Eduardo Cadava (179 results)

Soft cover. Condition: Near Fine. Paperback. Binding sound, text clean, extremely slight shelfwear (almost like new). Book.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.…

Condition: good. Gently used with minimal wear on the corners and cover. A few pages may contain light highlighting or writing, but the text remains fully legible. Dust jacket may be missing, and supplemental materials like CDs or codes may not be included. May be ex-library with library markings. Ships promptly. …

Condition: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hard Cover. Condition: New. Dust Jacket Condition: New. First Edition. First Printing in dust jacket BRAND NEW, no remainder mark, pristine unused unbumped copy; 8vo; 256pp indexed.

Hardcover. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

paperback. Condition: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

paperback. Condition: Very Good. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting.

Paperback. Condition: Like New. First Edition. First Edition, 2nd Printing. Not price-clipped. Published by Princeton University Press, 1998. Octavo. Paperback. Book is like new. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Soft cover. Condition: Very Good. 1st Edition. 173pp. Very Good++.

Hardcover. Condition: Very Good. When I Was a Photographer (The MIT Press) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

hardcover. Condition: very good. Some writing to front endpaper.

Condition: New.

Condition: New.

Paperback. Condition: new. Paperback. How reading and writing are collective acts of political pedagogy, and why the struggle for change must begin at the level of the sentence.How reading and writing are collective acts of political pedagogy, and why the struggle for change must begin at the level of the sentence."Reading is class struggle," writes Bertolt Brecht. Politically Red contextualizes contemporary demands for social and racial justice by exploring the shifting relations between politics and literacy. Through a series of creative readings of Karl Marx, Rosa Luxemburg, Walter Benjamin, W. E. B. Du Bois, Fredric Jameson, and others, it casts light on history as an accumulation of violence and, in doing so, suggests that it can become a crucial resource for confronting the present insurgence of inequality, racism, and fascism. Reading between the lines, as it were, and even behind them, Cadava and Nadal-Melsi engage in an inventive mode of activist writing to argue that reading and writing are never solitary tasks, but always collaborative and collective, and able to revitalize our shared political imagination. Drawing on what they call a "red common-wealth"-an archive of vast resources for doing political work and, in particular, anti-racist work-they demonstrate that sentences, as dynamic repositories of social relations, are historical and political events. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: Like New. This copy is LIKE NEW; the text is clear, bright, and unmarked; binding is tight, but slight shelfwear on edges. SIGNED BY AUTHOR + PERSONAL MESSAGE. The covers are also like new: absolutely intact in all ways, including perfect color and design, but slight shelfwear. We have a five star rating because of our fulfilment success and because our descriptions are accurate. All shipments within U.S. sent with Tracking. We guarantee: NO NASTY SURPRISES. WHere is Book? (illustrator). Signed By Author + Message. …

Paperback. Condition: New. How reading and writing are collective acts of political pedagogy, and why the struggle for change must begin at the level of the sentence."Reading is class struggle," writes Bertolt Brecht. Politically Red contextualizes contemporary demands for social and racial justice by exploring the shifting relations between politics and literacy. Through a series of creative readings of Karl Marx, Rosa Luxemburg, Walter Benjamin, W. E. B. Du Bois, Fredric Jameson, and others, it casts light on history as an accumulation of violence and, in doing so, suggests that it can become a crucial resource for confronting the present insurgence of inequality, racism, and fascism. Reading between the lines, as it were, and even behind them, Cadava and Nadal-Melsió engage in an inventive mode of activist writing to argue that reading and writing are never solitary tasks, but always collaborative and collective, and able to revitalize our shared political imagination. Drawing on what they call a "red common-wealth"-an archive of vast resources for doing political work and, in particular, anti-racist work-they demonstrate that sentences, as dynamic repositories of social relations, are historical and political events.…

Hardcover. Condition: Very Good. No Dust Jacket. Binding tight. Pages unmarked and bright throughout. Cover has minimal shelf wear. Spine remains undamaged and straight. No DJ present.; 7.1 X 0.8 X 9.7 inches; 184 pages.

Hardcover. Condition: Fine. 1st. Pictorial boards, lv, 274 pages; 21 cm. Translation of: Quand j'etais photographe. Tight, clean copy. A fine copy of the first printing. *** "The first complete English translation of Nadar's intelligent and witty memoir, a series of vignettes that capture his experiences in the early days of photography." - Publisher. *** CONTENTS: Balzac and the daguerreotype; Gazebon avenged; The blind princess; Homicidal photography; The first attempt at aerostatic photography; Subterranean Paris; Female and male clients; The professional secret; Doctor van Monckhoven; Obsidional photography; The primitives of photography; The new president of the French Society of Photography; The bee tamer; 1830 and thereabouts. Size: 8vo. Collectible.…

Hardcover. Condition: Near Fine. 1st. Pictorial boards, 1 volume (unpaged), chiefly colour illustrations; 26 cm. PRESENTATION COPY. Signed by Ross, with a personalized inscription. *** "All photographs are to some extent about light. The eighty-five stunning color photographs in this book are a masterful exploration not only of the light falling on objects or filling spaces but of the very act of seeing. Whether he is photographing in a museum storage room in Washington, D.C., or a shrine in Myanmar, Richard Ross has an uncanny ability to distill the space and the moment, whether it is profane or sacred, into its essence. These photographs are deceptively simple in their subtle examination of the world as revealed in a single burst of light." - Publisher. Size: 4to. SIGNED. Collectible.…

Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+. American First. A solid, clean copy with no marking or underlining; collectable condition; tiny remainder dot on bottom edge. Book.

Hardcover. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Condition: New.

Condition: New.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. First printing of this edition. Fine in near fine dust jacket with rubbing.

Paperback. Condition: New. This book brings together a wide range of materials from history, religion, philosophy, horticulture, and meteorology to argue that Emerson articulates his conception of history through the language of the weather. Focusing on Emerson's persistent use of climatic and meteorological metaphors, the book demonstrates that Emerson's reflections on the weather are inseparable from his preoccupation with the central historical and political issues of his day. The author suggests that Emerson's writings may be read as both symptomatic and critical of the governing rhetorics through which Americans of his day thought about the most important contemporary issues, and that what has often been seen as Emerson's retreat from the arena of history into the domain of spirit is in fact an effort to re-treat or rethink the nature of history in terms of questions of representation. What distinguishes this book from the work of other critics who are reassessing Emerson's relation to history is its attempt to think through the way in which the figures of Emerson's rhetoric-figures (like frost, snow, the auroras, and nature in general) which often seem to have nothing to do with either history or politics-are themselves traversed by the conflictual histories of slavery, race, destiny, revolution, and the meaning of America. It differs, that is, in proposing a textual model for reading Emerson that measures his engagement with changing historical and political relations in terms of the way he works to revise the language he inherits. There can be no reading of Emerson, the author suggests, that does not trace the movement of his figures and tropes as they become something else, as they open onto questions of history.…

Condition: As New. Unread book in perfect condition.