Curtis Atherton (101 results)

Condition: New.

Condition: Very good. light shelfwear. 0 19 p.; 20 cm.

Paperback. Condition: Very Good. Paperback, VERY GOOD.

Paperback. Condition: Very Good. Paperback; 24mo 5" - 6" tall; 29 pages.

Soft cover. Condition: Good. No Jacket. Condition is good + for age. 40 pages; 11 black and white depictions of work; 5.75" h x 3.5" w. Cover has ragged edges; liquid stain/wave on front side, stamp on back "Department of Prints and Drawings". Front page has small corner crease on bottom corner and pencil notation "Second series"; otherwise pages are clean and binding is tight. A very nice copy. Art Catalog.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Fair. 1st Edition. First 4to, cloth. 254 pp, 195 b/w illustrations, index. The first edition, lacking one print and several indices found in the second edition, which was published the following year. Freitag 591; Lucas, p. 124; Riggs, p. 85 (all citing the revised edition except Riggs, who cites both editions). Binding shaken but still sound; internally good, but with gift inscriptions on the front flyleaf; spine discoloration and fraying at the head.…

Paperback. Condition: Very Good. 2nd. 19 pages, illustrations; 15 cm. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. Size: 24mo.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Paperback. Condition: Very good. second edition. 4 x 6 in. Paper wraps. Condition is VERY GOOD ; covers a touch toned, minor wear. Binding tight, text unmarked. Art. Stax.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. In English.

Soft cover. Condition: Very Good. Self-wrappers. Cord-bound. 10 pp., of which pp. 3-8 are an instructional essay on the technique of lithography. Printed in light carmine ink on buff-colored paper. The Keppel firm was one of the leading print dealers of its day.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Revised edition (i.e. second edition updating original book issued October 1927). 279 pages. Hardcover: H 31.75cm x L 24.25cm. No dust jacket (i.e. lacking). Brown cloth well toned and soiled; some cloth loss at frayed spine ends; boards' beveled edges worn at corners. Birmingham, Alabama artist Max Heldman's copy with his ink signature at top of front free endpaper (book acquired directly from the estate of his son Alan Wohl Heldman). Studio Book Shop, Birmingham, Alabama bookseller ticket at ffep's bottom left. Toning/foxing, soiling, and some stains to interior leaves. Binding shaken at front hinge and at book center between plates 88-89 and 104-105 with that interlaying quire slightly pulled. Only a good copy at best. LoC catalog cites their 1927 edition has only having 254 pages so evidently this second edition has some notable additions/revisions. Please note that this large book has an approximate shipping weight of 5 pounds (2.26 kg) and may require additional postage for any postal class other than domestic Media Mail.…

Condition: New. In English.

Paperback. Condition: New. Print on Demand. This comprehensive guide offers a thorough exploration of various printmaking techniques, including engraving, etching, woodcutting, and lithography. The author provides insights into the historical evolution of printmaking, tracing its origins to early artistic practices and highlighting influential figures and movements. Delving into the technical aspects, the book examines the tools, materials, and processes employed in each technique. It explains the differences between intaglio (below-the-surface) and relief (above-the-surface) printing, sharing valuable information on preparatory steps, engraving with a burin, and the use of etching ground. Furthermore, the book delves into the nuances of color printing and the distinctions between original and interpretative prints. It emphasizes the importance of understanding the artist's role in printmaking, discussing the significance of signed proofs and the practice of remarque additions. Throughout the book, the author engages in thought-provoking discussions on the artistic value of prints, challenging common misconceptions and shedding light on their enduring appeal. By providing a wealth of practical and historical knowledge, this book serves as an invaluable resource for printmakers, art enthusiasts, and anyone seeking a deeper understanding of this captivating art form. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.…

Paperback. Condition: New. Print on Demand. This book provides a comprehensive guide to printmaking techniques, encompassing both traditional and contemporary methods. It begins by delving into the history and evolution of printmaking, situating it within the broader context of art history. The author explores various printmaking processes in detail, including engraving, etching, aquatint, mezzotint, lithography, and wood-engraving. Each technique is explained thoroughly, from its origins and characteristics to the tools and materials employed. The text is richly illustrated with examples of prints from different periods, showcasing the diverse range of styles and effects achievable through these techniques. Beyond the technical aspects, this book examines the artistic and creative possibilities of printmaking. The author discusses how printmaking allows for experimentation, collaboration, and the dissemination of artistic ideas. It sheds light on the role of printmaking in transmitting knowledge, promoting social commentary, and fostering artistic exchange throughout history. This book serves as an invaluable resource for anyone interested in printmaking, whether as an artist, art enthusiast, or student. It offers a wealth of insights into the techniques, history, and significance of this captivating art form, empowering readers to appreciate and engage with prints on a deeper level. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.…