Ebbe Stub Wittrup (15 results)

Soft cover. Condition: Very Good. Near mint, slight shelf wear. Ships airmail from Berlin Bookshop bxn31.

Unpaginiert. Leinen mit Banderole. 4° quer. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. Sprache: eng.

Ohne Stempel, keine An- und Unterstreichungen, sehr guter frischer Zustand. Hardcover. Original Leinenband. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Hatje Cantz Verlag, Ostfildern-Ruit 2011. Oblong 8vo. Unpaginated. Illustrated in b/w and colour. Orig. cloth. Near fine-.

SOFTCOVER. Condition: New. Dust Jacket Condition: New. 1st Edition. Large 4to. in stiff card covers, with die-cut glossy colour printed wrapper, 95pp on various types of paper, colour plates, etc. Dual text in Danish and English . [CONDITION: NEW unread and unmarked copy in a NEW complete Dust Jacket ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Space Poetry, København 2011. Lille 8vo. Upagineret [28 sider]. Heftet med originalt stribet omslag.

Space Poetry, København 2014. Lille 8vo. Upagineret [32 sider]. illustreret i s/h. Heftet med originalt stribet omslag.

A book of contemporary photography which represents how we are driven intuitively towards beauty: Clean aesthetics fascinate us with their symmetry, clarity and immediate transparacy. The intuitive appears to be something natural, but is it nature, or in reality the result of a culture that bases itself on the ideology that we are all in agreement, and which we live our lives according to, and which we continue to read the world in relation to? Wittrup captures beauty that is all around us, in the revered and in the most trivial objects and situations., English, Year2005, Illust. B/W12, Illust. Color25, ISBN 848776030288, Code 5612. Softbound, In Pristine Condition, Pages 56, Size 12öx 9ö.

Space Poetry, København 2005. 4to. [Upagineret]. Illustreret med fotos i s/h og farver. Orig. omslag. Pæn.

Space Poetry, København 2005. 4to. [Upagineret]. Illustreret med fotos i s/h og farver. Orig. omslag. Pæn.

Kunstverein Braunschweig, Braunschweig 2018. 111 pages. Orig. cover. Near Fine-.

Couverture souple. Condition: Neuf. Pas de jaquette. Édition limitée. Space Poetry, Copenhague, 2005, 30,5 x 23 cm, 80 p. Broché, couverture photographique à rabat avec titre embossé sur le recto. Texte en danois et anglais. De Jesper N. Jorgensen. Neuf. Edition limitée de 700 exemplaires. Exemplaire signé. Meanwhile now a été désigné parmi les 28 livres de photographies danois les plus importants. Signé par l'auteur.

Couverture rigide. Condition: Neuf. Outfromunder presents the viewer with a look into the inherent disruptions and disintegrations our modes of representation. Wittrup's book consists of a collection of old holiday slides from mountainous areas - discoloured by time, cropped and reworked by the artist until the photographs take on an almost painterly dimension reminiscent of the Romantics and of the Kantian Sublime. It is not just a book of landscapes, but also one that makes manifest the passing of time, the workings of coincidence, and the antagonistic relationship between phenomenon and representation. A representation that also represents its own fragility; as Rune Gade writes in his brilliant foreword to the book: "While the mountains endure, untouched by the centuries, the photos depicting them start to disintegrate before I have time to think." 112 pages Hardback w. insert Text by Rune Gade Edition of 700.

softbound. Condition: Sehr gut. 56 pp. Good to very good condition, small signs of wear.- SIGNED by the author, dedicated to Irmelin Nohal. (Paris Bar, Berlin). Dated: Berlin 06. Rare catalogue. / It would seem that we are driven intuitively towards beauty: Clean aesthetics fascinate us with their symmetry, clarity and immediate transparency. The intuitive appears to be some- thing natural, but is it nature, or in reality the result of a culture that bases itself on the ideology that we are all in agreement, and which we live our lives according to, and which we continue to read the world in relation to? Ideologies introduce us to, and steer us toward goals chosen by society's institutions, or- ganizations and structures. We understand ourselves and the world that we are part of, through habit and tradition, without actually thinking about their ideological foundation. We are met daily by a constant and overwhelming multitude of forms, images, objects and statements, and we take in as much as possible of these visual, physical, auditory and liter- ary impressions based on the ground rules supplied to us through the way we were raised and educated, and the intellect and personality of the environment we live in. Our individual and collective references are thus the most important element of everything we seek and everything we create in our lives. The continuous exchange between nature and civilization creates the overall story - the narration - that is the basis for the progressive linearity our ideology is based on. Doubt and misunderstanding are, in our culture, not recognized as important and worthy parameters for the development of society, and every break from the established ideology is immedi- ately 'repaired' and reconstructed. Abstraction, and maybe even subversion, of established opinions about well known symbols and concepts from our cultural history, as well as the contemporary, make us conscious of our references and ideological belonging, and demand more that we read meaning into the situations than that we interpret them using a metaphorical system. These formulaic routes make abstraction unavoidable: through ab- straction, one becomes aware of the choice of reference that one really must take in order to create development, experience and opinion in a world of vague and distant impressions and expressions. We seek beauty in all that is around us, in the revered and in the most trivial, in objects and situations. As a direct response to the accepted notion of the beauty of an object or a moment, we see ourselves in relation to that which we experience, and let it colour how we see things. The mental images turn inward and the personal becomes the parameter that alters our focus away from that which is known to that which is a mere model of what could be. The established ideology should instead be seen as a constructed, imaginary representation which we humans have created out of our real lives. (Jesper N. Jørgensen. Curator. Copenhagen) ISBN 848776030288 Sprache: Deutsch Gewicht in Gramm: 250.

Condition: Neuf. [unpaginated] 34.5 x 23 cm. Cloth Binding Sewn Bound, Offset Printed, Color Edition Size, 700 With this collection of sublime mountainous panoramas based on found slides discolored by time, Danish artist Ebbe Stub Wittrub continues to explore the relationship between the landscape and its representation in the mind's eye. The grandiose photographs are cropped, magnified and manipulated to reveal a painterly vision of nature in which snowy peaks assume an eerie reddish tint and clouds become mystifying abstractions. In Outfromunder, Wittrub presents a romantic but thoroughly modern interpretation of the natural landscape, expounding his vision in a poetic foreword in English and Danish.