Published by Boston: Houghton Mifflin Co., 1946
Seller: Arnold M. Herr, Los Angeles, CA, U.S.A.
Hardcover. Condition: Near Fine. No Jacket. Reprint. Three octavo volumes. Color and B&W drawings. Condition: minor bump to top of spine of volume containing "The 42nd Parallel", else near fine.
Published by DOUBLEDAY., NY, 1962
First Edition Signed
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition; First Printing. First edition. Publisher's presentation issue with bound-in page SIGNED by John Dos Passos. Close to fine in near fine dust jacket.
OLwd. m. goldener Rücken- u. Deckelprägung, Farbkopfschnitt u. OU. 8°, 379 S. OU min. gebrauchsspurig, sonst tadellos. EA dieses Reprints der Ausgabe Berlin, 1929 (11. - 17. Tausend). (= Bibliothek des Malik-Verlages). Der OU gestaltet von John Heartfield; die Übersetzung von Julian von Gumperz.
Published by Philadelphia, Boyer Galleries, 1934., 1934
Seller: Alexanderplatz Books, New York, NY, U.S.A.
No Binding. Condition: Fine. Exhibition catalogue of drypoints by Luis Quintanilla. Fine condition. Format consists of a single long sheet of 8vo size folded into three panels, the rearmost of which is blank and forms the rear cover when the paper is folded. Contents within (four pages) are printed sideways. An extensive essay by Hemingway takes up two closely typeset pages followed by a list of items exhibited and a single page with another essay by John Dos Passos. The exhibition first took place in New York at the Pierre Matisse Gallery from November 20 to December 4, 1934. This venue must have immediately followed. The Spanish Civil War lay two years in the future. During the war Quintanilla devoted himself to the Republican cause. Hemingway later wrote the text for Quintanilla's depictions of the war All The Brave (1939), published by Modern Age Books. Cf. Hanneman B16, recording only the New York show. No copies of this gallery venue in WorldCat.