Language: English
Published by Addison-Wesley Longman Ltd, 1979
ISBN 10: 0883341247 ISBN 13: 9780883341247
Seller: GoldBooks, Denver, CO, U.S.A.
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Language: English
Published by Addison-Wesley Longman Ltd, 1979
ISBN 10: 0883341247 ISBN 13: 9780883341247
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Paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
Language: English
Published by Addison-Wesley Longman Ltd, 1979
ISBN 10: 0883341247 ISBN 13: 9780883341247
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Language: English
Published by Addison-Wesley Longman Ltd, 1979
ISBN 10: 0883341247 ISBN 13: 9780883341247
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Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
Language: English
Published by University Press of Kentucky, 2015
ISBN 10: 0813160561 ISBN 13: 9780813160566
Seller: GLOVER'S BOOKERY, ABAA, Lexington, KY, U.S.A.
First Edition
Hardcover. Condition: Fine+. 1st Edition. 9.10 X 6 X 1.10 inches; 312 pp; Excellent brand new book!
Language: English
Published by University Press of Kentucky, 2015
ISBN 10: 0813160561 ISBN 13: 9780813160566
Seller: GLOVER'S BOOKERY, ABAA, Lexington, KY, U.S.A.
First Edition
Hardcover. Condition: New. 1st Edition. 9.10 X 6 X 1.10 inches; 312 pp; Excellent book!
Language: English
Published by Independent School Press, 1979
ISBN 10: 0883341247 ISBN 13: 9780883341247
Seller: The Bookseller, Edmonton, AB, Canada
Soft cover. Condition: Very Good. Minor reading wear. Owner stamp on inside front cover. Otherwise a square, tight, unmarked book. 236 pages.
Language: English
Published by JRP | Ringier / ZHdK Zurich University of the Arts., 2018
ISBN 10: 3037645253 ISBN 13: 9783037645253
Seller: Antiquariat UEBUE, Zürich, Switzerland
First Edition
Softcover. Condition: Sehr gut. 1. Auflage. Z : 16 x 23 cm,320 pages, 255 color & 80 b/w illustrations - Stemming from the Master Fine Arts at the Zurich University of the Arts, this theoretical publication investigates educational processes and what it means to teach and learn fine arts in a city such as Zurich. It also reflects on the field works made by the MFA students in 2017 in Athens, Beirut, and Lesbos.
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 296 pages. German language. 7.81x5.06x0.67 inches. In Stock.
Language: English
Published by Addison-Wesley Longman Ltd, 1979
ISBN 10: 0883341247 ISBN 13: 9780883341247
Seller: SHIMEDIA, Brooklyn, NY, U.S.A.
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Language: German
Published by Libreria Editrice Viella, 2016
ISBN 10: 8867285599 ISBN 13: 9788867285594
Seller: Libro Co. Italia Srl, San Casciano Val di Pesa, FI, Italy
Brossura. Condition: new. A cura di Paul B. Testo Italiano, Inglese e Tedesco. Roma, 2016; br., pp. 660, ill. b/n, cm 15x21. (Venetiana). Libro.
Language: English
Published by CRC Press 2004-08-30, 2004
ISBN 10: 0415287006 ISBN 13: 9780415287005
Seller: Chiron Media, Wallingford, United Kingdom
Hardcover. Condition: New.
Language: English
Published by Longman Publishing Group, 1990
ISBN 10: 0801303966 ISBN 13: 9780801303968
Seller: Mispah books, Redhill, SURRE, United Kingdom
paperback. Condition: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.
Condition: NEW. Roma: Viella, 2016 9788867285594 Venetiana 18 809 590 p., lxxx p. of plates : ill. col. b/n, fotografie, indice, bibliografia ; 21 cm. The splendor of the tombs of the doges has always amazed visitors of Venice. Already in 1484, the German pilgrim Felix Faber noted: "Never have I seen more costly and extravagant tombs. Even the graves of the popes in Rome cannot compare with these." Indeed, designed by the greatest artists of the Serenissima, these often gigantic monuments belong to the most impressive and beautiful in the entire history of art. This is all the more surprising as the Venetian Republic was opposed to the cult of personality and the doge officially was only the primus inter pares, deprived of many privileges usually reserved for leaders of State. The tombs pursued multiple purposes, however. They not only commemorated the deceased ruler and facilitated the salvation of his soul. But they also served the doge's relatives who hoped to profit from his reputation and, moreover, they propagated the political system of the Serenissima. The tombs of the doges, thus, were always also monuments to the State and had to negotiate the tension between private and public concerns. It is the complex interaction between these conflicting interests that accounts for the tombs' central role in the political system of the Serenissima and explains why the monuments are of greatest importance not only for art historians but also for students of Venetian history and society in general. This interdisciplinary collection of essays penned by an international group of historians and art historians for the first. The splendor of the tombs of the doges has always amazed visitors of Venice. Already in 1484, the German pilgrim Felix Faber noted: "Never have I seen more costly and extravagant tombs. Even the graves of the popes in Rome cannot compare with these." Indeed, designed by the greatest artists of the Serenissima, these often gigantic monuments belong to the most impressive and beautiful in the entire history of art. This is all the more surprising as the Venetian Republic was opposed to the cult of personality and the doge officially was only the primus inter pares, deprived of many privileges usually reserved for leaders of State. The tombs pursued multiple purposes, however. They not only commemorated the deceased ruler and facilitated the salvation of his soul. But they also served the doge's relatives who hoped to profit from his reputation and, moreover, they propagated the political system of the Serenissima. The tombs of the doges, thus, were always also monuments to the State and had to negotiate the tension between private and public concerns. It is the complex interaction between these conflicting interests that accounts for the tombs' central role in the political system of the Serenissima and explains why the monuments are of greatest importance not only for art historians but also for students of Venetian history and society in general. This interdisciplinary collection of essays penned by an international group of historians and art historians for the first. Paul,Benjamin.