Dorothy Burrows (5 results)

Soft cover. Condition: Very Good. No Jacket. Dorothy Burrows, no date or publisher. Pictorial soft cover, stapled. Book Condition : Very good, clean text superb photographs. ISBN #09484230104. Covers worn. Scarce Book . Book will be sent by UK postal service. Inventory #023064.

Soft cover. Condition: Very Good. 24pp.Clean copy inside & out. No inscriptions. Includes supply & fitting of new correctly sized protective lyfjacket. Size: 8vo - over 7¾ - 9¾" tall. Book.

paperback. Condition: Acceptable. NOT an ex-library book. Clean copy in good condition. Cover creased and stained. Quick dispatch from UK seller.

Vintage double weight, borderless photograph of Frank Sinatra, Shirley MacLaine, and Maurice Chevalier from the 1960 musical film, based on the 1953 Broadway musical by Abe Burrows with music and lyrics by Cole Porter. Shot, struck, and mounted by the film's still photographer, Bob Willoughby, with his ASMP rubber stamp and manuscript annotations on the verso. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles, photographer Robert Willoughby began working for magazines such as "Life," "Look," and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine, with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums, including The National Portrait Galleries in Washington, DC and London, the Bibliotheque Nationale de France, The Museum of Modern Art, and The Tate Modern. 9.5 x 6.5 inches. Near Fine. Hirschhorn, p. 370.

Vintage oversize, double weight, borderless film still from the 1960 musical film depicting Shirley MacLaine involved in a hand of cards with assistant director Joseph E. Rickards while Frank Sinatra and director Walter Lang look on. Based on the 1953 Broadway musical by Abe Burrows with music and lyrics by Cole Porter. Shot, struck, and mounted by the film's still photographer, Bob Willoughby, with his ASMP rubber stamp and manuscript annotations on the verso. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles, photographer Robert Willoughby began working for magazines such as "Life," "Look," and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine, with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums, including The National Portrait Galleries in Washington, DC and London, the Bibliotheque Nationale de France, The Museum of Modern Art, and The Tate Modern. 13.5 x 8.5. Near Fine. Hirschhorn, p. 370.