Dusenbery Gail (18 results)

Paperback. Condition: Good+. Clean pages, if somewhat age-toned around edges; no owners' marks; soft cover shows a long, though light, crease across the bottom right front corner, short edge creases along the bottom front, short surface wrinkles along the spine, age-toning and fading along spine and edges, and a few small spots and smudges on the back; otherwise sound. 68pp.

Softcover. Condition: Fair. First Edition; First Printing. Fair reading copy with worn, age discolored covers. First edition of 1200 copies. 68 pages, unmarked. ; D Poe; 8vo 8" - 9" tall; 68 pages.

Trade Paperback. Condition: Very Good. First Edition. 8vo - over 7¾" - 9¾" tall. VG- in wraps (light fading and wear) 8vo. [8]+68+[2]pp. One of 1200 copies printed by Graham Mackintosh.

Softcover. Condition: Very Good. 200 copies printed for Oyez by Young-Brilliant, December 1968. Single piece of folded paper, approx. 8" wide by 10" when closed. Two page poem on the inside.

Condition: Fine. First Edition. First Edition. Single sheet, 8 x 10, fine. One of 200 copies printed of this poem by Gail Dusenbery at the Oyez Press in Berkeley.

Softcover. Condition: Near Fine. First edition. Wrappers. Near fine with fading. Poetry.

Soft cover. Condition: Very Good +. Contains a poem by Frank O'Hara and "Salt Chunk Mary" "Last Awning Flaps on the Pier" by William S. Burroughs, among other cool stuff. Uncommon! Book.

Condition: Good. 1967. Paperback. Ex-libris with usual markings. Signed by the author with an inscription to the previous owner. Covers sunned and with minor tears to rear cover. Remains a good copy. . . . . Books ship from the US and Ireland.

Condition: Good. 1967. Paperback. Ex-libris with usual markings. Signed by the author with an inscription to the previous owner. Covers sunned and with minor tears to rear cover. Remains a good copy. . . . .

Soft cover. Condition: Near Fine. 1st Edition. Interesting counter-culture document, poetry in newspaper format.

Soft cover. Condition: Very Good. 1st edition. VG+. 8vo, 43 leaves (mimeographed one-side), stapled wrappers. A mimeographed flyer for this issue, with a signed handwritten note from editor John Oliver Simon to poet David Meltzer soliciting material for the second issue, is laid in. The scarce first issue of this mimeo revolution mag from Berkeley, featuring work by Richard Krech (Davis C46), Charles Potts, Doug Palmer, Larry Eigner, et al. Solid copy with bands of sunning to covers. Inscribed by Author(s).

Card covers. 77 Pp. illustrations Spine slightly chipped & stained.

Paperback. Condition: VG-. Very Good- with some light scuffs age-toning to covers, a little crimping to rear cover, 63 pages. New Directions & City Lights ads to insides of front and rear covers.

Soft cover. Condition: Very Good. 1st edition. VG+. Printed prospectus laid in (lists contributors and subscription and advertising rates). 8vo, 80pp, printed wrappers. Second issue of this late 1960s San Francisco underground magazine, includes William S. Burroughs (Schottlaender C213; Shoaf III-119), Bob Kaufman, Herbert Huncke, and other Beat figures as well as psychedelicized younger experimentalists. Unmarked copy, light cover soil (prospectus is folded and Near Fine). Not Signed.

First edition, first printing Volume One, Number Two. With front cover illustration by Norman O. Mustill. Always a fascinating publication and short lived with poetry and art along with interesting Sixties illustrations. From the library of the poet Janine Pommy Vega with an occasional corner turned down to a favorite passage such as the poem by Bill Bathurst, "Time On My Hand". Contributors include along with Bathhurst, Bob Kaufman, William S. Burroughs, Herbert Huncke, Lawrence Ferlinghetti, Michael McClure, Frank O'Hara, Ed Sanders. Good illustrated wraps with age toning.

Paperback. Condition: Very Good+. First Edition. 8vo 8" - 9" tall; 63 pages; 1967 Earthquake Press. Vol. I No. 1 (Fall 1967). Premier issue. Trade-size paperback in glossy pictorial covers illustrated from a collage by Norman Mustill. Perfect bound. Tight, bright, and very neat, with just mild expected toning to the predominantly white covers. Scarce first issue of this short-lived but influential San Francisco quarterly, bridging Beat, post-Beat, and avant-garde currents. Notable contributors include Lawrence Ferlinghetti, Diane di Prima, William S. Burroughs, Claude Pélieu, Mary Beach, Dick Higgins, Harold Norse, and more. VG++ to NF.

First edition, first printing Always a fascinating short lived publication once distributed from City Lights in San Francisco. This is from the personal library of the poet Janine Pommy Vega. With a front cover collage by Norman Mustill who has signed the front cover with his initials and dated (1966) this for Janine Pommy Vega. The contributors include Jim Brodey, Clemens Starck, Claude Pelieu, William S. Burroughs, Carl Solomon, Lawrence Ferlinghetti, Gail Dusenbery, Bob Kaufman, Janine Pommy Vega. Janine has hand corrected her two poems "The Last Watch" and "To Fernando". A wonderful association piece with her corrections and signature initials to the front cover of Mustill. Good all around illustrated wraps.

Condition: Very Good. San Francisco: Natoma Free Sun, 1968. [4] pp. 45.5 x 30 cm. Single sheet, folded. Toning to paper, with some foxing which is largely isolated to the bottom half of the front page. Contains poetry by Claude Pelieu (translated from the French by Mary Beach, David Cole, Clemens Starck, Leland Stoney, Harry Newman, Luis Garcia, Suzanne Brooke, Diane Moran, Harvey Bialy, John Simon, Richard Denner, Ken McLaren, and Jim Wehlage. . Very Good.