Cunningham Imogen and Margery Mann (8 results)

Softcover, good condition: some light brown spotting to first and last page and page edges; some random spots in the margins of a few pages; but they do not interfere with the illustrations or text. Profusely Illustrated (illustrator).

Softcover, very good condition except light yellowing to covers; no internal marks. Foreign shipping may be extra.

First Edition. First edition. Exhibition brochure for a show that ran September 19 through October 19, 1973. Single sheet folded once to create 4 pages. Text by Margery Mann. Includes 1 black and white images and a checklist of 49 works. A very good plus copy with some very minor wear. Scarce ephemera.…

First Edition. First edition. Softcover. 110 pages. Exhibition catalog for a show that ran March 23 through April 21, 1974. Features a foreword by LaMar Harrington and an introduction by Margery Mann. Includes over 70 black and white images, a checklist, a list of previous exhibitions, and a selected bibliography. A clean very near fine copy in photo-illustrated wrappers. Signed and inscribed by Cunningham on the title page to another photographer. Profusely Illustrated (illustrator). Signed.…

Paperback. Condition: Near Fine. 1st. 110 pages, illustrations; 29 cm. Index of Art in the Pacific Northwest Series, no. 7. Published in connection with an exhibition shown at the Henry Art Gallery, University of Washington, March 23 to April 21, 1974. PRESENTATION COPY. Signed by the photographer Imogen Cunningham in the year of publication, with a personalized inscription. Age toning. *** CONTENTS: I. Early years in Washington, 1910-1915; II. Northern California portraits, 1921-1936; III. Artists, actors, writers, 1923-1940; IV. Plants, 1923-1946; V. Later portraits, 1953-1973; VI. Heads, legs, hands, 1965-1973. Size: 4to. SIGNED. Collectible.…

Hardcover with dustjacket, unpaginated; good condition: the dj has moderate degree of rubbing marks, mostly vertical black lines near the edges; internally very good condition; no internal marks. Signed "Imogen Cunningham" on a plain white card which is taped to the first blank page. Laid in is a copy of a typed letter on Cunningham's stationary sent to Lee Witkin in 1975. Also laid in are 4 stapled Xeroxed pages from the Friends of Imogen Cunningham regarding the proposal for a Cunningham commemorative stamp. Many newspaper clippings and exhibition announcement card also laid in. Foreign shipping may be extra.…

Hardcover. Condition: Near Fine. Dust Jacket Condition: Fine. First Edition. 4to. Unpaginated. Introduction by Margery Mann. Filled throughout with Cunningham's photographs. Half black cloth binding with black cloth-covered boards, stamped lettering on spine. Slight age-toning to upper edge of leaves. Near Fine in Fine dust jacket, price of $12.50 intact on front flap.Inscribed by the photographer on the title page: "Imogen Cunningham / is still making moves first for Polly" Born in Portland, OR, Cunningham studied at the UW and in Germany, then worked under Edward S. Curtis. While developing her style in Seattle, she married Roi Partridge, a noted printmaker whose renown was eventually eclipsed by Cunningham. Cunningham exhibited locally and came to the attention of Edward Weston, eventually settling in San Francisco. Her images have retained an elegant poetry. Dust jacket now protected in a clear, removable archival sleeve. Imogen Cunningham Roi Partridge (illustrator).…

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. 4to. Unpaginated. Introduction by Margery Mann. Filled throughout with Cunningham's photographs. Half black cloth binding with black cloth-covered boards, stamped lettering on spine. Slight age-toning to upper edge of leaves. Near Fine in Fine dust jacket, price of $12.50 intact on front flap. Born in Portland, OR, Cunningham studied at the UW and in Germany, then worked under Edward S. Curtis. While developing her style in Seattle, she married Roi Partridge, a noted printmaker whose renown was eventually eclipsed by Cunningham. Cunningham exhibited locally and came to the attention of Edward Weston, eventually settling in San Francisco. Her images have retained an elegant poetry. Dust jacket now protected in a clear, removable archival sleeve. Imogen Cunningham Roi Partridge (illustrator). …