Daniel Stoopendaal (28 results)

Loose Leaf. Condition: New. Reproduction. Original title: Wrong street workers, 1824 German: Falsche Straßenarbeiter, 1824 French: Mauvais travailleurs de la rue, 1824 Spanish: Trabajadores de la calle equivocados, 1824 High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1824). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Condition: Gut. Konvolut von 11 Kupferstichen. 19 x 23,5 cm Blattgröße. 11 Kupferstiche mit Gartenansichten. Bütten. Schöne klare Drucke. Einzelne Braunflecken. Stich 34 und 50 am Kopf am Plattenrand beschnitten. Aus der Sammlung des (Garten)Kunsthistorikers Wolfgang Sörrensen (vs. mit Autograph in weichem Blei) In dem im Folio-Format gedruckten Werk waren usprünglich jeweils 2 Ansichten übereinander auf einer Seite gedruckt. Die hier angebotenen Stiche sind also teils die obere, teils die untere Hlfte einer Originalseite. Die Legende ist jeweils in holländischer und französischer Sprache. Von den insgesamt 60 Gartenansichten des Gesamtwerkes sind folgende 11 vorhanden: Nr. 5, Reigers Burg, de Lustplaets van den H. Dykgraaf Mr. Balzhazar Scott. Nr. 7, Reigersburg. Nr. 12, De twee Zuiker Molens. Nr. 13, Yslandt, de Lustplaets von den Hr. Joan Clemens. Nr. 27, de Hr. Jan Lups Gezicht. Nr. 31 Zorgwyks Gezicht.Nr. 33, Starrenbosch, de Hofstede van Hr. Loius de Kaar. Nr.34, Starrenboschs binnen Gezicht. Nr. 47, Overzicht , de Lustplaets van den Hr. Hendrik Hermansz. Nr. 49, Belvedere, den buiteplaets van den Hr. Pieter van den Broek. Nr. 50, Belvedere.Das Diemer Meer, ein Polder wurde 1629 trockengelegt. [Diemer-Meer].…

8º: */A-B 8 C 4, gepag.: 39 [1] pp. Papieren omslag. Van Aken II, p.81; CBMNL 1049 1050 Moulijn, De eerste jaren der lithografische prentkunst in Nederland (Den Haag 1927) p.34, 70; Waller, Noord Nederlandsche graveurs p.315 Stoopendaal (Amsterdam ca 1775 - Amsterdam 1829) is actief geweest als (toneel)schrijver, uitgever, (steen)tekenaar en steendrukker. Tussen 1797 en 1828 heeft hij een vijftiental blij- en kluchtspelen geschreven; tevens is hij de auteur van een succesvolle bundel verhalen en gedichtjes voor kinderen die het tot vier drukken gebracht heeft, de laatste in 1832. Verder heeft hij curieuze publicaties op zijn naam staan als: 'Werp-spel, geintituleerd: De tempel van 't geluk, met een reglement of order van hetzelve, geinventeerd door D.W. Stoopendaal' en 'Verklaring wegens het zoo veel geruchtmakende experiment, geintituleerd: Akustische kogel, of Onzichtbaar meisje'. S. Moulijn noemt van Stoopendaal (volgens hem een een onbeteekenend teekenaar) een viertal steendrukprenten uit 1824.…

No Binding. Condition: Good. Copper engraving of Daniel Stoopendaal's world map. This was based on the earlier map of Nicholas Visscher, showing both hemispheres, and notably missing the east cast of Australia, only part of the New Zealand coastline, California as a peninsula, and no north-west coast of America. The map uses Tasman's findings, and was used in Dutch family bibles in the late 17th and early 18th centuries. Dutch text on the verso headed Korte Beschrijving van de Landschappen des Werelts., (Short descriptions of the landscapes of the world.) 49 x 34 cm. Marginal tears and a small part An extremely interesting pre-Cook view of the world, particularlyy the Pacific regions.…

Condition: Fine. - A 6-1/8 inch high by 7-7/8 inch wide hand-colored engraving on a 6-5/8 inch high by 8-1/2 inch wide sheet of laid "J. Koor" watermarked laid paper. The engraving, titled in Dutch and French, is attractively hand-colored in pastel shades. Near fine. The engraving is attributed to Daniel Stoopendaal. [cf. Bà nà zit (Nouvelle ed.), 13:277. Thieme-Becker, 32:117]. Daniel Stoopendaal (1672-1726) was a Dutch engraver and draughtsman best known for his garden and landscape prints.The print was extracted from "De Zegepraalende Vecht, Vertoonende verscheidene Gesichten van Lustplaatsen, Heeren Huysen en Dorpen ; Beginnende van Uitrecht en met Muyden besluytende. La Triomphante Riviere de Vecht, Remonstrant diverses Veues des Lieux de Plaisances & Maisons Seignorales & Villages ; Commencant de Uitrecht & finissant avec Muyden", published by Nicolas Visscher in Amsterdam, 1719.…

Condition: Very good. - A 6-1/8 inch high by 7-7/8 inch wide hand-colored engraving on a 6-5/8 inch high by 8-1/2 inch wide sheet of laid paper. The engraving, titled in Dutch and French, is attractively hand-colored in pastel shades. The edges are very lightly creased. Near fine. The engraving is attributed to Daniel Stoopendaal. [cf. Bà nà zit (Nouvelle ed.), 13:277. Thieme-Becker, 32:117]. Daniel Stoopendaal (1672-1726) was a Dutch engraver and draughtsman best known for his garden and landscape prints.The print was extracted from "De Zegepraalende Vecht, Vertoonende verscheidene Gesichten van Lustplaatsen, Heeren Huysen en Dorpen ; Beginnende van Uitrecht en met Muyden besluytende. La Triomphante Riviere de Vecht, Remonstrant diverses Veues des Lieux de Plaisances & Maisons Seignorales & Villages ; Commencant de Uitrecht & finissant avec Muyden", published by Nicolas Visscher in Amsterdam, 1719.…

Condition: Fine. - A 6-1/8 inch high by 7-7/8 inch wide hand-colored engraving on a 6-7/8 inch high by 8-1/2 inch wide sheet of "J. Koor" watermarked laid paper. The engraving, titled in Dutch and French, is attractively hand-colored in pastel shades. Near fine. The engraving is attributed to Daniel Stoopendaal. [cf. Bà nà zit (Nouvelle ed.), 13:277. Thieme-Becker, 32:117]. Daniel Stoopendaal (1672-1726) was a Dutch engraver and draughtsman best known for his garden and landscape prints.The print was extracted from "De Zegepraalende Vecht, Vertoonende verscheidene Gesichten van Lustplaatsen, Heeren Huysen en Dorpen ; Beginnende van Uitrecht en met Muyden besluytende. La Triomphante Riviere de Vecht, Remonstrant diverses Veues des Lieux de Plaisances & Maisons Seignorales & Villages ; Commencant de Uitrecht & finissant avec Muyden", published by Nicolas Visscher in Amsterdam, 1719.…

Condition: Fine. - A 6-1/8 inch high by 7-7/8 inch wide hand-colored engraving on a 6-1/2 inch high by 8-1/4 inch wide sheet of watermarked laid paper. The engraving, titled in Dutch and French, is attractively hand-colored in pastel shades. There is minor faint creasing to the bottom edge. Near fine. The engraving is attributed to Daniel Stoopendaal. [cf. Bà nà zit (Nouvelle ed.), 13:277. Thieme-Becker, 32:117]. Daniel Stoopendaal (1672-1726) was a Dutch engraver and draughtsman best known for his garden and landscape prints.The print was extracted from "De Zegepraalende Vecht, Vertoonende verscheidene Gesichten van Lustplaatsen, Heeren Huysen en Dorpen ; Beginnende van Uitrecht en met Muyden besluytende. La Triomphante Riviere de Vecht, Remonstrant diverses Veues des Lieux de Plaisances & Maisons Seignorales & Villages ; Commencant de Uitrecht & finissant avec Muyden", published by Nicolas Visscher in Amsterdam, 1719.…

Condition: Very good. - A 6-1/8 inch high by 7-7/8 inch wide hand-colored engraving on a 6-1/2 inch high by 8-1/4 inch wide sheet of watermarked laid paper. The engraving, titled in Dutch and French, is attractively hand-colored in pastel shades. "pres Utrecht" and a number is discreetly penned below the French title. Near fine. The engraving is attributed to Daniel Stoopendaal. [cf. Bà nà zit (Nouvelle ed.), 13:277. Thieme-Becker, 32:117]. Daniel Stoopendaal (1672-1726) was a Dutch engraver and draughtsman best known for his garden and landscape prints.The print was extracted from "De Zegepraalende Vecht, Vertoonende verscheidene Gesichten van Lustplaatsen, Heeren Huysen en Dorpen ; Beginnende van Uitrecht en met Muyden besluytende. La Triomphante Riviere de Vecht, Remonstrant diverses Veues des Lieux de Plaisances & Maisons Seignorales & Villages ; Commencant de Uitrecht & finissant avec Muyden", published by Nicolas Visscher in Amsterdam, 1719.…

Condition: Very good. - A 6-1/8 inch high by 7-7/8 inch wide hand-colored engraving on a 6-7/8 inch high by 8-7/16 inch wide sheet of laid watermarked paper. The engraving, titled in Dutch and French, is attractively hand-colored in pastel shades. "La Haye" and a number is discreetly penned in ink beneath the Dutch title. Near fine. The engraving is attributed to Daniel Stoopendaal. [cf. Bà nà zit (Nouvelle ed.), 13:277. Thieme-Becker, 32:117]. Daniel Stoopendaal (1672-1726) was a Dutch engraver and draughtsman best known for his garden and landscape prints.The print was extracted from "De Zegepraalende Vecht, Vertoonende verscheidene Gesichten van Lustplaatsen, Heeren Huysen en Dorpen ; Beginnende van Uitrecht en met Muyden besluytende. La Triomphante Riviere de Vecht, Remonstrant diverses Veues des Lieux de Plaisances & Maisons Seignorales & Villages ; Commencant de Uitrecht & finissant avec Muyden", published by Nicolas Visscher in Amsterdam, 1719.…

8º: pi 2 A-B 8 C 4, gepag.: 38 [2] pp., met handgekleurd titelvignet in houtsnede. Papieren omslag. F & vd B p.762 l Het spel is opgedragen aan Willem I.

160 x 210 mm, original etching and engraving on laid pape. In good condition with margins. Buitenplaats Overzicht werd gesticht door Gerrit Groenhoven. Deze liet er ook een huis bouwen en gaf zijn naam Groenhoeven aan de nieuwe buitenplaats bij Amsterdam (Watergraafsmeer) - Schagerlaan. Bewoners: - Gerrit Groenhoven, Cornelis van Bambeek, Jacob Pauw, David van Mollen, Willem van Oosterwijk, Hendrik Hermansz, Herman Das en Marcellus Broen. …

210 x 250 mm, original etching and engraving on laid paper with watermark. In good condition with broad margins. With the text: Overzicht, inde kromme Schager-laan van de Poort naar het Huys te sien. This is an overview of the Buitenplaats Overzicht aan de Kromme Schagerlaan in Amsterdam. De klauwstukken op de gevel in de vorm van zeggoden en de windvaan in de vorm van een koopschip verwijzen naar handel en zeevaart. Buitenplaats Overzicht werd gesticht door Gerrit Groenhoven. Deze liet er ook een huis bouwen en gaf zijn naam Groenhoeven aan de nieuwe buitenplaats bij Amsterdam (Watergraafsmeer) - Schagerlaan. Bewoners: - Gerrit Groenhoven, Cornelis van Bambeek, Jacob Pauw, David van Mollen, Willem van Oosterwijk, Hendrik Hermansz, Herman Das en Marcellus Broen.…

165 x 210 mm. Original etching on laid paper. In good condition, plate cut to the edges. Plate nr. 14. Een deel van de tuin en de achtergevel van de buitenplaats Yslandt, gelegen aan de Middenweg ten zuiden van het Rechthuis. Straat: Middenweg.

Original copper-engraved map (c. 24 x 33 cm.) with surrounding vignettes (overall c.32 x 47 cm.). A few small pots, generally in very good condition overall. A fascinating if somewhat fictionalised view of the city of Jerusalem taken from the Keur bible with Dutch text to verso.

2 parts in 1 volume. Stoopendaal's lovely 98 views of the Vecht region, the favourite area for wealthy people from Amsterdam and Utrecht to build their country houses. "This illustrated work is an important source for the spectacular development of country life along the Vecht during the seventeenth and early eighteenth centuries" (The Anglo-Dutch Garden). The engravings are numbered in the lower right corner and have a few lines of engraved explanatory text in Dutch on the left and in French on the right underneath. The explanations in the preface are provided by Andries de Leth. The poem "Journey along the Vecht" by Claas Bruin, describing the illustrated houses, is present as usual. Some occasional spots, some waterstains in the upper margins, not touching the plates, one leaf with a corner torn-off and some water damage to the text leaves; a good copy. Binding heavily rubbed, spine chipped and partly cracked.l The Anglo-Dutch Garden 12; Hollstein XXVIII, p. 145, no. 55; STCN (8 copies, incl. 2 incomplete). Contemporary red half sheepskin, marbled sides. With engraved frontispiece, 1 engraved map of the river Vecht and 102 engravings on 51 leaves (numbered 1-98). Pages: [2], 16, 37, [1 blank] pp.…

A series of 32 prints, including the engraved title-page, by the etcher, engraver and draughtsman Daniel Stoopendaal (1672-1726) and etcher Laurens Scherm (fl. 1689-1701) in their second issue, executed by Leon Schenk and edited and published by Nicolaas Visscher: beautiful views of one of the most prestigeous country houses and gardens of the Dutch Republic, Clingendaal near The Hague, including prints showing the construction of the house and plans of both the house and gardens.The garden of the Clingendaal estate occupies a unique position in the development of garden art in the Netherlands, of crucial importance for the understanding of the development of French-inspired formal gardens at the time of Stadtholder Willem III (1650-1702), from 1689 King William III of England, Ireland and Scotland.Clingendaal was in possession of the wealthy and influencial Doublet family from 1591 to 1727. Philips Doublet II (1633-1707), inspired by the new French classical style and the gardens of Hofwijk - the country house of his father-in-law Constantijn Huygens, secretary to the Stadtholder/King William III - started the constructiion of the gardens as early as the 1670's and completed it in the early 1680's, establishing one of the first "French gardens" in Holland. Doublet's estate played a central role in the introduction and dissemination of French stylistic forms in Holland, which would culminate in garden layouts at Het Loo, De Voorst, Heemstede and Zeist. Philips Doublet, a real "gentleman-virtuoso" and dilettante architect, had married Susanna Huygens, the daughter of the famous scholar and humanist Constantijn Huygens. Doublet was a personal friend of Willem III, with whom he discussed matters concerning art and architecture.With the bookplate of H. Boekenoogen on the front paste-down, an owner's inscription in black ink "Jorn Copijn 1977" and a small bookbinder's label of " D.G. van Bommel Amsterdam" on the second free endleaf. Lacking print 33 by L. Scherm: an obilisque ina maze of tall hedges (Hollstein XXIV, Scherm 30). The binding shows some signs of wear around the corners and the spine, internally slightly soiled, but overall a good copy with wide margins.l The Anglo-Dutch garden in the age of William and Mary (1988), pp. 179-183; Hollstein XXIV, Scherm, 24-29 & 31-32 (= nos. 1, 6, 16, 19-20, 24, 31-32); Hollstein XXVIII, Stoopendaal, 18-41 (= nos. 2-5, 7-15, 17-18, 21-23, 25-30); Springer p. 45; STCN (4 copies). Blind- or black-tooled half calf (ca. 1900), marbled paper sides and endpapers. With 32 numbered engraved prints (13 x 16.5 cm), including the title-page, captioned in Dutch, with views of the country house and gardens of Clingendaal near The Hague, designed and etched and engraved by Daniel Stoopendaal, Laurens Scherm and Leon Schenk. Pages: [32] engraved ll.…

No binding. Condition: Fine. Dordrecht: Hendrik and Jacob Keur, ca. 1730 or later. Double-page engraved map of the HOLY LAND taken from the Dutch Keur State Bible (Staten Bijbel), 13 x 18 ½ inches. Includes large title cartouche surmounted by the Resurrection of Christ, lateral vignettes with strapwork decoration showing the Nativity and Crucifixion flanked by the four Evangelists. Noli me tangere-group and figures of three Marys at the Tomb placed between the map and title cartouche. REDUCED VERSION of Visscher's Bible map of the same title with figural additions by Daniel Stoopendaal.…

Condition: Very Good. Stoopendaal's double hemisphere map surrounded by intricate allegorical representations of the continents and Copernican and Ptolemaic solar systems in fine original color. The Island of California is shown after the Visscher model but with a modified northern coast. Dutch text to verso. ; 18.2 x 11.5 inches; All shipments through USPS insured Priority Mail. old 1063.…

View of the Amstel from the Hogesluis towards the Zuiderkerk Engraving with etching, on two sheets joined. Impressive view of the Amstel from the Hogesluis towards the Zuiderkerk. Daniël Stopendaal (1672-1726) was a Dutch artist and engraver. He was the son of the artist Bastiaen Stoopendaal. R.W.P. de Vries, auction, 1925: 275. …

View of the Dam with the Koninklijk Paleis and the Waag Engraving with etching on two sheets joined. The Dam Square or Dam, is the principal square in Amsterdam. The view is taken from the west, with the Town Hall (now the Koninklijk Paleis or Royal Palace) to the left and the now demolished Waag (or Weighing House) at the centre. The sqaure originally faced onto the landing wharfs along Damrak, which at that time would have been busy with ships. The town hall was opened on 29 July 1655 by Cornelis de Graeff, the mayor of Amsterdam.The main architect was Jacob van Campen, who took control of the construction project in 1648. It was built on 13,659 wooden piles and cost 8.5 million gulden. As the Dam was principally a market square, with goods being unloaded from the Damrak, the Waag (weigh house) was essential to maintain the correct weights and measures of goods. The Waag was demolished in demolished in 1808 by order of Louis Bonaparte who, upon taking up residence in the newly converted Royal Palace, complained that his view was obstructed. Daniël Stopendaal (1672-1726) was a Dutch artist and engraver. He was the son of the artist Bastiaen Stoopendaal. R.W.P. de Vries, auction, 1925: 290.…

(1e druk). Folio. (II)+16+(102) +37 pp. Met gegraveerde titelplaat van A. de Lairesse, kaart van de Vecht en omgeving vanaf de stad Utrecht tot Muiden & 98 platen van buitenplaatsen en dorpsgezichten van D. Stoopendaal (incl. plattegrond van de stad Utrecht) op 49 eenzijdig bedrukte bladen. Gebonden. Rood half schaapsleer uit de tijd, voor- en achterplat voorzien van recent marmerpapier. (Rug verkleurd; schutbladen vernieuwd, ex-libris op eerste blanke pag.; platen en tekst in zeer fraaie staat). * Bevat behalve de platen de volgende teksten: Verklaaring van de titel-plaat door Claas Bruin; Aan de Heeren liefhebberen van het Vecht-leven door Andries de Leth; De Vechtzang (gedicht) door Jan de Regt; Speelreis langs de Vechtstroom op de uitgegeevene Gezichten van de zeegepraalende Vecht (reisverslag in dichtvorm) door Claas Bruin. …

185 x 230 mm. Original etching on laid paper. In good condition with margins. View on the garden of Buitenplaats Quaerendo van Louis Renard, aan de Ringdijk tussen Schulpbrug en de Omval. With second text in French.

190 x 225 mm. Original etching on laid paper. In good condition with margins. Bottom side cut to the edges. Plate nr. 5 . View of buitenplaats Reigersburg in Amsterdam.

11 (van 12) gegraveerde gezichten met bijschriften in de plaat en volgnummers in druk "77"-"80" en "82"- "88", elk 16,5 x 20,8 cm. (plaat)/ 21,2 x 24,4 cm. (blad), zonder plaats, zonder uitgever, zonder jaar (Amsterdam, D. Stopendaal, 1719), los in vroeg 20e eeuws kartonnen bandje. = Collectie gezichten uit 'De zegepraalende Vecht, vertoonende verscheidene gesichten van lustplaatsen (.)' door D. Stoopendaal. Uitgegeven in 1719. Daniel Stoopendaal was actief in Amsterdam van 1685 tot 1713. "Lustplaats Petersburg" verwijst naar twee verschillende locaties: een historische buitenplaats in Nederhorst den Berg, die in 1705 werd aangelegd naar ontwerp van Simon Schijnvoet op de locatie van Huys ten Ham en ter ere van tsaar Peter de Grote werd omgedoopt tot Petersburg. Platen 86-87 met watervlek (voornamelijk op verso zichtbaar).…

handgekleurde litho, 22,5 x 24,2 cm. (beeld)/ blad ca.24 x 28,5 cm.), 1824, ingelijst achter glas (25 x 30,2 cm.). = Frederik Muller, Historieplaten 6215a. Spotprent op de pogingen van de firma J.H. Rupe & Zn om suiker in het klein te verkopen. Mannen vechten om stroop en suikerbroden op straat voor een winkel genaamd 'De Goude Schraper', waar suiker en stroop te koop wordt aangeboden. Naar aanleiding van het verbod te Amsterdam op de verkoop van suiker en stroop in kleine hoeveelheden. Niet bekeken uit de lijst.…

No binding. Condition: Good. De Beschryvingh van de Reysen Pauli en Van de Andere Apostolen. Met des Selfs Landen en Koningryke daer sy het Evangelium gepredikt heben. D. Stoopendaal Fec[it]. [Amsterdam, 1702]. Dimensões: 43x50 cm. (com passpartout: 52x60 cm). Soberbo mapa de Daniel Stoopendal e Jacob Keur, derivado de um mapa com o mesmo nome de Nicholas Visscher datado de 1645 e que, embora cartográficamente idêntico, apresenta elementos decorativos actualizados. À direita da cartela com o título há um pescador com uma âncora, marca de Visscher [Pescador) que usava a iconografia do pescador para identificar o seu património. Esta edição específica de 1702 para a Bíblia Keur é uma referência fundamental para o coleccionador de mapas da Terra Santa. O mapa cobre o Mediterrâneo oriental, desde a Sicília até à Terra Santa, e o território interior até ao Golfo Pérsico e ao Mar Cáspio, incluindo os territórios actuais de Israel, Palestina, Chipre, Jordânia, Líbano, Síria, Turquia, Geórgia, Arménia, Egipto e Iraque. As viagens de Paulo entre Canaã e Itália são representadas por uma linha pontilhada. Um pequeno navio no Mediterrâneo traça a viagem de S. Paulo da Judeia a Roma. As oito vinhetas que rodeiam o mapa mostram episódios do livro dos Actos, detalhando momentos críticos na vida de São Paulo e dos outros Apóstolos (incluindo a recepção do Espírito Santo, o milagre do coxo, o apedrejamento de Estêvão e a conversão de Paulo). Esta é uma das gravuras da Statenbijbel ou Statenvertaling holandesa, (primeira tradução da Bíblia das línguas originais hebraica, aramaica e grega para holandês, encomendada pelo Sínodo de Dordrecht 1618 e financiada pelo governo da República Protestante Holandesa), publicada pela primeira vez em 1637 e até 1760. A Bíblia Keur continha cinco ou seis mapas, nomeadamente: Werlt Karte, Paradys, Peregrinations, Canaan, Jerusalém, Reysen Pauli, e por vezes Reyse der Kinderen Israels . Daniel Stoopendaal (1672-1726) foi um gravador e cartógrafo holandês em Amesterdão durante a primeira metade do século XVIII. As obras mais notórias de Stoopendaal foram estas "re-gravuras" de mapas de Visscher da Terra Santa para serem incluídas na Bíblia de Keur. Dim: 43x50 cm. (with passpartout: 52x60 cm). A superb map by Daniel Stoopendal and Jacob Keur derived from a map of the same name from Nicholas Visscher, 1645, though cartographically identical, features updated decorative elements. Just to the right of the title cartouche there is a fisherman holding an anchor, the mark of Visscher (Fisher) who used the 'fisherman' iconography to identify his patrimony. This specific issue of 1702 for the Keur Bible is a fundamental reference for the collector of Holy Land maps. The map covers the eastern Mediterranean, from Sicily to the Holy Land, and inland as far as the Persian Gulf and the Caspian Sea, including the modern countries of Israel, Palestine, Cyprus, Jordan, Lebanon, Syria, Turkey, Georgia, Armenia, Egypt and Iraq. The travels of Paul between Canaan and Italy are represented by a dotted line. A small ship in the Mediterranean traces St. Paul s voyage from Judea to Rome. The eight vignettes surrounding the map show episodes from the book of the Acts, detailing critical moments in the lives of St. Paul and the other Apostles (including receiving the Holy Ghost, the miracle of the lame man, the stoning of Stephen, and the convertion of Paul). This is one of the engravings of the Dutch Statenbijbel or Statenvertaling, (first translation of the Bible from the original Hebrew, Aramaic and Greek languages into Dutch, ordered by the Synod of Dordrecht 1618 and financed by the government of the Protestant Dutch Republic) and first published in 1637, and until 1760. The Keur Bible contained five or six maps, namely: Werlt Karte, Paradys, Peregrinations, Canaan, Jerusalem, Reysen Pauli, and sometimes Reyse der Kinderen Israels . Daniel Stoopendaal (1672-1726) was a Dutch engraver and mapmaker active in Amsterdam during the first half of the 18th century. Stoopendaal s most notorious works were these 're-engravings' of Visscher maps of the Holy Land to be included in the Keur Bible. Language: Outros / Other Location/localizacao: Gravureiro Gav. 2-13.…

Set van 33 gravures, bijeengehouden door een touwtje, met gezichten en plattegronden. Goed exemplaar, brede marges. Hollstein (Stoopendaal) 18-41, (Scherm) 24-32: 2e staat van 2 (L. Schenk exc.).