De Lacroix Otto (18 results)

hardcover. Condition: Very Good.

Hardback or Cased Book. Condition: New. Natural Horsemanship According to a Passionate Riding Instructor's Papers. Book.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Brand New. 160 pages. 7.00x0.44x10.00 inches. In Stock.

Hardback. Condition: New.

238 pp.; 17.4 x 11.2 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed An overview of the Dada movement by Georges Hugnet. Introduction by Tristan Tzara. Cover by Marcel Duchamp. Artists featured include Pierre Albert-Birot, Aragon, Céline Arnauld, Hans Arp, Johannes Baader, Johannes Theodor Baargeld, Hugo Ball, Jacques Baron, J.-K. Bonset, Gabrielle Buffet, Serge Charoune, Paul Citroën, Arthur Cravan, René Crevel, Jean Crotti, Paul Dermée, Otto Dix, Marcel Duchamp, Suzanne Duchamp, Viking Eggeling, Paul Eluard, Max Ernst, J. Evola, Otto Flake, Théodore Fraenkel, George Grosz, Raoul Hausmann, John Heartfield, Wieland Herzfelde, Emmy Hennings, Hannah Höch, Henrich Hoerle, Richard Huelsenbeck, Vincente Huidobro, Marcel Janco, Franz Jung, Adou Lacroix, Pierre de Massot, Walter Mehring, Clément Pansaers, Benjamin Péret, Francis Picabia, Man ray, Otto Van Rees, Georges Ribemont-Dessaignes, Hans Richter, Jacques Rigaut, Erik Satie, Christian Schad, Rudolf Schlichter, Otto Schmalhausen, Kurt Schwitters, Walter Serner, Philippe Soupault, Sophie Tauber, Tristan Tzara, Jacques Vaché, and Roger Vitrac. Printed in black-and-white. Text in French. Fair / Good. Rubbing to covers and moderate rubbing of edges with light soiling of text block edge. Discrete small rubber stamp logo inside rear cover, otherwise contents clean and unmarked.…

Hardcover. Condition: new. Hardcover. Written at a pivotal moment in the development of modern equitation, Natural Horsemanship brings into English for the first time one of the clearest and most reasoned statements of classical riding principles to emerge from the German cavalry tradition. First published in Berlin in 1905, Otto de la Croix's work presents horsemanship as a disciplined art grounded in balance, anatomy, and the lawful cooperation of rider and horse.Moving step by step from first principles, de la Croix traces the rider's aids through the living structure of the horse. He shows how the back serves as the vital link between forehand and hindquarters, how weight and seat guide balance, and how impulsion generated behind shapes carriage in front. From these foundations arise collection, lightness, cadence, and self-carriage as natural consequences of correct gymnastic development.Each chapter unfolds with practical clarity. The mechanics of the back and its oscillation are explained in detail. The rider's aids are examined in relation to the horse's movement. Lateral work, engagement, straightening, and the progressive stages of collection are presented as coherent parts of one continuous system. Throughout, the horse appears as a unified organism whose strength, elasticity, and durability grow through thoughtful training.The result is a method that cultivates power with suppleness, precision with ease, and expression with long-term soundness. Riders concerned with biomechanics, humane training, and lasting performance will recognize in these pages insights that speak directly to contemporary practice.This edition includes Richard F. Williams's complete English translation of the 1905 second edition, together with Paul Plinzner's influential 1886 essay from the Militaer-Wochenblatt, providing historical context for one of the most important debates in riding theory. More than a century after its publication, Natural Horsemanship remains a vivid, practical guide for riders, instructors, and students who seek clarity, coherence, and results grounded in the nature of the horse itself. First published in 1905 and now in English, Natural Horsemanship presents a classical method grounded in balance, seat, and engagement. Otto de la Croix shows how collection, lightness, and self-carriage arise from sound training. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New. Print on Demand.

Condition: New. Print on Demand.

Condition: New. PRINT ON DEMAND.

Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Written at a pivotal moment in the development of modern equitation, Natural Horsemanship brings into English for the first time one of the clearest and most reasoned statements of classical riding principles to emerge from the German cavalry tradition. First published in Berlin in 1905, Otto de la Croix's work presents horsemanship as a disciplined art grounded in balance, anatomy, and the lawful cooperation of rider and horse.Moving step by step from first principles, de la Croix traces the rider's aids through the living structure of the horse. He shows how the back serves as the vital link between forehand and hindquarters, how weight and seat guide balance, and how impulsion generated behind shapes carriage in front. From these foundations arise collection, lightness, cadence, and self-carriage as natural consequences of correct gymnastic development.Each chapter unfolds with practical clarity. The mechanics of the back and its oscillation are explained in detail. The rider's aids are examined in relation to the horse's movement. Lateral work, engagement, straightening, and the progressive stages of collection are presented as coherent parts of one continuous system. Throughout, the horse appears as a unified organism whose strength, elasticity, and durability grow through thoughtful training.The result is a method that cultivates power with suppleness, precision with ease, and expression with long-term soundness. Riders concerned with biomechanics, humane training, and lasting performance will recognize in these pages insights that speak directly to contemporary practice.This edition includes Richard F. Williams's complete English translation of the 1905 second edition, together with Paul Plinzner's influential 1886 essay from the Militär-Wochenblatt, providing historical context for one of the most important debates in riding theory. More than a century after its publication, Natural Horsemanship remains a vivid, practical guide for riders, instructors, and students who seek clarity, coherence, and results grounded in the nature of the horse itself.…

Hardcover. Condition: new. Hardcover. Written at a pivotal moment in the development of modern equitation, Natural Horsemanship brings into English for the first time one of the clearest and most reasoned statements of classical riding principles to emerge from the German cavalry tradition. First published in Berlin in 1905, Otto de la Croix's work presents horsemanship as a disciplined art grounded in balance, anatomy, and the lawful cooperation of rider and horse.Moving step by step from first principles, de la Croix traces the rider's aids through the living structure of the horse. He shows how the back serves as the vital link between forehand and hindquarters, how weight and seat guide balance, and how impulsion generated behind shapes carriage in front. From these foundations arise collection, lightness, cadence, and self-carriage as natural consequences of correct gymnastic development.Each chapter unfolds with practical clarity. The mechanics of the back and its oscillation are explained in detail. The rider's aids are examined in relation to the horse's movement. Lateral work, engagement, straightening, and the progressive stages of collection are presented as coherent parts of one continuous system. Throughout, the horse appears as a unified organism whose strength, elasticity, and durability grow through thoughtful training.The result is a method that cultivates power with suppleness, precision with ease, and expression with long-term soundness. Riders concerned with biomechanics, humane training, and lasting performance will recognize in these pages insights that speak directly to contemporary practice.This edition includes Richard F. Williams's complete English translation of the 1905 second edition, together with Paul Plinzner's influential 1886 essay from the Militaer-Wochenblatt, providing historical context for one of the most important debates in riding theory. More than a century after its publication, Natural Horsemanship remains a vivid, practical guide for riders, instructors, and students who seek clarity, coherence, and results grounded in the nature of the horse itself. First published in 1905 and now in English, Natural Horsemanship presents a classical method grounded in balance, seat, and engagement. Otto de la Croix shows how collection, lightness, and self-carriage arise from sound training. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Hardcover. Condition: new. Hardcover. Written at a pivotal moment in the development of modern equitation, Natural Horsemanship brings into English for the first time one of the clearest and most reasoned statements of classical riding principles to emerge from the German cavalry tradition. First published in Berlin in 1905, Otto de la Croix's work presents horsemanship as a disciplined art grounded in balance, anatomy, and the lawful cooperation of rider and horse.Moving step by step from first principles, de la Croix traces the rider's aids through the living structure of the horse. He shows how the back serves as the vital link between forehand and hindquarters, how weight and seat guide balance, and how impulsion generated behind shapes carriage in front. From these foundations arise collection, lightness, cadence, and self-carriage as natural consequences of correct gymnastic development.Each chapter unfolds with practical clarity. The mechanics of the back and its oscillation are explained in detail. The rider's aids are examined in relation to the horse's movement. Lateral work, engagement, straightening, and the progressive stages of collection are presented as coherent parts of one continuous system. Throughout, the horse appears as a unified organism whose strength, elasticity, and durability grow through thoughtful training.The result is a method that cultivates power with suppleness, precision with ease, and expression with long-term soundness. Riders concerned with biomechanics, humane training, and lasting performance will recognize in these pages insights that speak directly to contemporary practice.This edition includes Richard F. Williams's complete English translation of the 1905 second edition, together with Paul Plinzner's influential 1886 essay from the Militaer-Wochenblatt, providing historical context for one of the most important debates in riding theory. More than a century after its publication, Natural Horsemanship remains a vivid, practical guide for riders, instructors, and students who seek clarity, coherence, and results grounded in the nature of the horse itself. First published in 1905 and now in English, Natural Horsemanship presents a classical method grounded in balance, seat, and engagement. Otto de la Croix shows how collection, lightness, and self-carriage arise from sound training. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Buch. Condition: Neu. Natural Horsemanship According to a Passionate Riding Instructor's Papers | Otto de LaCroix | Buch | Englisch | 2026 | Xenophon Press LLC | EAN 9781948717762 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. …