Dimitri Salmon (78 results)

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: like_new. Book is in like new condition with minimal signs of wear. Pages are clean and free from notes or highlighting. Dust cover is intact. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Condition: as new. Wie neu/Like new.

Softcover. Condition: Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Condition: Bon. Ancien livre de bibliothèque avec équipements. Edition 2000. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 2000. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Softcover. Condition: Bon. Légères traces d'usure sur la couverture. Couverture différente. Edition 2022. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Slight signs of wear on the cover. Different cover. Edition 2022. Ammareal gives back up to 15% of this item's net price to charity organizations.

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

8°, broschiert. Condition: Gut. 176 Seiten. Leichte äußere Gebrauchsspuren. Guter Zustand. Sprache: Französisch Gewicht in Gramm: 450.

First Edition. Fine paperback copy; slightly dust-dulled. Remains well-preserved overall. Summary; The Courtauld Collection: A Vision for Impressionism' accompanies a landmark exhibition at the Fondation Louis Vuitton in Paris exploring Samuel Courtauld's role as one of the great collectors of the twentieth century. The catalogue and exhibition showcase Courtauld's extraordinary collection, which will be on display in Paris for the first time in over sixty years. One of the finest collections of Impressionism anywhere in the world was assembled by the English industrialist and philanthropist Samuel Courtauld (1876-1947). During the 1920s, Courtauld acquired seminal works by all of the major Impressionists, from Renoir's early masterpiece La Loge to Manet's last great work, A Bar at the Folies-Bergere. His collection grew to include such iconic works as Gauguin's great Tahitian nude Nevermore and one of Van Gogh's most famous paintings, Self-Portrait with Bandaged Ear. Courtauld was particularly devoted to Cezanne and put together the largest collection of his work in the United Kingdom, including the epic Montagne Sainte-Victoire with Large Pine and one of the celebrated Card Players. After a decade of collecting, Courtauld gave the majority of these remarkable works to establish The Courtauld Institute of Art and Gallery in London. Physical Description; xxi, 346 pages : illustrations (chiefly color) ; 29 cm. Notes; Published on the occasion of the exhibition held at the Foundation Louis Vuitton, Paris, France, February 20-June 17, 2019. Subjects; 1900-1999. Art Private collections. Art Private collections England London 20th century Exhibitions. Courtauld (Samuel) Collection. Courtauld (Stephen) Collection. Courtauld Institute Gallery (London). Courtauld Institute of Art Courtauld Collection. Courtauld, Samuel, 1876-1947. Courtauld, Samuel, 1876-1947 Art collections Exhibitions. England London. Essays. Exhibition catalogs. Fondation Louis Vuitton (Paris, France). Fondation Louis Vuitton (Paris, France) Exhibitions. Fondation Louis Vuitton (Paris, France) Expositions. Illustrated works. Impressionism (Art). Impressionism (Art) Exhibitions. 3 Kg.

Pub.pictorial Boards. Condition: New. 583pp. Colour & b&w illustrations. French text.

First Edition. Fine paperback copy; slightly dust-dulled. Remains well-preserved overall. Summary; The Courtauld Collection: A Vision for Impressionism' accompanies a landmark exhibition at the Fondation Louis Vuitton in Paris exploring Samuel Courtauld's role as one of the great collectors of the twentieth century. The catalogue and exhibition showcase Courtauld's extraordinary collection, which will be on display in Paris for the first time in over sixty years. One of the finest collections of Impressionism anywhere in the world was assembled by the English industrialist and philanthropist Samuel Courtauld (1876-1947). During the 1920s, Courtauld acquired seminal works by all of the major Impressionists, from Renoir's early masterpiece La Loge to Manet's last great work, A Bar at the Folies-Bergere. His collection grew to include such iconic works as Gauguin's great Tahitian nude Nevermore and one of Van Gogh's most famous paintings, Self-Portrait with Bandaged Ear. Courtauld was particularly devoted to Cezanne and put together the largest collection of his work in the United Kingdom, including the epic Montagne Sainte-Victoire with Large Pine and one of the celebrated Card Players. After a decade of collecting, Courtauld gave the majority of these remarkable works to establish The Courtauld Institute of Art and Gallery in London. Physical Description; xxi, 346 pages : illustrations (chiefly color) ; 29 cm. Notes; Published on the occasion of the exhibition held at the Foundation Louis Vuitton, Paris, France, February 20-June 17, 2019. Subjects; 1900-1999. Art Private collections. Art Private collections England London 20th century Exhibitions. Courtauld (Samuel) Collection. Courtauld (Stephen) Collection. Courtauld Institute Gallery (London). Courtauld Institute of Art Courtauld Collection. Courtauld, Samuel, 1876-1947. Courtauld, Samuel, 1876-1947 Art collections Exhibitions. England London. Essays. Exhibition catalogs. Fondation Louis Vuitton (Paris, France). Fondation Louis Vuitton (Paris, France) Exhibitions. Fondation Louis Vuitton (Paris, France) Expositions. Illustrated works. Impressionism (Art). Impressionism (Art) Exhibitions. 1 Kg.

Condition: Bueno. : Este libro, en francés, ofrece un análisis exhaustivo de la obra del pintor barroco francés Georges de la Tour. Explora su vida, su técnica y su impacto en la historia del arte, con un enfoque especial en su uso de la luz y la sombra. Incluye reproducciones de sus pinturas más famosas y un análisis crítico de su estilo y temas. EAN: 9782070300532 Tipo: Libros Categoría: Arte y Cultura Título: Georges de la Tour Autor: Dimitri Salmon Idioma: fr-FR.

Condition: Good. DÃ partement des Peintures. Collection Solo no. 31.

Hardcover. Condition: New.

Couverture souple. Condition: Moyen. Dust Jacket Condition: Bon. 176 p. Ill. Exemplaire gondolépar l'humidité (Mouillures).

Pub.pictorial Boards. Condition: New. Dust Jacket Condition: No. 268pp. Fully illustrated in colour & b&w.

Couverture souple. Condition: Très bon. Catalogue d'une exosition sur la postérité artistique d'Ingres.

Condition: Very good.

Soft cover. Condition: Near Fine. 1st Edition. Mostly Illustrated In Colour. Clean And Unmarked In The Interior. 4to.

Hardcover. Condition: Very Good. Text in French. Catalogue of an exhibition at Vic-sur-Seille, Muse?e de?partemental Georges de La Tour, 3 July through 2 October 2016. 583 pages : illustrations (some color) ; 27 cm. Illustrated boards, cloth back. Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging. Heavy book, will require extra shipping costs for overseas purchase.

Couverture souple. Condition: Très bon. « Cet ouvrage accompagne l'exposition présentée au musée national des Beaux-Arts du Québec et au musée Ingres de Montauban, où une quarantaine des plus grands chefs-d'oeuvre du maître sont confrontés aux multiples dérivations qu'ils ont suscitées, toutes techniques confondues.».

Hardcover. Condition: Brand New. illustrated edition. 216 pages. 11.26x9.80x0.91 inches. In Stock.

Encuadernación de tapa blanda. Condition: Muy bien.

Condition: Buone. italiano Condizioni dell'esterno: sovracopertina leggermente logorata Condizioni dell'interno: Molto buone.

Broché. Condition: D'occasion - Comme neuf. ENCORE SOUS EMBALLAGE D'ORIGINE. Etat neuf. Envoi rapide et soigné dans enveloppe à bulles.

paperback. Condition: Good. prima edizione. in 4, cm. 29 x 25, pp. 207 + (1), con 193 illustrazini in bianco e nero e a colori anche a piena e doppìa pagina nel testo. Legatura editoriale cartonata con sovraccoperta illustrata. Come nuovo. Allegate 4 cartoline pubblicitarie della mostra con le riproduzioni di alcune opere esposte in mostra. Catalogo dell'esposizione strardinaria del Museo del Louvre a Milano, Palazzo Marino  26 novembre 2011 - 8 gennaio 2012.  . Book.