Dijk Janneke Van (27 results)

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: New.

Hardcover. Condition: new. Hardcover. In The Netherlands East Indies at the Tropenmuseum, sections of the well-known ethnographic collections from Indonesia are interpreted as colonial collections. As such, these objects and images express a specific culture of colonialism and colonial society in which ethnography, art, applied art and crafts from Europe and Southeast Asia merge. For more than a century, these objects and images have played a dynamic role in creating coherence in the ethnographic collections as a whole. Through this new interpretation of such objects as colonial collections, the contours of the many diverging and contradictory social relationships that existed within colonial society become visible. In eight essays, invited authors elaborate on this approach and challenge the Tropenmuseum to extend its policies on the interpretation and presentation of ethnographnic collections in a national and international dialogue on art, cultural heritage and the legacies of colonial culture. Discusses the collections of the Tropenmuseum and the histories and stories that accompany them. This book elucidates the often hidden backgrounds of a museum collection, also discussing objects within their original context, social histories and their contemporary meaning. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

Hardcover. Condition: new. Hardcover. Photographs of the Netherlands East Indies at the Tropenmuseum offers a comprehensive introduction to one of the most important collections of colonial photography in the world. There is no other collection at the Tropenmuseum that is so closely tied to the history of the institute itself. Photographs were already being collected in the late 19th century and have been continuously supplemented with new images to create the broadest possible perspective of topical developments in the Netherlands East Indies. After Indonesia declared its independence in 1945, the importance of the collection of historic photographs declined and it was consigned to obscurity. Interest in the collection blossomed again later when a large group of people in the Netherlands came to view them as reflecting a lost and increasingly romanticised world. From the 1980s the collection became a source of historical information and the subject of wide-scale academic research. This publication provides insight into how attitudes toward the collection have changed over the past 150 years and the various ways in which they have been used by the Tropenmuseum and its predecessors. This is the fourth volume of a series of ten books that discuss the collections of the Tropenmuseum and the histories and stories that accompany them. The books elucidate the often hidden backgrounds of a museum collection, discussing objects within their original context, social histories and their contemporary meaning. The main emphasis lies on the history of each collection, with its different collecting and presentation practices placed in a particular time and place. Each volume is richly illustrated with objects and photographs from the Tropenmuseum collection. Photographs of the Netherlands East Indies at the Tropenmuseum offers a comprehensive introduction to one of the most important collections of colonial photography in the world. There is no other collection at the Tropenmuseum which is so closely tied to the history of the institute itself. Photographs were already being collected in the late nineteenth century and have been continuously supplemented with new images to create the broadest possible perspective of topical developments in the Netherlands East Indies. After Indonesia declared its independence in 1945, the importance of the collection of historic photographs declined and it was consigned to obscurity. Interest in the collection blossomed again later when a large group of people in the Netherlands came to view them as reflecting a lost and increasingly romanticised world. From the 1980s the collection became a source of historical information and the subject of wide-scale academic research. Illustrated with over 120 full colour photographs, this publication provides insights into how attitudes towards the collection have changed over the past 150 years and the various ways in which they have been used by the Tropenmuseum and its predecessors. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: As New. Dust Jacket Condition: No Dust Jacket. Still in the plastic wrap from the publisher. Near Fine Condition. No dust jacket. Corners look bumped very slightly from the shrink wrap. No marks on the text block. No marks of previous ownership or inscriptions. ; Height: 10.5 Inches, Length: 8.7 Inches, Weight: 1.2345886672 Pounds, Width; 200 pages.

121 pp.; illus. Text: Dutch. DVD included. Amsterdam, 2010. Pbk. KEYWORDS: 012 Insular SE Asia/ Indonesia: General books.

Condition: Bueno. : Fotograferen in de tropen es un libro de Janneke van Dijk que ofrece una guía sobre cómo fotografiar en los trópicos. Publicado en 1994, el libro cuenta con 96 páginas y está escrito en neerlandés. Es una guía práctica para aquellos interesados en la fotografía en entornos tropicales. EAN: 9789068322491 Tipo: Libros Título: Fotograferen in de tropen Autor: Janneke van Dijk Idioma: nl Páginas: 96.

Condition: New. 2015. Hardcover. Editor(s): Dijk, Janneke van. Num Pages: 120 pages, b/w illus. BIC Classification: 1DDN; AGC; AJC. Category: (G) General (US: Trade). Dimension: 273 x 221 x 15. Weight in Grams: 782. . . . . .

Condition: , , goed exemplaar / good copy. 2015, hardcover, goed exemplaar / good copy.

Condition: Very good.

Condition: New. 2015. 1st Edition. Hardcover. Editor(s): Dijk, Janneke van; Legene, Susan. Num Pages: 200 pages, colour & b/w photos. BIC Classification: 1M; AC; AGC. Category: (G) General (US: Trade). Dimension: 268 x 222 x 16. Weight in Grams: 992. . . . . .

Condition: New. 2015. Hardcover. Editor(s): Dijk, Janneke van. Num Pages: 120 pages, b/w illus. BIC Classification: 1DDN; AGC; AJC. Category: (G) General (US: Trade). Dimension: 273 x 221 x 15. Weight in Grams: 782. . . . . . Books ship from the US and Ireland.

Condition: New. 2015. 1st Edition. Hardcover. Editor(s): Dijk, Janneke van; Legene, Susan. Num Pages: 200 pages, colour & b/w photos. BIC Classification: 1M; AC; AGC. Category: (G) General (US: Trade). Dimension: 268 x 222 x 16. Weight in Grams: 992. . . . . . Books ship from the US and Ireland.

Condition: Good. 2 uniforme groene linnen verzamelmappen met alle 52 afleveringen compleet + registerdeel in paperback, veel illustraties in kleur en z/w (waaronder foto's), 4to.

Condition: Fair. 2 uniforme groene linnen verzamelmappen met alle 52 afleveringen compleet + registerdeel in paperback, veel illustraties in kleur en z/w (waaronder foto's), 4to.

Condition: Very good.

Condition: Very good.

KIT Publishers, 2012. Hardcover. 27 x 22 cm. With many illustrations. 152 pages - Name on first endpaper else AS NEW [Geschiedenis (History) / Koloniaal / Colonial [Nederlandse Geschiedenis] Photography / Dutch [Nederlandse Fotografie] ].

2010, softcover, mooi exemplaar, inclusief dvd , , mooi exemplaar, inclusief dvd , , mooi exemplaar, inclusief dvd.

Condition: New. KlappentextrnrnThe first volume of a series of ten books that discuss the collections of the Tropenmuseum and the histories and stories that accompany them. The books elucidate the often hidden backgrounds of a museum collection, discussing obje.

Hardcover. Condition: new. Hardcover. Photographs of the Netherlands East Indies at the Tropenmuseum offers a comprehensive introduction to one of the most important collections of colonial photography in the world. There is no other collection at the Tropenmuseum that is so closely tied to the history of the institute itself. Photographs were already being collected in the late 19th century and have been continuously supplemented with new images to create the broadest possible perspective of topical developments in the Netherlands East Indies. After Indonesia declared its independence in 1945, the importance of the collection of historic photographs declined and it was consigned to obscurity. Interest in the collection blossomed again later when a large group of people in the Netherlands came to view them as reflecting a lost and increasingly romanticised world. From the 1980s the collection became a source of historical information and the subject of wide-scale academic research. This publication provides insight into how attitudes toward the collection have changed over the past 150 years and the various ways in which they have been used by the Tropenmuseum and its predecessors. This is the fourth volume of a series of ten books that discuss the collections of the Tropenmuseum and the histories and stories that accompany them. The books elucidate the often hidden backgrounds of a museum collection, discussing objects within their original context, social histories and their contemporary meaning. The main emphasis lies on the history of each collection, with its different collecting and presentation practices placed in a particular time and place. Each volume is richly illustrated with objects and photographs from the Tropenmuseum collection. Photographs of the Netherlands East Indies at the Tropenmuseum offers a comprehensive introduction to one of the most important collections of colonial photography in the world. There is no other collection at the Tropenmuseum which is so closely tied to the history of the institute itself. Photographs were already being collected in the late nineteenth century and have been continuously supplemented with new images to create the broadest possible perspective of topical developments in the Netherlands East Indies. After Indonesia declared its independence in 1945, the importance of the collection of historic photographs declined and it was consigned to obscurity. Interest in the collection blossomed again later when a large group of people in the Netherlands came to view them as reflecting a lost and increasingly romanticised world. From the 1980s the collection became a source of historical information and the subject of wide-scale academic research. Illustrated with over 120 full colour photographs, this publication provides insights into how attitudes towards the collection have changed over the past 150 years and the various ways in which they have been used by the Tropenmuseum and its predecessors. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condition: new. Hardcover. In The Netherlands East Indies at the Tropenmuseum, sections of the well-known ethnographic collections from Indonesia are interpreted as colonial collections. As such, these objects and images express a specific culture of colonialism and colonial society in which ethnography, art, applied art and crafts from Europe and Southeast Asia merge. For more than a century, these objects and images have played a dynamic role in creating coherence in the ethnographic collections as a whole. Through this new interpretation of such objects as colonial collections, the contours of the many diverging and contradictory social relationships that existed within colonial society become visible. In eight essays, invited authors elaborate on this approach and challenge the Tropenmuseum to extend its policies on the interpretation and presentation of ethnographnic collections in a national and international dialogue on art, cultural heritage and the legacies of colonial culture. Discusses the collections of the Tropenmuseum and the histories and stories that accompany them. This book elucidates the often hidden backgrounds of a museum collection, also discussing objects within their original context, social histories and their contemporary meaning. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Amsterdam, KIT, (2012). 4to. Boards. With 122 photographic illustrations. 152 pp.

4to. Ill.wrapps. 152pp. Profusely illustrated with black & white photographic illustrations. Fine. 1st ed.