Didier Mouchel (31 results)

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Condition: Neuf.

Hardcover. Condition: Gut. 32x25cm 175 Seiten. Hardcover. Sprache: Französisch, * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.…

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Soft cover. Condition: Near Fine. No Jacket. Text in French and English.

Softcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition. Bound in cream card wrappers and a folding photographic dustjacket. Laid in is a folding paper catalogue for an exhibition of these photographs at the Jeu de Paume gallery in Paris, France from 26 November 2011 to 20 May 2012. A near fine copy with minimal wear. 8vo - over 7¾ - 9¾" tall. All orders professionally packed, tracked and/or signed-for, and insured.…

Condition: D'occasion - Très bon état.

Condition: As New. : Este libro acompaña la exposición presentada en el Château de Tours del 26 de noviembre de 2011 al 2012, organizada por el Jeu de paume en colaboración con la ciudad de Tours. Explora la reconstrucción en Francia entre 1945 y 1958 a través de la fotografía, con investigaciones y proyectos relacionados. EAN: 9782912132703 Tipo: Libros Categoría: Arte y Cultura|Historia Título: Photographies à l'oeuvre Autor: Didier Mouchel| David Benassayag| Daniel Coutelier Editorial: Point du jour, Jeu de paume Idioma: fr-FR Páginas: 141.…

Hardcover. 74 S. Good condition. Reading pages are clean and without markings. Light signs of storage and use. Book is trilingual. Spine edge slightly bumped. Binding slightly stained. Otherwise a decent copy. 9783775716819 Sprache: Englisch Gewicht in Gramm: 720.

Condition: Neuf.

hardcover. Condition: Gut. 80 Seiten; 9783775716819.3 Gewicht in Gramm: 1.

Couverture rigide. Condition: Très bon état. In-4 cartonné. Occasion comme neuf. Poids sans emballage : 1600 grammes. in-4°.

Couverture souple. Condition: Neuf. 32210. LIVRÉ NEUF, ENVOI RAPIDE ET SOIGNÉ DEPUIS LA FRANCE ET PARTOUT DANS LE MONDE AVEC UN NUMÉRO DE SUIVI.

Hardcover. Condition: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Condition: Sehr gut. 1. Auflage. Z : 80 pp., 35 ills. - The desire to fly is as old as humanity itself. Icarus dreamed of it, Leonardo da Vinci became one of the first to invent and build flying machines, and for half a century, people have been flying into outer space. Finnish photographer Janne Lehtinen (*1970 in Karhula) has also dreamed of defying gravity. In his series Sacred Bird, he constantly presents himself with a peculiar flying machine, just about to take off into the air like a bird.…

Paperback. Condition: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. 1st Printing. Signed. 120 pages. Published in 2002. Exhibition Monograph. Collection of portrait-photographs. One of the most important titles in the iconic series of "Portraits Photographiques et Uniformes". The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The First Edition is now rare. A brilliant production by Charles Freger: Regular-sized volume format. Pristine-white hard boards with titles embossed on cover and spine, as issued. Photographs by Charles Freger. Text by Raphaelle Stopin and Didier Mouchel in the French original and felicitous English translation. Printed on thick, glossy stock paper in Paris, France to the highest standards. The reproduction quality is exemplary in every respect. In pictorial DJ with titles on the cover and spine, as issued. Published on the occasion of the landmark exhibition held at the Galerie du Chateau d'Eau Toulouse in 2002. Presents Charles Freger's "Legionnaires: Portraits Photographiques Et Uniformes". Formal and informal portraits of multi-national members of the legendary French Legion, "freedom fighters"/soldiers-for-hire/mercenaries, who are, not just represent, the ultimate symbol of state-neutral, military discipline. The work of a brilliant portrait-photographer whose only possible equal is Rineke Dijkstra, the Freger Style is documentary PLUS portrait. His antecedent is August Sander, with an opposite twist: His portraits present not a national community (as Sander does) but the individuals who give a specific community its face and form. As such, his work is neither purely documentary or sociological. His emphasis on individual particularity repudiates nationalism as well as "globalization" and "the human family", the most cherished ideas of humanist-photojournalists (and corporations), as nothing more and nothing less than a myth. Instead, he suggests, human beings choose, almost innately, to identify with a much smaller community than the nation or the UN. With every seemingly exotic portrait, Freger poses the same provocative and compelling questions: Why do I choose to belong to a tribe? Why do I adhere to its rules? Why do I believe in the necessity of social cohesion? Why do I express myself through others? Freger reminds us that so-called personal identity is inconceivable without the notion of belonging to a community; ethnic and sexual minorities understand this instinctively better than anyone else. An absolute "must-have" title for Charles Freger collectors. This copy is very prominently, neatly, and beautifully signed black pen-marker on the half-title page by Charles Freger. It is signed directly on the page itself, not on a tipped-in page. This title is a contemporary photography classic. As far as we know, this is the only such signed copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright. Please note: Copies available online command hundreds of dollars. This is surely an accessible and lovely alternative. A rare signed copy thus. Lavishly illustrated with color plates. One of the most brilliant photographers of our time. A fine collectible copy. (SEE ALSO OTHER CHARLES FREGER TITLES IN OUR CATALOG) ISBN 2914573073. Signed by Author.…

Paperback. Condition: New. This straightforward collection of portraits by Charles Freger continues this brilliant young French photographer's study of European youth and social uniforms. Made over a period of three years in the tiny country of Luxembourg, Lux contains absolutely riveting, if deadpan, portraits of schoolchildren and adolescents in their various vocational and recreational costumes--including soccer uniforms, ballet leotards, chorale society outfits, military fatigues and work clothes. Freger closes out this volume with a series of equestrians in formal and western wear, and a knockout study of burgeoning competitive swimmers. It is hard to imagine a set of more touchingly awkward portraits than the ones of the youngest of these girls in their metal nose clips, bathing caps and goggles.…

Condition: Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Couverture souple. Condition: Neuf. LIVRE EDITE A L'OCCASION DE L'EXPOSITION A LA FABRIQUE DES SAVOIRS A ELBEUF DU 4 JUIN AU 13 NOVEMBRE 2016-176 PAGES-16,8 CM X 22,2 CM-(2D).

Condition: Assez bon. Attention: Ancien support de bibliothèque, plastifié, étiquettes. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Condition: , , goed exemplaar / good copy. Dust Jacket Condition: , , goed exemplaar / good copy. 2004, hardcover, goed exemplaar / good copy.

Hardcover. Condition: As New. Dust Jacket Condition: None, As Issued. 1st Edition. 1st Printing. Signed. 120 pages. Published in 2004. Collection of color portrait-photographs. One of the best titles in the iconic series of "Portraits Photographiques et Uniformes". The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The First Edition is now rare. A brilliant production by Charles Freger: Oversize-volume format. Glossy pictorial hard boards with titles on the spine, as issued. Photographs by Charles Freger. Texts by Chihiro Minato and Didier Mouchel in the respective Japanese and French originals and felicitous English translations. Green bellyband. Printed on pristine-white, thick coated stock paper in Liege, Belgium to the highest standards. The reproduction quality is exemplary in every respect. Without DJ, as issued. Presents Charles Freger's "Rikishi: Portraits Photographiques et Uniformes". Sumo wrestlers, who are Japanese to outsiders rather than to each other. The work of a brilliant portrait-photographer whose only possible equal is Rineke Dijkstra, the Freger Style is documentary PLUS portrait. His antecedent is August Sander, with an opposite twist: His portraits present not a national community (as Sander does) but the individuals who give a specific community its face and form. As such, his work is neither purely documentary or sociological. His emphasis on individual particularity repudiates nationalism as well as "globalization" and "the human family", the most cherished ideas of humanist-photojournalists (and corporations), as nothing more and nothing less than a myth. Instead, he suggests, human beings choose, almost innately, to identify with a much smaller community than the nation or the UN. With every seemingly exotic portrait, Freger poses the same provocative and compelling questions: Why do I choose to belong to a tribe? Why do I adhere to its rules? Why do I believe in the necessity of social cohesion? Why do I express myself through others? Freger reminds us that so-called personal identity is inconceivable without the notion of belonging to a community; ethnic and sexual minorities understand this instinctively better than anyone else. An absolute "must-have" title for Charles Freger collectors. This copy is very prominently, neatly, and beautifully signed in black pen-marker on the half-title page by Charles Freger. It is signed directly on the page itself, not on a tipped-in page. This title is a great photography book. As far as we know, this is the only such signed copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright. Please note: Copies available online command more than $500. This is surely an accessible and lovely alternative. A rare signed copy thus. Lavishly illustrated with color plates. One of the most brilliant photographers of our time. A fine collectible copy. (SEE ALSO OTHER CHARLES FREGER TITLES IN OUR CATALOG) ISBN 2915409048. Signed by Author. …

Condition: gut. Voyages en Mer Paquebots & Cargos In deutscher Sprache. pages.

Soft cover. Condition: As New. Book.

Condition: gut. Charles Frà ger: Rikishi In deutscher Sprache. pages.

Soft cover. Condition: As New. Dust Jacket Condition: None, As Issued. 1st Edition. 1st Printing. Signed. 75 pages. Published in 2002. Collection of color portrait-photographs. One of the most remarkable titles in the iconic series of "Portraits Photographiques et Uniformes". The first and only edition. Published in a small and limited print run as a softcover original only whose limitation is not stated. Commissioned by Arcelor Packaging International, the book was not sold commercially. It is Charles Freger's rarest title. A brilliant production by Charles Freger: Regular-sized volume format. Pristine-white softcovers, as issued. Photographs by Charles Freger. Text by Didier Mouchel. Pictorial steel metal case. The latter is uniquely appropriate: The steel metal can (which Arcelor makes) is the most efficient, economical, and safest way to pack and deliver food and beverage products worldwide. Steel packaging is also environmentally-friendly and recyclable. Printed on pristine-white, thick coated stock paper in Nantes, France to the highest standards. The reproduction quality is exemplary in every respect. In pictorial DJ with titles on the cover, as issued. Presents Charles Freger's "Donneur: Portraits Photographiques et Uniformes". Commissioned portraits of middle-aged men and women (the average age is 50) who work for Arcelor Packaging International. As such, they are the older - and more prosperous - counterparts of the young workers Freger has photographed extensively. More important, they embody the worker as someone who identifies with a specific commercial enterprise in a specific place (rather than say, a national labor union or a Worker's Movement). The work of a brilliant portrait-photographer whose only possible equal is Rineke Dijkstra, the Freger Style is documentary PLUS portrait. His antecedent is August Sander, with an opposite twist: His portraits present not a national community (as Sander does) but the individuals who give a specific community its face and form. As such, his work is neither purely documentary or sociological. His emphasis on individual particularity repudiates nationalism as well as "globalization" and "the human family", the most cherished ideas of humanist-photojournalists (and corporations), as nothing more and nothing less than a myth. Instead, he suggests, human beings choose, almost innately, to identify with a much smaller community than the nation or the UN. With every seemingly exotic portrait, Freger poses the same provocative and compelling questions: Why do I choose to belong to a tribe? Why do I adhere to its rules? Why do I believe in the necessity of social cohesion? Why do I express myself through others? Freger reminds us that so-called personal identity is inconceivable without the notion of belonging to a community; ethnic and sexual minorities understand this instinctively better than anyone else. An absolute "must-have" title for Charles Freger collectors. An absolute "must-have" title for Charles Freger collectors. This copy is very prominently, neatly, and beautifully signed black pen-marker on the steel-metal case itself by Charles Freger. This title is a contemporary photography classic. As far as we know, this is the only such signed copy available online and is in especially fine condition: Clean, crisp, and bright. A rare signed copy thus. Lavishly illustrated with color plates. One of the most brilliant photographers of our time. A fine collectible copy. (SEE ALSO OTHER CHARLES FREGER TITLES IN OUR CATALOG) ISBN 2913179053. Signed by Author.…

Évreux, Editions Point de Vue, 2010, format in-4°, 288 pp, broché, avec la couverture souple illustrée d'origine. Contient e.a; le catalogue de l'oeuvre de Jules Camus & Meurice, photographes au 19e s.