Douglas G Chapman (7 results)

Hardcover. Condition: Very Good. Hardcover; light fading. Light shelf wear to exterior; former owner's stamp ing on lower outside page edge; in very good condition with clean text, fir m binding.

Unknown Binding. Condition: Good.

geheftet. 48 Seiten 160 gr. Einband leicht bereieben und beschriftet, Prägung, Seiten leicht nachgedunkelt.

Hardcover. Condition: Good. Dust Jacket Condition: no dust jacket present. This hardcover edition is in good condition with some signs of wear on the spine and corners. The binding remains intact, ensuring the book is structurally sound. There is no dust jacket, and the book does not contain any inscriptions or library markings.…

Leatherbound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1951 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 40 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English.…

Draft script for the 1960 film, seen here under the working title "The Invisible Intruder." Annotations in manuscript pencil on the front wrapper, noting filming dates and location, and the film's release title. With a cast list and 14-page shooting schedule bound in before the script, and a secondary 14-page shooting schedule laid in. A crazed former Army major forces a scientist to perfect an invisibility machine, with the eventual aim of taking over the world using invisible soldiers. The final feature film appearance of Marguerite Chapman, and one of two science fiction films shot back-to-back in Dallas by legendary Poverty Row director Edgar G. Ulmer (the other being "Behind the Time Barrier," also released in 1960). Pink titled wrappers, dated March 25, 1959. Title page present, dated March 24, 1959, noted as production No. 592, with credits for Ulmer and screenwriter Jack Lewis. 105 leaves, with last page of text numbered 104. Mimeograph duplication, rectos only. Pages Near Fine, wrapper about Near Fine, bound with two gold brads.…

[2] pp.; 21 x 25.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; other printing process Exhibition announcement / vinyl sticker published in conjunction with show "Crash: Homage to JG Ballard," held February 11 - April 1, 2010. Artists include Richard Artschwager, Francis Bacon, Hans Bellmer, Glenn Brown, Chris Burden, Jake & Dinos Chapman, John Currin, Salvador Dalí, Giorgio de Chirico, Tacita Dean, Jeremy Deller, Paul Delvaux, Cyprien Gaillard, Douglas Gordon, Loris Gréaud, Richard Hamilton, John Hilliard and Jemima Stehli, Roger Hiorns, Damien Hirst, Dan Holdsworth, Carsten Höller, Edward Hopper, Allen Jones, Mike Kelley, Jeff Koons, Roy Lichtenstein, Vera Lutter, Florian Maier-Aichen, Paul McCarthy, Adam McEwen, Dan Mitchell, Malcolm Morley, Mike Nelson, Helmut Newton, Cady Noland, Claes Oldenburg, Eduardo Paolozzi, Steven Parrino, Richard Prince, Robert Rauschenberg, Gerhard Richter, Ed Ruscha, Jenny Saville, George Shaw, Cindy Sherman, Piotr Uklanski, Andy Warhol, Rachel Whiteread, Christopher Williams, Jane and Louise Wilson, Christopher Wool, and Cerith Wyn Evans. "Ballard''s novels stand among the most visionary, provocative literature of the twentieth century, with his ominous predictions regarding the fate of Western culture and his insights into the dark psychopathology of the human race. This exhibition is a response to the enormous impact and enduring cultural significance of his work, following his death in spring 2009. Highlighting Ballard''s great passion for the surreal and his engagement with the artists of his own generation, Crash includes examples of his specific inspirations as well as works by contemporary artists who have, in turn, been inspired by his vision." -- publisher''s statement. Very Good / Fine. Light bumping of corners, otherwise Fine. …