David Moos Editor (13 results)

Wrappers. Condition: Very Good. Birmingham Museum of Art, Published 2003. Wraps, 63 pp.; 25 cm; distributed by D.A.P.; printed and bound in the UK by Butler & Tanner; illustrated throughout with color photographs, one double-page gatefold; catalogue raisonne; exhibition history. In Very Good condition. Pictorial paper covers (detail of Ascension on front, a row of five color squares on rear) with light bumping and creasing to edges and corners, mild shelf wear; a few tiny dark specks to rear cover. Sewn binding, tight. Pages clean and unmarked. Published for Perspectives 7: Stephen Hendee, 5 September 2002 to 6 July 2003, the seventh in the museum's series on new directions in contemporary art. Ascension was a 30-foot-high glowing tunnel of corrugated polypropylene, black tape, hot glue, fluorescent lights, and gels built into the museum's existing staircase, so that visitors walked up through the sculpture; it incorporated pieces first installed around downtown Birmingham during Hendee's 2002 residency at ArchitectureWorks, including Presence Control V.2 in the Concord Center tower and works set in the vaults, firing range, and fallout shelter of the decommissioned Federal Reserve Bank branch. Moos compares the work to Pierre Koenig's Stahl House, Tony Smith's Smoke, Blade Runner, Tron, and Coltrane's Ascension; Phillips, a mathematician and Hendee's collaborator on Q-Artifacts (1998), reads the installations as quasicrystals and cellular automata; Griffin, then associate editor of Artforum, on the synthetic ideal. Hendee (born Santa Monica, 1968; BFA San Francisco Art Institute, MFA Stanford) has since built installations for Meow Wolf Las Vegas and teaches at the Maryland Institute College of Art. The catalogue raisonne of built sculpture, pp. 48-57, records every installation from BlackMarket RAM (1994) to 2002 with venue, dates, and materials. Contents: Secret Spaces, a foreword by Gail Trechsel; Connecting with Ascension, an essay by David Moos; Ascension, an installation by Stephen Hendee; What Infernal Hand or Algorithm? A Mathematician's Perspective on the Art of Stephen Hendee, an essay by Robert Phillips; Synthetic Ideal, an essay by Tim Griffin; Artist's Exhibition History; Catalogue Raisonne of Built Sculpture; A Note on Additional Images & Text; Contributors.…

Paperback. Condition: As New. Paperback. Cover shows very minor shelving wear, otherwise an unblemished copy.; 100% Satisfaction Guaranteed! Ships same or next business day.

Softcover. Quarto, 120 pages. In Very Good condition with a Very Good minus dust jacket. Spine orange, blue and beige with white lettering. Paperback binding. Dust jacket has mild shelf wear with minor wear to the joints and edges. Covers show extremely light wear. Text block has very slight edge wear. Profusely illustrated. NOTE: Shelved in Locked Annex Area, Netdesk Column QA (ND-QA). 1372300. FP New Rockville Stock.…

paperback. Condition: Like New. First Paperback Edition. Publisher: Goose Lane Editions, Toronto, 2011. FINE softcover in pictorial wraps, as issued. First Softcover Edition, First Printing. As new. Pristine.

Soft cover. Condition: Very Good. Dust Jacket Condition: Very Good. Some minor rubbing to text block edges.

Soft cover. Condition: Very Good. Exhibition Art Gallery of Ontario.217 pp, index, b/w and colour plates. Canadian art.

Paperback. Condition: New. BRAND NEW. Still Sealed in Publishers Shrinkwrap.

Hardcover. Condition: Very Good. 1st Edition. Exhibition publication illustrated with numerous color reproductions. Includes several critical essays and an interview with the artist. Issued with illustrated covers and no dust jacket. Upper corner of front flyleaf clipped, likely to remove a previous owner's name. No marks, inscriptions or fading to inside pages. Binding is firm. 128 pages. s252.…

paperback. Condition: As New. First Paperback Edition. Publisher: Art and Design, London, 1996. FINE softcover in glossy illustrated wraps, as issued. First Softcover Edition, Printing Unstated. As new. Pristine.

Hardcover. Condition: Very Good. [n.p.]. 4to. Small, faint stain to front board. Presents well. VG.

hardcover. Condition: Like New. First Edition. Publisher: Skira, Milano, 2009. FINE hardcover illustrated/pictorial boards, as issued. Text in English. Remainder dot, otherwise as new. First Edition. First Printing.

Moos, David (editor) et al. Summer: JULIAN SCHNABEL Paintings 1976-2007. 432 pages, roughly 200 color and b&w illustrations. 4to, cloth-backed boards. Milan, Skira, 2008. Exhibition in Rome, Milan, San Sebastian and Derneburg. Text in English. Previous owner's incription on the front pastedown.

Condition: Near Fine. First Edition. First Edition. Square octavo. Catalogue published on the occasion of an exhibition at the Art Gallery of Ontario (Feb. 24 - May 23, 2010), edited by curator David Moos, who also supplies a short essay. Thoroughly-illustrated, mostly color. Some marginal toning to pages, else near fine in illustrated boards.…