E B Garrison (68 results)

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Soft cover. Condition: New. The four volumes of Edward Garrison s Studies, published between 1953 and 1962, represented a landmark in the study of medieval Italian painting. They made available for the first time photographs of all miniatures of the region and period concerned principally the former Papal States and Tuscany in the twelfth century which the author was able to track down, along with a generous selection of ornamental initials from almost every decorated manuscript he examined. The contemporary wall-paintings and panels from these regions are also illustrated and discussed. They represent one of the most valuable sources of information about twelfth-century painting in existence, and everyone interested in European art of that period has at some time found himself gratefully using them. A serious attempt has been made to get all this material into order, and the general lines of development have been set out. Together with the author s two volumes already published in our Selected Studies Series (Early Italian Painting: Selected Studies, Vols. I & II) these four volumes make available the complete corpus of Edward Garrison s work on medieval Italian painting. The two principal studies are concerned with Twelfth-Century Initial Styles of Central Italy (serialized here in eleven sections) and Twelfth-Century Umbro-Roman painting (serialized in six sections). Most of the non-serialized items are studies of individual manuscripts, but one should note the presence here of Supplements IV-VI to Garrison s Italian Romanesque Panel-painting: an index (Nos. I-III are available in Early Italian Painting: Selected Studies. Vol. I). The reprinting of these four volumes should be particularly welcome to art-historians, since they were originally issued in fascicule form, and many art-historical libraries lack copies. Volume I Contents Pictorial Histories I. The Master of the Avila Bible Revision and Amendment of the Historical Evidence for Dating the S. Clemente Frescoes, Pt. I Notes on Certain Twelfth-Century Central Italian Manuscripts of Importance for the History of Painting, Pt. II Twelfth-Century Initial Styles of Central Italy: Indices for the Dating of Manuscripts. Pt. I. Synthesis Pictorial Histories II. The Second Pantheon Bible Master Revision and Amendment of the Historical Evidence for Dating the S. Clemente Frescoes Twelfth-Century Initial Styles of Central Italy: Indices for the Dating of Manuscripts. Pt. I. Synthesis. Pt. II. Materials A New History of Bonaventura di Berlinghiero s St. Francis Dossal in Pescia Pictorial Histories III. The Master of the S. Francesco in Agro Mugellano Bible Twelfth-Century Initial Styles of Central Italy: Indices for the Dating of Manuscripts. Pt. II. Materials. The Transitional and Middle Geometric Styles in the Umbro-Roman Region A Lucchese Passionary of about 1125 (Lucca, Bibl. Capitolare, Cod. C) The Hagiological Evidence for Attributing Certain Manuscripts to Lucca: Suggestion of a Method to be Perfected for Other Centres as well Pictorial Histories IV. The Florentine Master of the Morgan Sacramentary and a Group of Related Works Twelfth-Century Initial Styles of Central Italy: Indices for the Dating of Manuscripts. Pt. II. Materials. The Transitional Geometrical Style in Tuscany in the Second Quarter of the Twelfth Century A Lucchese Passionary in the Lateran Comment on the Frescoes in S. Trinità di Saccargia Errata Corrige General Index of Volume I General Index of Manuscripts mentioned in Volume I.

Soft cover. Condition: New. The four volumes of Edward Garrison s Studies, published between 1953 and 1962, represented a landmark in the study of medieval Italian painting. They made available for the first time photographs of all miniatures of the region and period concerned principally the former Papal States and Tuscany in the twelfth century which the author was able to track down, along with a generous selection of ornamental initials from almost every decorated manuscript he examined. The contemporary wall-paintings and panels from these regions are also illustrated and discussed. They represent one of the most valuable sources of information about twelfth-century painting in existence, and everyone interested in European art of that period has at some time found himself gratefully using them. A serious attempt has been made to get all this material into order, and the general lines of development have been set out. Together with the author s two volumes already published in our Selected Studies Series (Early Italian Painting: Selected Studies, Vols. I & II) these four volumes make available the complete corpus of Edward Garrison s work on medieval Italian painting. The two principal studies are concerned with Twelfth-Century Initial Styles of Central Italy (serialized here in eleven sections) and Twelfth-Century Umbro-Roman painting (serialized in six sections). Most of the non-serialized items are studies of individual manuscripts, but one should note the presence here of Supplements IV-VI to Garrison s Italian Romanesque Panel-painting: an index (Nos. I-III are available in Early Italian Painting: Selected Studies. Vol. I). The reprinting of these four volumes should be particularly welcome to art-historians, since they were originally issued in fascicule form, and many art-historical libraries lack copies. Volume III Contents Pictorial Histories IX. The Umbro-Roman Avila Bible Master and his Florentine Following Contributions to the History of Twelfth-Century Umbro-Roman Painting V, Part II, Materials. V. The Italian-Byzantine-Romanesque Fusion in the First Quarter of the Twelfth Century An Illustrated Pisan Bible in Madrid Twelfth-Century Initial Styles of Central Italy: Indices for the Dating of Manuscripts IX, Part II, Materials. The Third Quarter of the Twelfth Century: The Pistoiese Region, The Sienese Region, Central Italian Manuscripts not precisely Attributable The Late Twelfth and Early Thirteenth Century Thirteenth Century Survival and Revival in Florence and Lucca Excursus The Hagiological Evidence for Pistoia Pictorial Histories X. A Lucchese Selected Books of the Bible Contributions to the History of Twelfth-Century Umbro-Roman Painting VI, Part II, Materials. V The Italian-Byzantine-Romanesque Fusion in the First Quarter of the Twelfth Century. 4. The Genoa Bible Master and his Collaborators, 5. Other Frescoes, 6. Other Manuscripts Additional Pre-Revival Umbro-Roman Manuscripts The S. Clemente Frescoes. A Retraction, A Reconsideration and an Addition to the Evidence Twelfth-Century Initial Styles of Central Italy: Indices for the Dating of Manuscripts X, Part II, Materials. Supplement. The Early Geometrical Style, The Middle Geometrical Style, The Transitional Geometrical Style, The Late Geometrical Style Additional Giant Bibles Pictorial Histories XI. A Twelfth-Century Bible: A Jerusalem (?) Masterpiece Comment on the Schloss Pommersfelden Bible Contributions to the History of Twelfth-Century Umbro-Roman Painting VII. Part II. Materials. V. The Italian-Byzantine-Romanesque Fusion in the First Quarter of the Twelfth Century. 7. The Vallicelliana Evangelary Style VI. The Italian-Byzantine-Romanesque Fusion in the First to Second Quarter of the Twelfth Century. 1. Frescoes in the Crypt of S. Pietro in Tuscania, 2. The Frescoes from Magliano Romano, 3. Panel Paintings, 4. Manuscripts, 5. Umbro-Roman Influence outside the Region Early Lucchese Manuscripts (to ca. 1150) Addenda ad Indicem V. The Veneration of S. Remigio.

Soft cover. Condition: New. The four volumes of Edward Garrison s Studies, published between 1953 and 1962, represented a landmark in the study of medieval Italian painting. They made available for the first time photographs of all miniatures of the region and period concerned principally the former Papal States and Tuscany in the twelfth century which the author was able to track down, along with a generous selection of ornamental initials from almost every decorated manuscript he examined. The contemporary wall-paintings and panels from these regions are also illustrated and discussed. They represent one of the most valuable sources of information about twelfth-century painting in existence, and everyone interested in European art of that period has at some time found himself gratefully using them. A serious attempt has been made to get all this material into order, and the general lines of development have been set out. Together with the author s two volumes already published in our Selected Studies Series (Early Italian Painting: Selected Studies, Vols. I & II) these four volumes make available the complete corpus of Edward Garrison s work on medieval Italian painting. The two principal studies are concerned with Twelfth-Century Initial Styles of Central Italy (serialized here in eleven sections) and Twelfth-Century Umbro-Roman painting (serialized in six sections). Most of the non-serialized items are studies of individual manuscripts, but one should note the presence here of Supplements IV-VI to Garrison s Italian Romanesque Panel-painting: an index (Nos. I-III are available in Early Italian Painting: Selected Studies. Vol. I). The reprinting of these four volumes should be particularly welcome to art-historians, since they were originally issued in fascicule form, and many art-historical libraries lack copies. Volume IV Contents Pictorial Histories XII. A Gradual of S. Stefano, Bologna. Angelica 123 Toward a New History of the Siena Cathedral Madonnas Sienese Historical Writings and the Dates 1260, 1221 and 1262 applied to Sienese Paintings Additions to Masters: The Avila Bible Master, The Naples Bible Masters, The Second Master of the S. Maria del Fiore Homilary, The Gaddiana Master Pictorial Histories XIII. Manuscripts of Spoleto-Norcia Contributions to the History of Twelfth-Century Umbro-Roman Painting VIII. Part II. Materials. The Italian-Byzantine-Romanesque Fusion in the Second Quarter of the Twelfth Century. 1. The Pantheon Bible and its Illustrators, 2. Manuscripts Stylistically Related to the Pantheon Bible, 3. Other Manuscripts, 4. Umbro-Roman Influence outside the Region Supplement. IV. Precursors of the Revival. I. Local Byzantinizing Style. In the Umbro-Roman Region. la. A Unique Passionary of the Tusco-Umbro-Sabine Region Supplement. V. The Italian, Byzantine, Romanesque Fusion in the First Quarter of the Twelfth Century. 4. The Genoa Bible Master and his Collaborators Note on the Iconography of Creation and the Fall of Man in Eleventh and Twelfth-Century Rome Rome, S. Clemente, again Pictorial Histories XIV. A Missal of S. Felicita of Florence (Laurenziana, Conv. Soppr. 233) Additional Pre-Revival Umbro-Roman Manuscripts II Twelfth-Century Initial Styles of Central Italy. Indices for the Dating of Manuscripts, Part II. Materials. Supplement II. The Late Geometric Style: Third Quarter of the Twelfth Century. 1. The Umbro-Roman Region, 2. The Florentine Region, 3. Tuscan Manuscripts not more precisely Attributable, 4. The Pisan Region, 7. The Lucchese Region, 8. The Pistoiese Region, 10. Central Italian Manuscripts The Late Twelfth and Early Thirteenth Century. The Late Third or Early Fourth Quarter of the Twelfth Century, The Fourth Quarter of the Twelfth Century, The Late Twelfth or Early Thirteenth Century, Thirteenth-Century Survival or Revival in Tuscany, Thirteenth-Century Survival or Revival Outside Tuscany Supplement III. Transitional Geometrical Manuscripts, Middle Geometrical Manuscripts, Additional Manuscripts.

Condition: New.

Soft cover. Condition: New. The four volumes of Edward Garrison s Studies, published between 1953 and 1962, represented a landmark in the study of medieval Italian painting. They made available for the first time photographs of all miniatures of the region and period concerned principally the former Papal States and Tuscany in the twelfth century which the author was able to track down, along with a generous selection of ornamental initials from almost every decorated manuscript he examined. The contemporary wall-paintings and panels from these regions are also illustrated and discussed. They represent one of the most valuable sources of information about twelfth-century painting in existence, and everyone interested in European art of that period has at some time found himself gratefully using them. A serious attempt has been made to get all this material into order, and the general lines of development have been set out. Together with the author s two volumes already published in our Selected Studies Series (Early Italian Painting: Selected Studies, Vols. I & II) these four volumes make available the complete corpus of Edward Garrison s work on medieval Italian painting. The two principal studies are concerned with Twelfth-Century Initial Styles of Central Italy (serialized here in eleven sections) and Twelfth-Century Umbro-Roman painting (serialized in six sections). Most of the non-serialized items are studies of individual manuscripts, but one should note the presence here of Supplements IV-VI to Garrison s Italian Romanesque Panel-painting: an index (Nos. I-III are available in Early Italian Painting: Selected Studies. Vol. I). The reprinting of these four volumes should be particularly welcome to art-historians, since they were originally issued in fascicule form, and many art-historical libraries lack copies. Volume II Contents Pictorial Histories V. The Marturi Masters and Two Related Works The Christ Enthroned at Casape, with Notes on the Earlier Roman Redeemer Panels Contributions to the History of Twelfth-Century Umbro-Roman Painting. Part 1. Synthesis More about the Madonna of Sivignano Twelfth-Century Initial Styles of Central Italy: Indices for the Dating of Manuscripts. Part II. Materials. The Late Geometrical Style. The Third Quarter of the Twelfth Century. I. The Umbro-Roman and Florentine Regions Additional Giant Bibles Pictorial Histories VI. A Tuscan Bible: Florentine or Pisan? Contributions to the History of Twelfth-Century Umbro-Roman Painting II, Part II, Materials. I. Local Styles in the Late Eleventh and Early Twelfth Century. II. Cassinese Miniature Styles in Rome Two Manuscripts not Italian but Franco-Flemish Twelfth-Century Initial Styles of Central Italy: Indices for the Dating of Manuscripts, Part II, Materials. The Third Quarter of the Twelfth Century. The Pisan Region Additional Giant Bibles Pictorial Histories VII. The Pistoiese (?) Master of the First Casanatense Bible Contributions to the History of Twelfth-Century Umbro-Roman Painting III, Part II, Materials. III. Local Imitations of Transalpine Romanesque Style. IV. Precursors of the Revival Two Illustrations by the Anagni Translations Master Twelfth-Century Initial Styles of Central Italy: Indices for the Dating of Manuscripts, Part II, Materials. The Third Quarter of the Twelfth Century. The Volterran Region Pictorial Histories VIII. The Florentine S. Maria del Fiore Bible. Contributions to the History of Twelfth-Century Umbro-Roman Painting IV, Part II, Materials. V. The Italian-Byzantine-Romanesque Fusion in the First Quarter of the Twelfth Century Knut Berg, An Illustrated Florentine Bible Dated 1140 Addenda ad Indicem IV A Pistoiese Homilary in Prato Illustrated by the First Casanatense Bible Master Twelfth-Century Initial Styles of Central Italy: Indices for the Dating of Manuscripts VIII, Part II, Materials. The Third Quarter of the Twelfth Century. The Lucchese Region Additional Giant Bibles.

Printed wrappers, 4to, 75, [1] pp, ills. Uncommon. Garrison's Studies were published in fascicules forming 4 volumes over 1953-62 and contain a wealth of scholarly material on manuscript illumination, panel and mural painting. His obituarist wrote: "It is a bewildering idiosyncratic book to use but its seminal importance in the field is incontestable". The contents of this issue are: Pictorial Histories V. The Marturi Masters and Two Related Works; The Christ Enthroned at Casape, with Notes on the Earlier Roman Redeemer Panels; Contributions to the History of Twelfth-Century Umbro-Roman Painting. Part 1. Synthesis; More about the Madonna of Sivignano; Twelfth-Century Initial Styles of Central Italy: Indices for the Dating of Manuscripts. Part II. Materials. The Late Geometrical Style. The Third Quarter of the Twelfth Century. I. The Umbro-Roman and Florentine Regions; Additional Giant Bibles. Wrappers slightly duststained, otherwise Good.

2 vols, printed wrappers, 4to, [171] - 233, [1] pp, ills + [235]-248 pp. Uncommon. Garrison's Studies were published in fascicules forming 4 volumes over 1953-62 and contain a wealth of scholarly material on manuscript illumination, panel and mural painting. His obituarist wrote: "It is a bewildering idiosyncratic book to use but its seminal importance in the field is incontestable". The contents of this issue are: Pictorial Histories VIII. The Florentine S. Maria del Fiore Bible; Contributions to the History of Twelfth-Century Umbro-Roman Painting IV, Part II, Materials (continued). V. The Italian-Byzantine-Romanesque Fusion in the First Quarter of the Twelfth Century; Knut Berg: An Illustrated Florentine Bible Dated 1140; Addenda ad Indicem IV; A Pistoiese Homilary in Prato Illustrated by the First Casanatense Bible Master; Twelfth-Century Initial Styles of Central Italy: Indices for the Dating of Manuscripts VIII, Part II, Materials (continued). The Third Quarter of the Twelfth Century (continued). The Lucchese Region; Additional Giant Bibles. Wrappers slightly duststained, otherwise Good.

Printed wrappers, 4to, [121]-165, [1] pp, ills. Uncommon. Garrison's Studies were published in fascicules forming 4 volumes over 1953-62 and contain a wealth of scholarly material on manuscript illumination, panel and mural painting. His obituarist wrote: "It is a bewildering idiosyncratic book to use but its seminal importance in the field is incontestable". The contents of this issue are: Pictorial Histories VII. The Pistoiese (?) Master of the First Casanatense Bible; Contributions to the History of Twelfth-Century Umbro-Roman Painting III, Part II, Materials (continued). III. Local Imitations of Transalpine Romanesque Style. IV. Precursors of the Revival; Two Illustrations by the Anagni Translations Master; Twelfth-Century Initial Styles of Central Italy: Indices for the Dating of Manuscripts, Part II, Materials (continued). The Third Quarter of the Twelfth Century (continued). The Volterran Region. Wrappers slightly duststained, otherwise Good.

Printed wrappers, 4to, [79]-115, [1] pp, ills. Uncommon. Garrison's Studies were published in fascicules forming 4 volumes over 1953-62 and contain a wealth of scholarly material on manuscript illumination, panel and mural painting. His obituarist wrote: "It is a bewildering idiosyncratic book to use but its seminal importance in the field is incontestable". The contents of this issue are: Pictorial Histories VI. A Tuscan Bible: Florentine or Pisan?; Contributions to the History of Twelfth-Century Umbro-Roman Painting II, Part II, Materials. I. Local Styles in the Late Eleventh and Early Twelfth Century. II. Cassinese Miniature Styles in Rome; Two Manuscripts not Italian but Franco-Flemish; Twelfth-Century Initial Styles of Central Italy: Indices for the Dating of Manuscripts, Part II, Materials. The Third Quarter of the Twelfth Century (continued). The Pisan Region ; Additional Giant Bibles. Wrappers slightly duststained, otherwise Good.

Printed wrappers, 4to, 83, [1] pp, ills. Uncommon. Garrison's Studies were published in fascicules forming 4 volumes over 1953-62 and contain a wealth of scholarly material on manuscript illumination, panel and mural painting. His obituarist wrote: "It is a bewildering idiosyncratic book to use but its seminal importance in the field is incontestable". The contents of this issue are: Pictorial Histories IX. The Umbro-Roman Avila Bible Master and his Florentine Following; Contributions to the History of Twelfth-Century Umbro-Roman Painting V, Part II, Materials (continued); V. The Italian-Byzantine-Romanesque Fusion in the First Quarter of the Twelfth Century (continued); An Illustrated Pisan Bible in Madrid; Twelfth-Century Initial Styles of Central Italy: Indices for the Dating of Manuscripts IX, Part II, Materials (continued); The Third Quarter of the Twelfth Century (continued): The Pistoiese Region, The Sienese Region, Central Italian Manuscripts not precisely Attributable; The Late Twelfth and Early Thirteenth Century; Thirteenth Century Survival and Revival in Florence and Lucca; Excursus - The Hagiological Evidence for Pistoia. Wrappers slightly duststained, otherwise Good.

Printed wrappers, 4to, [89]-172, [1] pp, ills. Uncommon. Garrison's Studies were published in fascicules forming 4 volumes over 1953-62 and contain a wealth of scholarly material on manuscript illumination, panel and mural painting. His obituarist wrote: "It is a bewildering idiosyncratic book to use but its seminal importance in the field is incontestable". The contents of this issue are: Pictorial Histories X. A Lucchese Selected Books of the Bible; Contributions to the History of Twelfth-Century Umbro-Roman Painting VI, Part II, Materials. V The Italian-Byzantine-Romanesque Fusion in the First Quarter of the Twelfth Century (continued):. 4. The Genoa Bible Master and his Collaborators, 5. Other Frescoes, 6. Other Manuscripts. Additional Pre-Revival Umbro-Roman Manuscripts; The S. Clemente Frescoes. A Retraction, A Reconsideration and an Addition to the Evidence; Twelfth-Century Initial Styles of Central Italy: Indices for the Dating of Manuscripts X, Part II, Materials (continued):. Supplement. The Early Geometrical Style, The Middle Geometrical Style, The Transitional Geometrical Style, The Late Geometrical Style; Additional Giant Bibles. Wrappers slightly duststained, otherwise Good.

Hardcover. Condition: New.

Condition: As New. Unread book in perfect condition.