Language: English
Published by The Viking Press, New York, 1982
Seller: Arnold M. Herr, Los Angeles, CA, U.S.A.
Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. Revised edition. Large quarto volume in dust jacket. Color and B&W illustrations. Condition: DJ spine slightly sun-faded; DJ shows light shelf-wear; else fine in near fine DJ. 252 pages.
Language: English
Published by Bracken Books, London, 1989, 1989
ISBN 10: 1851703195 ISBN 13: 9781851703197
Seller: Antiquariaat Berger & De Vries, Groningen, Netherlands
Bound in cloth, with dust jacket. 31x26 cm. Many (full-page) ills in colour. 251 p. -good.-(Some shelf wear, but otherwise the book is in good condition.). ISBN 1851703195.
Hard. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st. First edition thus. Revised edition. Hard cover in dust jacket. Published NY: Viking, 1982, first printing. 4to., 10 1/4" x 12", 251pp., lavishly illustrated with over 300 b/w and color plates. Preface by Salvador Dali. Orange cloth with gilt titles. Mild foxing to endpapers, else fine in near fine dust jacket with light edgewear and a stain on the rear panel.
Language: English
Published by Dorset Press, New York, 1989
ISBN 10: 088029387X ISBN 13: 9780880293877
First Edition
Hardcover. First American Edition. Book condition is Very Good; with a Very Good dust jacket. Tear to jacket crown at corner of front panel, with a few related weak creases. Rubbing to jacket. Text is clean and unmarked, illustrated throughout; 9.13 X 6.57 X 1.11 inches.
Published by Patrick Stephens, with Edita Lausanne, London., 1971
Seller: Dennys, Sanders & Greene, Tunbridge Wells, KENT, United Kingdom
Association Member: PBFA
First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. The less common Stephens edition in English. Illustrations throughout - some tipped in. Cloth boards, gilt tiling, fine. Dj is sunned more so around spine and top of rear panel, minor marks, near fine. Acquired from Maude Lloyd, an admired leading dancer with Ballet Rambert in the 1930s. With her husband, Nigel Gosling a renowned art critic, she later wrote, influential dance books and reviews under the joint pseudonym, 'Alexander Bland'. When Rudolph Nureyev defected in 1961, Margot Fonteyn asked them to befriend him which they gladly did offering him freedom of their house. Gosling edited his autobiography. Nureyev wrote an admiring memoir of him in Observer of the Dance anthologising Goslings reviews, "He and Maude were like my family.".