Diego Frida (32 results)

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover without dustjacket as issued, 96 pages; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

hardcover. Condition: Used; Like New. New York, 1999; glossy illustrated paper covers; small crease at bottom corner of front cover, otherwise in like new condition; Folio, 12 to 15 inches tall; 4 panel fold-out in rear pocket; interior clean and unmarked; 202 pages. Additional shipping charges may need to be requested due to size or weight of book.

Softcover, 96 pages; very good condition; light rubbing to covers; owner's library stamp to first page; no other internal marks. Foreign shipping may be extra.

Soft cover. Condition: Fine. No Jacket. 1st Edition. Small 4to softbound with 120 pages. 2000 copies.

Oversized Paperback. Condition: Good. Text in French.

Hardcover. Condition: As New. Dust Jacket Condition: Like New. A nice hardcover with a crisp dust jacket, a tight binding and an unmarked text. Unopened in plastic wrap. From a private smoke free collection. Shipping within 24 hours, tracking number and delivery Confirmation.

Paperback. Condition: Brand New. 308 pages. French language. 6.93x4.25x0.63 inches. In Stock.

Hardcover. Condition: Very Good. Diego Rivera, Juan Clemente Orozco, Frida Kahlo, Rufino Tamayo, et al (illustrator). First Edition. Color endpapers by Alfredo Martinez. Small chip to DJ spine crown; 1" closed tear to DJ rear bottom; else a very good DJ. A beautiful edition.

paperback. Condition: very good(+). Frida Kahlo; Diego Rivera (illustrator). With several b/w photos and color illustrations throughout. 96 pages. Slim 4to, pictorial wrappers. (Canberra): National Gallery of Australia, (2001). A very good(+) copy, creasing to upper corner of rear cover, with price sticker residue.

kart. Condition: Gut. 118 S. : zahlr. Ill. ; 28 cm; Gutes Ex. - INHALT : Kinderjahre im Blauen Haus ---- Frida - Die junge Rebellin ---- Erste Begegnung mit dem Tod ---- Diego Rivera ---- Die Taube und der Elefant ---- "Gringolandia" - Die Jahre in Amerika ---- Schattenseiten der Beziehung ---- Liaison mit Leo Trotzki ---- Die produktiven Jahre 1937-1938 ---- Frida Kahlos erste Einzelausstellung in New York ---- Kahlo und der Surrealismus ---- Scheidung und Wiedervermählung ---- "Los Fridost und "Los Dieguitost ---- Von der Frau zur Mutter - vom Mann zum Kind ---- Frida Kahlos körperlicher Verfall ---- Frida Kahlos Tod ---- Viva la Vida - Es lebe das Leben ---- "Für meinen Augenstern." Rivera nach dem Tod Frida Kahlos ---- Anmerkungen. ISBN 9783791332444 Sprache: Englisch Gewicht in Gramm: 518.

Condition: Sehr gut. 131 S. : zahlr. Illustr. ; 28 cm; fadengeh., farb. illustr. Orig.-Pappband. Sehr gutes Ex. - Die ganze Wahrheit über Frida Kahlo und Diego Rivera werden wir wohl nie erfahren. Zu viele Geschichten wurden auf zu unterschiedliche Weise erzählt. Ebenso wie Diego Rivera stets dafür sorgte, eine sagenhafte Legende um sich zu ranken, gehörte es zu Frida Kahlos größten Vergnügen, ihre Vergangenheit in einen bunten Schleier zu hüllen. Das Geheimnis um sie beginnt schon mit ihrem Geburtsjahr. Fest verwurzelt in den Idealen der Revolution, behauptete Kahlo, 1910 geboren zu sein, in dem Jahr, das für Reform, blutigen Kampf und Befreiung steht, das Jahr der mexikanischen Revolution, in dem sich das Volk unter der Führung Emiliano Zapatas und Francisco »Pancho« Villas gegen die Diktatur erhob. In Wirklichkeit wurde Frida Kahlo aber am 6. Juli 1907 geboren. . (S. 13) // INHALT : Kinder jähre im Blauen Haus ---- Frida - Die junge Rebellin ---- Erste Begegnung mit dem Tod ---- Diego Rivera ---- Die Taube und der Elefant ---- >GringolandiaLos Dieguitosi ---- Von der Frau zur Mutter - vom Mann zum Kind ---- Frida Kahlos körperlicher Verfall ---- Frida Kahlos Tod ---- Viva la Vida - Es lebe das Leben ---- "Für meinen Augenstern." Rivera nach dem Tod Frida Kahlos ---- Anmerkungen ---- Frida Kahlo und Diego Rivera - Lebensstationen. ISBN 9783791337982 Sprache: Englisch Gewicht in Gramm: 1150.

Condition: Very Good.

Dura. Condition: New. Dust Jacket Condition: Nuevo. Diego Rivera,Frida Kahlo,Max Ernst,Nickolas Muray (illustrator). 1. Las cautivadoras imágenes creadas por Frida Kahlo (1907-1954) son, en muchos sentidos, la manifestación de un trauma. Sufrió un accidente de tráfico casi mortal a los 18 años, numerosos problemas de salud, un matrimonio turbulento y varios abortos que le impidieron tener hijos y, sin embargo, supo transformar todas sus aflicciones en arte revolucionario. En sus autorretratos reales y metafóricos, Kahlo contempla al espectador con una mirada audaz, negándose a ser una víctima pasiva y entrelazando símbolos de su experiencia en un híbrido lenguaje de vida surrealista: pelo, raíces, venas, enredaderas, tentáculos y trompas de falopios. Muchas de sus obras también exploran los ideales políticos comunistas, que Kahlo compartía con Rivera. La artista describió sus cuadros como lo más sincero que podía hacer para expresar lo que sentía dentro y fuera de su ser. Este libro ofrece un amplio repaso de la obra de Kahlo, que descubre su inagotable determinación como artista y su importancia como pintora, icono feminista y pionera en la cultura latinoamericana. 565 gr. Libro.

Large photo, 19x14.5n, on card stock paper, of Frida Kahlo, seated and painting, while Diego Rivera looks on. Half-tone. Fine condition.

Large photo, 19x14.5in, on card stock paper, of Frida Kahlo dressed in her native, Tepehuana costume. Fine condition.

Soft cover. Condition: New. Paperback. 4to. (29 x 24 cm). In English and Turkish. 253 p., color ills. Frida Kahlo & Diego Rivera. From the Gelman Cellection.= Frida Kahlo & Diego Rivera. Gelman Koleksiyonu'ndan. [Exhibition catalogue]. Curated by Helga Prignitz-Poda. Edited by Begüm Akkoyunli Ersoz, Tania Bahar. The Frida Kahlo and Diego Rivera from the Gelman Collection exhibition introduced art lovers to two of the most outstanding and globally renowned Mexican figures of 20th century art. Generating wide interest, as much with their unique characters, life stories, and intriguing relationship, as with their oeuvre, these two artists were welcomed for the very first time to Turkey with this exhibition presenting over forty of their works. Collectors Jacques and Natasha Gelman spent a significant portion of their lives in Mexico; the works included in the couple's extensive collection, encompasses 20th century Mexican art, outstanding Frida Kahlo self-portraits, that reflect the profound traces of her artistic personality, as well as rare examples of Diego Rivera's canvas paintings. This globally acclaimed collection was previously presented to audiences only through a limited number of exhibitions outside of Mexico. Apart from the most favored Frida Kahlo works of the "Frida Kahlo Retrospective" organized in Berlin and Vienna in 2010, the exhibition at Pera Museum also included Diego Rivera's paintings.

Encuadernación de tapa blanda. Condition: Bien. R501809. Rodolfo Alonso Editor - 176pp PAGINAS DESPRENDIDAS DEL LOMO ARG.

Pintoras Mexicanas Contemporáneas Mujeres Pintoras Arte Contemporáneo Mexicano Siglo XX Ed. Ministerio de Cultura. 198 págs. 20 x 23 cm. Encuadernado en tela ilustrada. Índice; Frida Kahlo, en la vida, herida. Autorretratos. Lo popular en la pintura de Frida Kahlo. Frida Kahlo y el arte mexicano. GASTOS DE ENVÍO ORDINARIO HASTA 1 KILO, GRATIS. (3,50 el Kilo de más o fracción) Los PEDIDOS DE MENOS DE 6 euros tienen unos gastos de 1 euro.

131 S. Hardcover mit Halbschuber aus Plastik. 4°. Sauberes Exemplar ohne Stempel oder Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. Sprache: deu.

235, (5), XXIV S. Ill. Orig.-Broschur. - Einband gering berieben. Widmung auf Titel; ansonsten innen sauber. Gut erhaltenes Exemplar. - Achtung: Bei Auslandsversand bitte Portokosten erfragen (höheres Gewicht)!

Bilingual Edition (Turkish / English). 24cm x 27.5cm. 253 pages. Original softcover (Paperback). Excellent condition with only very minor signs of external wear. Includes for Example: Foreword by Robert R Littman. Frida Kahlo and Diego Rivera in the German Collection. Heavenly and Earthly Love Stories the Mutual Portraits of Diego Rivera and Frida Kahlo. Diego Pondered the Art of Frieda Frieda wrote a Complete Portrait of Diego. Portrait of Diego by Frieda Kahlo. Frida Kahlo and Mexican Art. Frida and Diego, the Spirit of Collecting. The Portraits of Frida Kahlo. Frida Kahlo de Rivera (July 6, 1907- July 13, 1954; born Magdalena Carmen Frieda Kahlo y Calderón) was a Mexican painter, born in Coyoacán, who is best known for her self-portraits. Kahlo's life began and ended in Mexico City, in her home known as the Blue House. She gave her birth date as July 7, 1910, but her birth certificate shows July 6, 1907. Kahlo had allegedly wanted the year of her birth to coincide with the year of the beginning of the Mexican revolution so that her life would begin with the birth of modern Mexico. At the age of six, Frida contracted polio, which caused her right leg to be much thinner than the other. It was to remain that way permanently. Her work has been celebrated in Mexico as emblematic of national and indigenous tradition, and by feminists for its uncompromising depiction of the female experience and form. Mexican culture and Amerindian cultural tradition are important in her work, which has been sometimes characterized as Naïve art or folk art. Her work has also been described as "surrealist", and in 1938 André Breton, principal initiator of the surrealist movement, described Kahlo's art as a "ribbon around a bomb". Kahlo had a volatile marriage with the famous Mexican artist Diego Rivera. She suffered lifelong health problems, many of which derived from a traffic accident she experienced as a teenager. These issues are represented in her works, many of which are self-portraits of one sort or another. Kahlo suggested, "I paint myself because I am so often alone and because I am the subject I know best." She also stated, "I was born a bitch. I was born a painter." (Wikipedia) Sprache: english.

Condition: BUONO USATO. IED. Gransassi ITALIANO IL LIBRO È USATO, PERTANTO POTREBBE PRESENTARE LIEVI DIFETTI/IMPERFEZIONI. LA FOTO CORRISPONDE AL LIBRO IN VENDITA. Sbiadito il piatto e il dorso della copertina. Il legame che ha unito Frida Kahlo e Diego Rivera è stato profondissimo e tormentato, e da questo ritratto incrociato emergono due preziosi profili artistici e due personalità straordinarie. Frida dipinge con passione il ritratto di Diego, che "si eleva con una forza sorprendente e, come nessun'altra pianta, fiorisce e dà frutti". Diego cede al fascino di diamante della pittura di Frida, cui dedica pagine di eccezionale intensità. Curatore: Secci, M. C. Numero pagine 98. Il copyright dei dati è di Informazioni Editoriali I.E. Srl.

SOFTCOVER. Condition: VERY GOOD. Over 80 Color & B/w Illus (illustrator). 1st Edition. This is the (often very elusive) English edition for the Whitechapel showing of this exhibition. 4to in colour printed stiff glossy card covers, 79pp on stiff art paper, colour plates, b/w illustrations in text, bibliography, etc . [CONDITION: VERY GOOD, a clean and tight copy (small flat crease to bottom fore-corner of front cover, spine and covers edges a little rubbed) ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Softcover. White and color illustrated wraps, red and orange lettering, spine is white with black lettering, 235 pp, profusely illustrated in color and bw. Published on the occasion of an exhibition organized by the Fondation Dina Vierny-Musée Maillol, Paris, June 17-Sept. 30, 1998. Includes bibliographical references (pages 223-229). VG (corners lightly bumped, light shelfwear).

Softcover exhibition catalog, 280 pages, in English and French; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Exemplaire neuf. [6208].

Calagogue de l'exposition présentée au Musée d'art moderne de Villeneuve d'Ascq de septembre 2004 à janvier 2005. Fort volume 22,5x27,5cm cartonné sous couverture en couleurs, 330 pages abondamment illustrées en couleurs dans et hors texte présentant 233 oeuvres exposées de plus de 70 artistes. Bel exemplaire. Livres.

Inscribed with drawings and doodles by the artistic super-couple Frida Kahlo and Diego Rivera at the unveiling of Rivera's newly completed masterpiece, the Detroit Industry Murals at the city's Institute of Art, early in 1933. With these drawings into a child's autograph album, made a few days before their departure for New York City, Kahlo and Rivera marked the close of a period of great artistic achievement for them both. Just three days before these drawings were created Rivera finished his industrial frescoes and Kahlo completed her anguished sequence of Detroit canvases which are considered to be among her greatest works. In the drawing that she executed for Lydia Cohen in this album, Kahlo depicts a cat seen from behind, placidly sitting and looking away from both artist and the album's owner. Next to this she has written 'To Lidia with the love of Carmen Rivera' - signing herself with her formal married name as she did on her Detroit paintings. According to Helga Prignitz-Poga only one other depiction of a cat is known in Kahlo's work (Self Portrait with Thorn Necklace), lending special significance to this image. Rivera's first contribution to the album shows, in portrait format, a full length image of a woman whose face is seen in profile, wearing boots and what may be a feathered Aztec(?) skirt, next to a little gate or perhaps a swimming pool ladder. This is signed 'Diego Rivera' and undated. Five leaves later Rivera has drawn a wild yet instantly recognisable portrait head of himself seen in profile, as in voluble full flow, using blue-black ink and inscribed it: 'Diego Rivera. Detroit March 16 1933.' Together Kahlo and Rivera spent much of 1932 and early 1933 in Detroit where Rivera was commissioned to create a series of frescoes for the Detroit Art Institute which would draw upon the city's industrial heritage. It is generally acknowledged that while in the city both artists hit 'a career peak' as Rivera completed his DIA mural and Kahlo worked intensely on a series of portraits dealing with her personal struggles. Later Rivera remembered how: 'Frieda began work on a series of masterpieces which had no precedent in the history of art. Never before had a woman put such agonized poetry on canvas as Frida did at this time in Detroit.' Whilst they lived in the city the couple were feted and entertained by Detroit's elite. Kahlo in particular responded provocatively to her American hosts: 'the expansive Rivera speaking Spanish and French and demanding all the attention, with the petite and caustic Kahlo dressed in colorful Mexican costumes. At Henry Ford's sister's home, Frida talked on about the wonders of communism. At a dinner at Henry Ford's she asked the anti-semitic industrialist if he was Jewish.' One of the other elite Detroit households who entertained Kahlo and Rivera was the Cohen family, parents of Lydia -or Lidia - Cohen who, on the evening of March 13, 1933, persuaded Kahlo and Rivera to inscribe her little album. This album captures a pivotal moment in art history. PROVENANCE: Lydia Cohen and by descent. LYDIA COHEN'S ALBUM: Black roan with amateur tape repairs to the backstrip and loss at the head and tail of the spine; 55 paper leaves alternating pink, yellow and gree in colour; c75 inscriptions. Lydia Cohen has written her name on the front flyleaf and her schools in Detroit: William T Sampson School; George Brady School; Roosevelt Elementary; Durfee Middle School. The entries into the album do not follow chronological order but dot around between 1922-1934 with contributions from school teachers, friends, musicians, mostly English and sometimes written and drawn in Hebrew. Kahlo's contribution appears first, followed by Rivera's pair of drawings, all three inserted between other signed pages. A second Spanish speaker seems to have been present that night spent with the Cohens, Kahlo and Rivera on March 16. 1933. They have written: 'El idioma es corto y la palabra tosca para hablar de las vellezas tullas mejor recibe mi galarte via en il idioma quero lo el alma entiende' ('The language is short and the word is crude to speak of the tullas' virtuousness, it is better to receive my reward via the language that the soul understands') - perhaps suggesting they were also a creative figure and signed 'Y Ay'. The album is housed in a custom-made drop-back solander box with natural wool lining. Please contact Christian White Rare Books Ltd for more information or images of this item.