Dearinger David B (59 results)

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Condition: Very Good. 1st Printing. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. 1st Printing. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. 1st Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Avis Berman, Margaret C. Conrads, David B. Dearing.

Paperback. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good.

paperback. Condition: Good. Good condition paperback. Pages are clean and unmarked. Minor edgewear and corner rubbing. Tulsa's largest used bookstore. Located on South Mingo Road since 1991. No-hassle return policy if not completely satisfied.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Trade Paperback. Condition: Very Good.

Soft cover. Condition: Near Fine. No Jacket. Gift inscription on title page from editor.

Paperback. Condition: Very Good. Very Good paperback with light shelfwear - NICE! Oversized.

Soft cover. Condition: Very Good. 1st Edition. Soft cover in very good condition. Some light shelfwear to cover. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. Great copy.

Paperback. Condition: Fine. 1st. 48 pages, illustrations (some colour); 30 cm. Catalogue of an exhibition at the National Academy of Design, New York, June 28, 2003 to January 4, 2004. Firm binding, clean inside copy. *** CONTENTS: Introduction and Acknowledgements, by Annette Blaugrund; Women Artists at the National Academy of Design: The First Hundred Years, by David B. Dearinger; Enter the Women: A Slow Transformation at the National Academy, from the 1930s to the Present. by Isabelle Dervaux; Plates; Exhibition Checklist; List of Women Members of the National Academy of Design 1825-2002. Size: 4to. Collectible.

Soft cover. Condition: Near Fine. Clean, unmarked, unread copy with a solid, crease-free spine. BP/Art-Crit.

Paperback. Condition: Fine. 1st. 302 pages, illustrations (some colour); 31 cm. Catalogue published in conjunction with an exhibition held at the National Academy of Design, New York, September 20, 2000 to December 31, 2000. With essays by Avis Berman, et al. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** "Few regular venues for the display of contemporary American art existed before 1826. In that year, the National Academy of Design in New York began a series of annual exhibitions featuring works by 200 to 300 artists, and for decades afterward this venerable institution led the way in introducing important new talent to the art world. Until the advent of Modernism in the early 20th century, the Academy remained one of only a few venues to regularly exhibit contemporary art. Rave Reviews explores the role that these exhibitions played in the development of American art criticism and the dissemination and marketing of American art. Rave Reviews is the first book to combine essays on the development of art criticism with illustrations of many of America's best-loved masterpieces. Works by artists such as Thomas Cole, Winslow Homer, Harriet Hosmer, John Singer Sargent, Augustus Saint-Gaudens, Thomas Eakins, Anna Hyatt Huntington, John Sloan, and Charles Hawthorne are examined through the critical commentary of their time, giving readers a fresh look at the art world between 1826 and 1925." - Publisher. *** CONTENTS: An introduction to the history of American art criticism to 1925, by David B. Dearinger; The public display of art in New York City, 1664-1914, by Kenneth John Myers; Annual exhibitions and the birth of American art criticism to 1865, by David B. Dearinger; "In the midst of an era of revolution ": the New York art press and the annual exhibitions of the National Academy of Design in the 1870s, by Margaret C. Conrads; The National Academy of Design and the Society of American Artists: rivals viewed by critics, 1878-1906, by Trudie A. Grace; A "salon of America"?: defining nationalism at the National Academy of Design, 1909-1915, by Sarah J. Moore; "As national as the National Biscuit Company": the Academy, the critics, and the Armory show, by Avis Berman; Ekphrasis: a non-critical look at early nineteenth-century portraiture through poetry, by William H. Gerdts. Catalogue of the Exhibition; Notes to the reader; Appendix A: the critics; Appendix B: National Academy of Design annual exhibitions, 1826-1925; Reviews of the annual exhibitions of the national Academy of Design, 1826-1925; Index to artists and works in the exhibition. Size: 4to. Collectible.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. No marks in text. Not a library book. Previous-owner's name inked out on first blank page. Ships in a cardboard enclosure. Tim's Used Books, open shop in Provincetown, Massachusetts, buyers and sellers of good books at fair prices since 1991. Come visit! Please contact us if downsizing your library; we travel worldwide to buy good collections.

Softbound. Condition: VG. BW illustrated wraps. 302 pp., 71 color and countless bw plates. Issued in conjunction with several 2000-2001 exhibitions. 71 works are included in this exhibition, which has eight informative essays and wonderful research and reference material. A whopper of an exhibition!

Staple Bound. Condition: Good. Staple-bound full-size pamphlet. Slight wear at corners, else very good condition. No markings noted.

Softcover. Condition: Fine. Glossy paper, color photos. Exhibition catalogue. ; Small 4to 9" - 11" tall; 79 pp.

Hardcover. Condition: New. Dust Jacket Condition: New. in Stock. Very oversize magnificent volume, Postage will be an extra $3.00.

Soft cover. Condition: Very Good. Catalog that accompanied an exhibit on George Pope Morris, an important New York journalist and publisher of the 19th century who published works by many well-known literary figures of the time and who supported many important artists of the day. Exhibit shown in 2009 at the Putnam Historical Society and the Boston Athenaeum. Illustrated throughout. Measures 8.5'" x 11" with 67 pages. In excellent condition. SALE PRICE.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Bright, crisp, unclipped pictorial dust jacket. Tight binding, solid red boards with sharp corners, bright gilt lettering to spine strip, "withdrawn" stamped to front end paper, (no other library markings present), otherwise clean, unmarked pages throughout. Stated 1st edition.

Softbound. BW illustrated wraps. 302 pp., 71 color and countless bw plates. Issued in conjunction with several 2000-2001 exhibitions. 71 works are included in this exhibition, which has eight informative essays and wonderful research and reference material. A whopper of an exhibition! VG- front cover is curled lightly.

Softcover. Condition: VG. White & BW illus. stapled wraps, back flap, 24 pp., 15 color & BW illus. Issued in conjunction with a 2015 exhibition of depictions (paintings, sculpture, ephemera, etc.) of French military officer and American Revolutionary man Marquis de Lafayette (1757-1834). Consists of an illustrated narrative by David B. Dearinger. The exhibition checklist cites 75 pieces, and 15 are pictured here. Uncommon.1.

Paper. Condition: Good. Good paper copy ex. cat. 9/20 - 12/31/2000, 302 pp, 2 pp fwd, curator's acknowledgments, 1 pp list of lenders, text throughout with B/W and 4/C illus.

Trade Paperback. Condition: Used - Good. Few regular venues for the display of contemporary American art existed before 1826. In that year, the National Academy of Design in New York began a series of annual exhibitions featuring works by 200 to 300 artists, and for decades afterward this venerable institution led the way in introducing important new talent to the art world. Until the advent of Modernism in the early 20th century, the Academy remained one of only a few venues to regularly exhibit contemporary art. Rave Reviews explores the role that these exhibitions played in the development of American art criticism and the dissemination and marketing of American art. This is the first book to combine essays on contemporary art criticism written by experts for a general audience with illustrations of many of America's best loved masterpieces. It includes artists such as Thomas Cole, Winslow Homer, John Singer Sargent, Augustus Saint-Gaudens, William Merritt Chase, Thomas Eakins, and John Sloan. Eight essays outline the development of criticism and place it in the larger context of the history of American art. Primarily a richly illustrated history of 19th- and early 20th-century American art criticism, with an emphasis on taste and patronage, Rave Reviews gives readers a fresh look at the art world between 1876 and 1925. A history of American art and its criticism as seen through the eyes of contemporary viewers and critics. Book has minor shelf wear.