David Labelle (22 results)

Paperback. Condition: Fair.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condition: Very Good. Signed Copy . Inscribed by author on title page.

Paperback. Condition: Fair.

Condition: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Hardcover. Condition: UsedVeryGood. Hardcover; light fading, light shelf wear to exterior; bump to bottom corne r; light scrape to bottom page edge; otherwise in very good condition with clean text, firm binding.

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condition: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Paperback. Condition: Good. Jumbo-sized. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD.

hardcover. Condition: Very Good. VG+ Hardcover. No dust jacket. Clean copy. xvi + 440 pp.

Condition: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Printer Wrapper. Condition: Very Good. 120 pages. 28 cm. Couverture souple. Fasc. 1 : 1976-1900. Fasc. 2 : 1901-1909. Fasc. 3 : 1910-1919). Très bon.

Couverture rigide. Condition: Très bon. 353 p. Ill. reliure un peu défraîchie.

paperback. Condition: Good. Kernel Press, University of kentucky, no date., ca.2010?, 8-1/2"x11", paperbk., 130pp., many b&w photos., G $.

Soft Cover. Condition: Very Good. First Edition. First Edition (stated) First Prinitng with original $7.95-price to rear panel, in photo-illustrated white wraps with signed note from Wagoner to Jenijoy LaBelle, a friend from their days at the University of Washington while students of Theodore Roethke there; Wagoner is thanking LaBelle for her donation to Poetry Northwest, a journal he edited for many years and also encouraged her to see the film based on his book, The Escape Artist, starring Raul Julia and soon to be released; LaBelle was a longtime professor of literature at CalTech and author of the influential study of Roethke's poetry, The Echoing Wood of Theodore Roethke; book is unmarked and uncreased with light shelf/edge wear & toning, 3 poems about Wagoner's mother & father are briefly annotated by LaBelle, else a Fine First Edition copy, issued simultaneously in paper and hardcover; 8vo; 114pp. Signed by Author.…

Hardcover. Condition: New. No Jacket. 1st Edition.

Softcover. Condition: Sehr gut. 1. Auflage. Z : 24 x 33,5 cm, 288 Seiten/pages with 229 black-white images - The title of this book and the exhibition it documents Sounds Like Silence is ambiguous. On the one hand, silence effectively »sounds« or as Cage put it, »There is no such thing as silence.« On the other hand, sound needs silence in order to be heard. Even if complete silence does not exist, every sound implicitly conveys the notion of silence: there is no presence without absence. The double meaning of Sounds Like Silence therefore touches upon the central issues at stake in this project: what do we hear when there is nothing to hear; to what extent do we long for silence; and how much silence can we cope with provided it even exists? John Cage s 4 33 (four minutes, thirty-three seconds) premiered on August 29, 1952. This book presents new theoretical writings and artistic works referring to this groundbreaking work, together with original scores and the composer s own variations, derivatives, and sequels of the »silent piece« in the years from 1962 to 1992. …

96 pp.; 26.9 x 24 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue no. 67 of the periodical "art / text," edited by Susan Kandel. Contents include: "Lobby: Dinner at Frank's," by Liam Gillick; "Torpor: Deep Chaos," by Chris Kraus; "User: Wireless Cosmopolitans," by Peter Lunenfeld; "Report: 48th Venice Biennale," by Barry Schwabsky; "SITE: Santa Fe Third International Biennial," by Ellen Berkovitch; "TYPE: Professional Me," by Frances Stark; "APROPOS: Smithson, Shakespeare & Satan," by Robert Linsley; "Sally Elesby: Life is a Verb," by Sue Spaid; "Raafat Ishak: Personal Archive," by D.J. Huppatz; "Shaun Kirby: Slow Crawl of Necessity," by Stephen O'Connell; "The Red Eye," art by Jeremy Blake, text by Theresa Duncan; American Psychos: The End of Art Cinema in the '90s," by Laurence A. Rickels; "Thomas Demand: Paper Chases," by Nancy Princenthal; "Doug Aitkin: Immoral Video," by David Hunt; "The Family Firm: Andreas Gursky & German Photography," by Norman Bryson Reviews by Alex Coles, Jan Tumlir, David Hunt, Mai-Thu Perret, Fabrice Stroun, Jeffrey Kastner, Stuart Koop, Charles LaBelle, Ryan Whyte, Michelle Grabner, Barry Schwabsky, Terry R. Myers, Julie Joyce, Peter Frank, Roger Sullivan, Stephen O'Connell, Blair French, Regine Basha, Charles Green, Juliana Engberg, Ihor Holubizky, Lars Bang Larsen, and Gavin Wade. Cover: Thomas Demand. Very Good. Dust soiling of covers with original pricing sticker on bottom left corner of recto. Rubbing and dust soiling of verso. Light edgewear with bumping of top left corner of verso. Contents clean and unmarked. …

paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Fine. No Jacket. Publisher: John Wiley & Sons, Inc., 1985, FINE, HB, ISBN: 0-471-80154-2. Book.

Condition: very good. 28 cm, 463, wraps, figures, tables, appendices, references, some wear and soiling to covers, spine slightly faded Mass produced Dear Colleague letter from LaBelle laid in.

Brunoy puis Pontault-Combault. Directeurs de publication : Marie-Hélène Dhénin et Alain Frontier. Suite de 31 livraisons 21x29,5cm agrafés et collés sous couvertures imprimées et illustrées en deux tons, 38 pages, illustrées, notamment de photographies hors texte sur papier couché, par Marie-Hélène Dhénin. Numéros thématiques : n°22 : Jacques Demarcq, n°31 : Michèle Métail, n°33 : Parviz Khazraï, n°36 : Joël Hubaut, n°37 : Ben (Vautier), n°38 : Paul Nagy, n°39 : Poésie peule. Exemplaires en bon état . Bonne revue de poésie d'avant-garde qui compta 41 livraisons parues de 1979 à 1986. Livres.…