Edited Henderson (240 results)

plastic_comb. Condition: Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

plastic_comb. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

plastic_comb. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Plastic Comb. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condition: Good. No Jacket. Reprint Edition. Good/none, used, 16th printing, illustrated stiff paper wraps, viii-xvi, 526pp. Interior has some scattered underlining, binding tight. Slight rubbing to wraps, no chips or tears, corners lightly rubbed.

1995. Anthropological theory, development. University of Arizona Press. Very good wrappers/paperback 161p.

Soft cover. Condition: Very Good. Soft Cover, Comb-Bound - VG - Book is clean and tight with light wear - Illustrated.

Spiral. Condition: Very Good. Cookbook.

Paperback. Condition: Fine. 161 pages; 6 x 9 ".

Paperback. Condition: Near Fine. ".a collaborative effort by the past and present editors and the editorial board to celebrate and illuminate the changes that have prompted so much thought and exchange during the journal's lifetime." 571 pages; 7 x 10 ".

Quarter Cloth. Condition: Near Fine. Dust Jacket Condition: Very Good (in mylar). 1st Printing. Pencil marks on ffep, else textblock very clean and very tight; Tan cloth spine, paper sides. Unclipped dust jacket, minimally shelf worn. 93pp. Size: 8vo - over 7¾" - 9¾" tall. Hardcover.

Plastic Comb. Condition: Good. Paperback book in good condition.

Hardcover. Condition: As New. Text Figures (illustrator). First Edition. Copyright Date: 1990 Sm Quarto, 1990, PP.319,

Soft cover. Condition: Very Good. Softcovers pamphlet; in very good condition. Book.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. PAGES: xiii + 226 with Glossary and Bibliography. Information is presented alphabetically. ILLUSTRATIONS: Very many black & white line drawings, diagrams and photographs, full page and in text. CONDITION: Bright, clean unmarked interior with no inscriptions. Tight binding. The card cover, with fold in flaps, has minor wear. There is a small bookplate on the front pastedown of previous owner, Patrick Taylor, garden writer and lecturer. WEIGHT: 1200 grams unpackaged. POSTAGE: No extra charge for delivery within the UK via courier service. Favourable international postage cost.

Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+. Book Club Edition. This book is in Very Good+ condition and has a Very Good+ dust jacket. The book and its contents are in generally clean, bright condition. There is some light bumping to the spine ends of the book covers. The text pages are clean and bright. The dust jacket is mostly clean and bright, but does have some beginning rubbing and wear to the spine ends and corners. "Zenna Chlarson Henderson (November 1, 1917 May 11, 1983) was an American elementary school teacher and science fiction and fantasy author. Her first story was published in The Magazine of Fantasy & Science Fiction in 1951. Her work is cited as pre-feminist, often featuring middle-aged women, children, and their relationships, but with stereotyped gender roles. Many of her stories center around human aliens called "The People", who have special powers. Henderson was nominated for a Hugo Award in 1959 for her novelette Captivity." (from Wikipedia).

Paperback. Condition: VG/No Dustjacket. Color, B&W Photographs (illustrator). Later Printing. San Francisco, CA: Chronicle Books. VG/No Dustjacket. (1980). Later Printing. Paperback. Oblong 8vo., 112 pp., shelfwear .

Hardcover. Condition: Very Good. Dust Jacket Condition: Poor. CMYK Design (Design) (illustrator). 625 pp. Solidly bound copy and dj with moderate external wear, crisp pages and clean text. Dust jacket shows extensive wear and rips along the front and back. Stains on top and fore edges.

Hard Cover. Condition: Fine. Dust Jacket Condition: Fine. First printing. 163 pages. Based on the National Institute of Drug Abuse Studies on the Resurgence of Contemporary LSD. FINE HARDCOVER, FINE DUST JACKET. Size: 8vo - over 7¾" - 9¾" tall.

Condition: As New. Unread copy in mint condition.

Condition: New. Brand New.

Good plus or better, light general wear, lightly soiled. Cloth Binding lightly shaken, corners and spine ends lightly bumped. Tuesday, October 28, 2008 2:48:34 PM Spine lettering illegible, author's name written in in pencil. Pages lightly browned, prev owner's name on front fly.

1997. Anthropological theory, museums studies. Smithsonian Institution Press. Very good - fine paperback 285p.

Hardcover. Condition: Good. Dust Jacket Condition: No Dustjacket. 1903 Edition. Tight hardcover in good condition. Folio 174pp. Green cloth boards with light beige cloth backstrip. The front board has gilt lettering & gilt circular fancy The Musicians Library logo & the backstrip has gilt lettering. The tops of the pages are dyed bright gold. Black & white portrait of Robert Schumann printed on coated stock. The Index has all of the titles in English and German. The lyrics for all of the Songs are in English and German. Book is clean & tight. The boards have a little wear & some edgewear with bumped corners. The gilt lettering & insignia on the front board is bright & colorful. The backstrip has some light soiling and some edgewear on the top & bottom. The gilt lettering on the backstrip has a little wear. The endpapers have light discoloration along the outside edge. The coated page with the portrait has moisture staining along the outside edge which spreads to the opposite page. The leaves are in very good condition with no markings. Ships within 24 hours. Scans available upon request.

Saddle-stapled wrappers. Condition: Very Good+. B&w illustrations (illustrator). First Edition. [ii], 22pp Exhibition Catalog Size: 8vo - over 7¾" - 9¾" tall.

Soft cover. Condition: Very Good +. No Jacket. 1st Edition. Very Good + copy. (see picture) 244 pages.

Paperback. Condition: Fine. 1st. xv, 255 pages, illustrations; 23 cm. Tight, clean copy. Stated First Edition. *** "Over the last several decades, feminists and architects have independently developed critiques of modern Western assumptions and cultural practices. Architecture and Feminism addresses the intersection of these two seemingly disparate fields through a lively and diverse collection of essays and projects, including interdisciplinary investigations of literature, social history, home economics, and art history. Articles examine such varied topics as Niki de Saint-Phalles exuberant building-sized female sculpture Hon, the aesthetics and politics of the Playboy bachelor pad, Edith Wharton's ideas on domestic architecture, and the Legend of Master Manole, a disquieting Eastern European folktale that prescribes the ritual entombment of women in the walls of buildings, while visual projects take well-known structures by Philip Johnson and Louis Sullivan as points of departure for a feminist reading of architectural history. Rather than presenting a single, didactic position, this collection offers a range of fresh voices to describe the cross-connections and shared concerns between architecture and feminism. Contributors to Architecture and Feminism include Manuela Antoniu, Vanessa Chase, Deborah Fausch, Molly Hankwitz, Susan R. Henderson, Amy Landesberg, Lisa Quatrale, Christine S. E. Magar, Mary McLeod, and George Wagner." - Publisher. *** CONTENTS: Introduction, by Debra Coleman; Everyday and "other" spaces, by Mary McLeod; The knowledge of the body and the presence of history: toward a feminist architecture, by Deborah Fausch; see angel touch, by Amy Landesberg and Lisa Quatrale; Project manual for the Glass House, by Christine S. E. Magar; The Walled-Up Bride: an architecture of eternal return, by Manuela Antiniu; Edith Wharton, the decoration of houses, and gender in turn-of-the-century America, by Vanessa Chase; The lair of the bachelor, by George Wagner; A revolution in the woman's sphere: Grete Lihotzky and the Frankfurt kitchen, by Susan Henderson. Size: 8vo. Collectible.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Fine. 1st. Cloth, vi, 285 pages, illustrations; 24 cm. Near fine. Firm binding, clean inside copy. Light shelfwear to boards. Dust jacket protected in a mylar cover. *** "In twelve essays on such diverse Smithsonian Institution holdings as the Hope Diamond, the Wright Flyer, wooden Zuni carvings, and the Greensboro, North Carolina, Woolworth lunch counter, Exhibiting Dilemmas explores a wide range of social, political, and ethical questions faced by museum curators in their roles as custodians of culture. Focusing on the challenges posed by the transformation of exhibitions from object-driven "cabinets of curiosities" to idea-driven sources of education and entertainment, the contributors - all Smithsonian curators and staff members - provide a lively and sometimes provocative discussion of the increasingly complex enterprise of acquiring and displaying objects in a museum setting. In showing how the exhibitions in America's national museum can evoke conflicting memories, emotions, and meaning among both curators and a diverse public, Exhibiting Dilemmas airs fundamental issues being confronted by museum professionals worldwide." - Publisher. *** CONTENTS: Exhibiting memories, by Steven Lubar; For museum audiences: the morning of a new day?, by William H. Truettner; Hope diamond: gem, jewel, and icon, by Richard Kurin; Herbert Ward's "ethnographic sculptures" of Africans, by May Jo Arnoldi; Capable of flight: the saga of the 1903 Wright airplane, by Tom D. Crouch; Crystal skulls and other problems: or, "don't look it in the eye", by Jane Maclaren Walsh; Curating the recent past: the Woolworth lunch counter, Greensboro, North Carolina, by William Yeinst and Lonnie G. Bunch; Unstifled muse: the "All in the family" exhibit and popular culture at the National Museum of American History, by Ellen Roney Hughes; Zuni Archangels and Ahayu:da: a sculpted chronicle of power and identity, by William W. Fitzhugh; Ambassadors in sealskins: exhibiting Eskimos at the Smithsonian, by William W. Fitzhugh; Curators as agents of change: an insect zoo for the nineties, by Sally Love; Now for something completely different: reconstructing Duke Ellington's Beggar's Holiday for presentation in a museum setting, by Dwight Blocker Bowers. Size: 8vo. Collectible.