Editor Nathan Broder (13 results)

softcover. Condition: good. 1967. The Score of the New Mozart Edition, Historical Note, Analysis, Views an Comments. Softcover, 114 pages. Good condition, dusty page edges, front flyleaf worn.

Paperback. Condition: Good. Paperback. Pages are clean and unmarked. Covers show light edge wear.; 100% Satisfaction Guaranteed! Ships same or next business day!

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condition: Very Good. (Complete Librettos in the Original Language with English Versions by W.H. Auden and others. Essays on Mozart and each opera by Broder. 383 lightly browned pages. Trade paperback, purple background and illustration of instruments and flowers on front wrapper, microtear at top front edge, light wear at front tips, very tiny surface wear spots at spine bottom right edge and just above, tiny crease at bottom back tip. Near Fine.

Soft Cover. Condition: Very Good Minus. Text clean, binding sound. Covers in good condition.

Pictorial Softcover. Paperback. Condition: Near Fine. 1960 Revised Edition of the 1956 original. A bright, clean, tight copy sans tears, stains, markings, discoloration, etc. with all text clear/unmarked. From the Preface: "Strangely enough, no complete and thoroughly reliable edition of Mozart's piano sonatas and fantasies has been available up to now. This may seem to be a sweeping statement, but anyone who has studied the surviving autograph manuscripts and first editions and compared them with the published versions of the last century and a half will agree that it is an accurate one." 332 pages. GC42.

Soft Cover. Condition: Very Good. Copyright 1948 by The American Musicolog. 59 + pp. Vol. I, Fall 1948, No. 3 issue only! A great, almost spotlessly clean copy! Solidly and tightly bound, essentially and nearly flawless copy with minimal internal and external wear and use. Copy with crisp pages, spotlessly clean text, and light shelf wear. Smooth covers.

Soft Cover. Condition: Very Good. Copyright 1948 by The American Musicolog. 75 + pp. Vol. I, Spring 1948, No. 1 issue only! A great, almost spotlessly clean copy! Solidly and tightly bound, essentially and nearly flawless copy with minimal internal and external wear and use. Copy with crisp pages, spotlessly clean text, and light shelf wear. Smooth covers.

Soft Cover. Condition: Very Good. Copyright 1948 by The American Musicolog. 60 + pp. Vol. I, Summer 1948, No. 2 issue only! A great, almost spotlessly clean copy! Solidly and tightly bound, essentially and nearly flawless copy with minimal internal and external wear and use. Copy with crisp pages, spotlessly clean text, and light shelf wear. Smooth covers.

Paperback. Condition: Very Good. Solid and clean with light corner wear.

Soft cover. Condition: Near Fine. Revised Edition. Near Fine. Softcover; thick quarto; pictorial stiff wraps; 332 pp.; a hint of rubbing to cover, else a clean and crisp copy. Extra shipping may apply.

Ex-library - has stickers on inner and outer front cover, library folder on first page, stamps on first couple of pages, otherwise pages are clean. Moderate shelf wear to edges of cover.

Condition: Very Good. ARC-First edition, 1st Printing. Excellent bright sharp unmarked Advanced RevIew copy.Photo Plates, music examples.Essays written for the Fiftieth Anniversary issue of the Musical Quarterly, January 1965.Contributors: Paul Henry Lang, Andrew Porter, Antoine Golea, Francis D. Perkins, Arthur Custer, Mario Bortolotto, Willi Reich, Albert Vander Linden, Jos Wouters, Bo Wallner, Daniel Charles, Wolf-Eberhard von Lewinski, Rudolf Klein, Racek, Jiri Vyslouzil, Imre Fabian, Everett Helm, Nicolas Slonimsky, Stefan Jarocinski, Schwarz, and Alexander L. Ringer. These reviews are splendid especially the one with Enescu ( the future great composer) working as a violinist in Paris ARC; Advance Review Copy which cames without a jacket AS ISSUED Green Cloth.