as emblematic of Cold War anxiety within Latin American modernity. [3] Hora Cero Suplemento Semanal, November 26, 1958. Buenos Aires: Editorial Frontera. Depicts the survivors' first direct engagement with the alien "cascarudos," revealing the invaders' mechanized terror and the beginnings of organized human resistance. Oesterheld's dialogue increasingly blurs the line between science fiction and existential parable, while López's kinetic illustrations heighten the tragic momentum. Light toning and small edge chips; center staples firm, covers fragile but intact, interiors supple and complete. Overall very good condition. Sets preserving consecutive issues from Hora Cero's 1950s serialization are scarce, as the fragile newsprint format led to low survival rates.…

[Comics][Political Activism][Latin America] Archive of four issues of Argentine anti-authoritarian sci-fi comic El Eternauta by Héctor Germán Oesterheld, printed in Hora Cero anthologies, 1957-58. El Eternauta is a foundational work of Latin American science fiction created by writer Héctor Germán Oesterheld and artist Francisco Solano López. The story begins in Buenos Aires, where a mysterious, lethal snowfall kills most of the population. The protagonist, Juan Salvo, and his friends survive by using makeshift protective suits to find others. They eventually join a resistance group fighting against the alien invaders. El Eternauta is a potent political allegory which explores themes of solidarity, resistance, and the threat of authoritarianism. Its social and political messaging is considered part of its enduring legacy. Oesterheld's humanist script, emphasizing collective heroism over individualism, was recognized as a veiled critique of authoritarianism and the military rule, a theme that became tragically prophetic when the author himself was kidnaped and "disappeared" along with his daughters for his anti authoritarian activities under the late 1970s military junta. This scarce archive includes: [1] Oesterheld, Héctor G.; Solano López, Francisco. Hora Cero. Suplemento Semanal. Buenos Aires: Editorial Frontera, Julio 23, 1958. Juan and his companions listening anxiously to a radio transmission, learning that those in the Northern Hemisphere believe they have defeated the invader with atomic rockets while deadly snow continues to fall. Interior sequences emphasize radio communication, strategic uncertainty, and the persistence of the lethal nevada, underscoring themes of misinformation and fragile hope. [2] Oesterheld, Héctor G.; Solano López, Francisco. Hora Cero. Suplemento Semanal. Buenos Aires: Editorial Frontera, Julio 30, 1958. The installment depicts advancing terrestrial forces and collapsing structures, with sequential panels showing debris, panic, and attempted escape. [3] Oesterheld, Héctor G.; Solano López, Francisco. Hora Cero. Suplemento Semanal. Buenos Aires: Editorial Frontera, Agosto 20, 1958. Surviving forces have been ambushed and nearly destroyed, as Juan, Favalli, and Franco hear a wounded soldier recount the destruction of key defensive apparatus. Interior pages depict Plaza Italia and regrouped fighters confronting defeat, emphasizing exhaustion, diminished numbers, and continued resolve. [4] Oesterheld, Héctor G.; Solano López, Francisco. Hora Cero. Suplemento Semanal. Buenos Aires: Editorial Frontera, Junio 10, 1959. Issue includes installment of El Eternauta under episodic heading, with interior summary text describing the discovery of enormous tracks, suggesting the advance of an unknown enemy toward the city's center. Edge wear and creasing to covers, small closed tears at extremities, age toning to paper consistent with newsprint of this age, scattered surface abrasions and minor corner loss, interiors evenly toned and legible. Overall good condition.…

[Comics][Political Activism][Latin America] Archive of four issues of Argentine anti-authoritarian sci-fi comic El Eternauta by Héctor Germán Oesterheld, printed in Hora Cero anthologies, 1957-58. El Eternauta is a foundational work of Latin American science fiction created by writer Héctor Germán Oesterheld and artist Francisco Solano López. The story begins in Buenos Aires, where a mysterious, lethal snowfall kills most of the population. The protagonist, Juan Salvo, and his friends survive by using makeshift protective suits to find others. They eventually join a resistance group fighting against the alien invaders. El Eternauta is a potent political allegory which explores themes of solidarity, resistance, and the threat of authoritarianism. Its social and political messaging is considered part of its enduring legacy. Oesterheld's humanist script, emphasizing collective heroism over individualism, was recognized as a veiled critique of authoritarianism and the military rule, a theme that became tragically prophetic when the author himself was kidnaped and "disappeared" along with his daughters for his anti authoritarian activities under the late 1970s military junta. This scarce archive includes: [1] Oesterheld, Héctor Germán. Hora Cero. Suplemento Semanal. Buenos Aires: Editorial Frontera, Marzo 5, 1958. Panels depict the aftermath of the deadly snowfall over Buenos Aires and the consolidation of organized civilian defense, centering collective survival over individual heroics. [2] Oesterheld, Héctor Germán. Hora Cero. Suplemento Semanal. Buenos Aires: Editorial Frontera, Abril 23, 1958. Issue advertising "Una historieta completa y El Eternauta." The installment advances themes of coordinated resistance and hierarchical enemy command structures, reinforcing its anti authoritarian interpretive framework. [3] Oesterheld, Héctor Germán. Hora Cero. Suplemento Semanal. Buenos Aires: Editorial Frontera, Marzo 4, 1959. Issue featuring continuation of El Eternauta, including scenes of organized defense at River Plate stadium and strategic debate among survivors, deepening the allegory of resistance to opaque and distant power. [4] Oesterheld, Héctor Germán. Hora Cero. Suplemento Semanal. Buenos Aires: Editorial Frontera, Abril 1, 1959. Issue with credited installment of El Eternauta, depicting confrontation with intermediary invaders and reflection on the unseen "true" enemy, sharpening the narrative's sustained critique of domination and enforced obedience. Edge wear and creasing to covers, small closed tears at extremities, age toning to paper consistent with newsprint of this age, scattered surface abrasions and minor corner loss, interiors evenly toned and legible. Overall good condition.…